“What are you supposed to do with all the love you have for somebody if that person is no longer there? What happens to all that leftover love? Do you suppress it? Do you ignore it? Are you supposed to give it to someone else?”
― Maggie O'Farrell, quote from After You'd Gone
“I don't believe in fate. I don't believe in cushioning your insecurities with a system of belief that tells you 'Don't worry. This may be your life but you're not in control. There is something or someone looking out for you -- it's already organised.' It's all chance and choice, which is far more frightening.”
― Maggie O'Farrell, quote from After You'd Gone
“She has spent most of the day reading and is feeling rather out of touch with reality, as if her own life has become insubstantial in the face of the fiction she's been absorbed in.”
― Maggie O'Farrell, quote from After You'd Gone
“Why isn't life better designed so it warns you when terrible things are about to happen?”
― Maggie O'Farrell, quote from After You'd Gone
“An English teacher at school once said to her, 'Alice, one thing I hope you never find out is that a broken heart hurts physically.' Nothing she has ever experienced has prepared her for the pain of this. Most of the time her heart feels as though it's waterlogged and her ribcage, her arms, her back, her temples, her legs all ache in a dull, persistent way: but at times like this the incredulity and the appalling irreversibility of what has happened cripple her with a pain so bad she often doesn't speak for days.”
― Maggie O'Farrell, quote from After You'd Gone
“Edinburgh suited Ann; she liked the tall, dignified buildings of grey stone, the short days that sank into street-lamped evenings at five o'clock, and the dual personality of the city's main street, which on one side had glittering shops and on the other the green sweep of Princes Street Gardens.”
― Maggie O'Farrell, quote from After You'd Gone
Maggie O'Farrell
Born place: Coleraine, Ireland
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“It’s WA today, Minna,” called Orson from across the room, Orson’s name for Wolfgang Amadeus Mozart. Orson played second violin with a sloppy serenity, rolling his eyes and sticking out his tongue, his bowing long and sweeping and beautiful even when out of tune. “If you must make a mistake,” he had quoted, “make it a big one.” Was it Heifetz who had said it? Perlman? Zukerman maybe?”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
“Maybe part of find what you wanted was recognizing what you didn't want. Maybe there was hope for me yet.”
― Claire Cook, quote from Must Love Dogs
“There's a certain language, a dying language, and I can't remember who speaks it or where in the world they are, but in that language the future is referred to as being behind us. It must be behind us, since we can see the past. We walk backwards, blind, into the future, only knowing where we've already been.”
― Andra Brynn, quote from Where I End and You Begin
“Through the trees there was a motion, a person walking on the road. Isabelle watched as the girl - it was Amy - moving slowly and with her head down, came up the gravel driveway. The sight of her pained Isabelle. It pained her terribly to see her, but why?
Because she looked unhappy, her shoulders slumped like that, her neck thrust forward, walking slowly, just about dragging her feet. This was Isabelle's daughter; this was Isabelle's fault. She hadn't done it right, being a mother, and this youthful desolation walking up the driveway was exactly proof of that. But then Amy straightened up, glancing toward the house with a wary squint, and she seemed transformed to Isabelle, suddenly a presence to be reckoned with. Her limbs were long and even, her breasts beneath her T-shirt seemed round and right, neither large or small, only part of some pleasing symmetry; her face looked intelligent and shrewd. Isabelle, sitting motionless in her chair, felt intimidated.
And angry. The anger arrived in one quick thrust. It was the sight of her daughter's body that angered her. It was not the girl's unpleasantness, or even the fact that she had been lying to Isabelle for so many months, nor did Isabelle hate Amy for taken up all the space in her life. She hated Amy because the girl had been enjoying the sexual pleasures of a man, while she herself had not.”
― Elizabeth Strout, quote from Amy and Isabelle
“Love to a woman is what the sun is to the world, it is her life, her animating principle, without which she must droop, and, if the plant be very tender, die. Except under its influence, a woman can never attain her full growth, never touch the height of her possibilities, or bloom into the plenitude of her moral beauty. A loveless marriage dwarfs our natures, a marriage where love is develops them to their utmost.”
― H. Rider Haggard, quote from Dawn
Wonder
Lover Awakened
Neuromancer
Redeeming Love
The Waste Land
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