“When stones lying warm in the sun were turned over, they exposed the cold, damp earth underneath; and that was where Masako had burrowed deep. There was no trace of warmth in this dark earth, yet for a bug curled up tight in it, it was a peaceful and familiar world.”
― Natsuo Kirino, quote from Out
“You know," she murmured, "we're all heading straight to hell."
"Yes," said Masako, giving her a bleak look. "It's like riding downhill with no brakes."
"You mean, there's no way to stop?"
"No, you stop all right - when you crash.”
― Natsuo Kirino, quote from Out
“I want to go home.' The moment the smell hit her, the words came into her head. She didn't know exactly what home it was she wanted to go to, certainly not the one she'd just left. But why didn't she want to go back there? And where did she want to go? She felt lost.”
― Natsuo Kirino, quote from Out
“The woman had gasped beneath his heavy body. He rubbed against her, lubricated by the warm, sticky liquid, but as her body gradually grew cold, he felt as though they'd been glued together. She seemed to be see-sawing between agony and ecstasy, but finally Satake pressed his lips over hers to quiet the groans-of pain or pleasure-that were leaking from her mouth. He found the hole that he had made in her side and worked his finger deep into the opening. Blood was pumping from the wound, staining their sex a gruesome crimson. He wanted to get further inside, to melt into her. As he was about to come, he pulled his lips from her and she whispered in his ear: "I'm finished . . . finished."
"I know," he'd said, and he could still hear the exact sound of his own voice.”
― Natsuo Kirino, quote from Out
“Pritisnila je na gumb dvigala. Šla bo in kupila letalsko vozovnico. Svoboda, ki jo išče, je njena, ne Satakejeva, ne Jajoina, ne Jošijina, in prepričana je bila, da mora biti tam nekje zunaj. Če so se za njo zaprla še ena vrata, nima druge izbire, kot da najde nova in jih odpre. Dvigalo, ki ji je prišlo naproti, je ječalo kot veter.
END.”
― Natsuo Kirino, quote from Out
“Did you pick out this outfit?" he asked, looking at her clothes.
"No," she said. She was wearing a cheap, bright red dress that she'd been given by another girl from the bar who shared the same apartment. "Someone gave it to me."
"I thought so," said Satake. "It doesn't suit you."
Then buy me on that does!--that was the sort of thing she would learn to say only later. That night she had just smiled vaguely to cover her embarrassment.”
― Natsuo Kirino, quote from Out
“She could see now why she'd crossed over the line. She hadn't understood that it was despair that made her seek out this other world. That was her motive, her reason for helping Yayoi. But what had been waiting for her on the other side? Nothing, that's what. She stared down at her white hands still gripping the sofa. If they came now and arrested her, they'd never be able to find out why she'd done it; they'd find no trace of what had spurred her on. She could hear the sound of doors closing behind her, leaving her utterly alone.”
― Natsuo Kirino, quote from Out
Natsuo Kirino
Born place: in Kanazawa, Ishikawa Prefecture, Japan
Born date October 7, 1951
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“Style still matters, for at least three reasons. First, it ensures that writers will get their message across, sparing readers from squandering their precious moments on earth deciphering opaque prose. When the effort fails, the result can be calamitous-as Strunk and White put it, "death on the highway caused by a badly worded road sign, heartbreak among lovers caused by a misplaced phrase in a well-intentioned letter, anguish of a traveler expecting to be met at a railroad station and not being met because of a slipshod telegram." Governments and corporations have found that small improvements in clarity can prevent vast amounts of error, frustration, and waste, and many countries have recently made clear language the law of the land.
Second, style earns trust. If readers can see that a writer cares about consistency and accuracy in her prose, they will be reassured that the writer cares about those virtues in conduct they cannot see as easily. Here is how one technology executive explains why he rejects job applications filled with errors of grammar and punctuation: "If it takes someone more than 20 years to notice how to properly use it's, then that's not a learning curve I'm comfortable with." And if that isn't enough to get you to brush up your prose, consider the discovery of the dating site OkCupid that sloppy grammar and spelling in a profile are "huge turn-offs." As one client said, "If you're trying to date a woman, I don't expect flowery Jane Austen prose. But aren't you trying to put your best foot forward?"
Style, not least, adds beauty to the world. To a literate reader, a crisp sentence, an arresting metaphor, a witty aside, an elegant turn of phrase are among life's greatest pleasures. And as we shall see in the first chapter, this thoroughly impractical virtue of good writing is where the practical effort of mastering good writing must begin.”
― Steven Pinker, quote from The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century
“Shekiba-e-shola? Are you joking? He’ll take one look at her and come after us demanding twice what we owe!”
― Nadia Hashimi, quote from The Pearl That Broke Its Shell
“A word is the only thing in the world made more powerful by absence than existence.”
― Rae Carson, quote from The Bitter Kingdom
“They passed the Gates of Thermopylae the following day and Alexander stopped to visit the tombs of the Spartan soldiers who had fallen one hundred and forty years previously during their battle with the Persian invaders. He read the simple inscription in Laconian dialect that commemorated their ultimate sacrifice and he stood in silence listening to the wind blowing in from the sea.
How ephemeral is the destiny of man!’ he exclaimed. ‘All that is left of the thunder of a momentous clash which shook the whole world and an act of heroism worthy of Homer’s verses are these few lines. All is quiet now.”
― Valerio Massimo Manfredi, quote from Alexander: Child of a Dream
“From an early age, you’ve learned never to trust anyone but yourself. You let almost no one help you, but the ones you do allow into your life have special significance to you: you love them, even when sometimes you wish that you didn’t. Because when you love someone, Kricket, it means you’re completely loyal to that person, you’ll sacrifice anything for him—even your life. How am I doing so far?” I”
― Amy A. Bartol, quote from Sea of Stars
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