“I don’t know you, not because I didn’t ask the right questions, but because you never trusted me enough to let me in. You’re right about me, I want more. I want all of you.”
― Sarah Grimm, quote from After Midnight
“I don’t know you, not because I didn’t ask the right questions, but because you never trusted me enough to let me in. You’re right about me, I want more. I want all of you.”
― Sarah Grimm, quote from After Midnight
“For two weeks, he’d come here after putting in a twelve-hour day at the studio. Two long weeks of watching, aching. And for what? Isabeau Montgomery wanted nothing to do with him. She had him completely at her feet, and she didn’t even know it. Hell, had she known, she most likely wouldn’t care.”
― Sarah Grimm, quote from After Midnight
“The girl you’re looking for no longer exists. She died thirteen years ago. The woman who’s left, she’s just a bartender.”
― Sarah Grimm, quote from After Midnight
“When I finally get you alone, with no one to interrupt us and no where to be...It isn't going to be fast.”
― Sarah Grimm, quote from After Midnight
Sarah Grimm
Born place: in The United States
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“I have sometimes thought that the mere hearing of those songs would do more to impress some minds with the horrible character of slavery, than the reading of whole volumes of philosophy on the subject could do.
I did not, when a slave, understand the deep meaning of those rude and apparently incoherent songs. I was myself within the circle; so that I neither saw nor heard as those without might see and hear. They told a tale of woe which was then altogether beyond my feeble comprehension; they were tones loud, long, and deep; they breathed the prayer and complaint of souls boiling over with bitterest anguish. Every tone was a testimony against slavery, and a prayer to God for deliverance from chains. The hearing of those wild notes always depressed my spirit, and filled me with ineffable sadness. I have frequently found myself in tears while hearing them. The mere recurrence to those songs, even now, afflicts me; and while I am writing these lines, an expression of feeling has already found its way down my cheek. To those songs I trace my first glimmering conception of the dehumanizing character of slavery. I can never get rid of that conception. Those songs still follow me, to deepen my hatred of slavery, and quicken my sympathies for my brethren in bonds. If any one wishes to be impressed with the soul-killing effects of slavery, let him go to Colonel Lloyd's plantation, and, on allowance-day, place himself in the deep pine woods, and there let him, in silence, analyze the sounds that shall pass through the chambers of his soul, - and if he is not thus impressed, it will only be because "there is no flesh in his obdurate heart."
I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears. At least, such is my experience. I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.”
― Frederick Douglass, quote from Narrative of the Life of Frederick Douglass
“I'd like to give you my heart, but since that might be inconvenient, I've brought you someone else's.”
― Annette Curtis Klause, quote from Blood and Chocolate
“Only Evil and Greater Evil exist and beyond them, in the shadows, lurks True Evil. True Evil, Geralt, is something you can barely imagine, even if you believe nothing can still surprise you. And sometimes True Evil seizes you by the throat and demands that you choose between it and another, slightly lesser, Evil.”
― Andrzej Sapkowski, quote from The Last Wish
“You're awfully dark, brother," he said. "You don't know how dark.”
― Ernest Hemingway, quote from The Garden of Eden
“Hey, he's not using a holster," I said, glancing at Alex's on the dresser. He laughed out loud. "Yeah, I guess he must want something shooting off. It'd be so great if these things were true to life - the next scene would show him at hospital like, clutching himself in agony."'Angel - L.A.Weatherly”
― L.A. Weatherly, quote from Angel
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