“When stones lying warm in the sun were turned over, they exposed the cold, damp earth underneath; and that was where Masako had burrowed deep. There was no trace of warmth in this dark earth, yet for a bug curled up tight in it, it was a peaceful and familiar world.”
― Natsuo Kirino, quote from Out
“You know," she murmured, "we're all heading straight to hell."
"Yes," said Masako, giving her a bleak look. "It's like riding downhill with no brakes."
"You mean, there's no way to stop?"
"No, you stop all right - when you crash.”
― Natsuo Kirino, quote from Out
“I want to go home.' The moment the smell hit her, the words came into her head. She didn't know exactly what home it was she wanted to go to, certainly not the one she'd just left. But why didn't she want to go back there? And where did she want to go? She felt lost.”
― Natsuo Kirino, quote from Out
“The woman had gasped beneath his heavy body. He rubbed against her, lubricated by the warm, sticky liquid, but as her body gradually grew cold, he felt as though they'd been glued together. She seemed to be see-sawing between agony and ecstasy, but finally Satake pressed his lips over hers to quiet the groans-of pain or pleasure-that were leaking from her mouth. He found the hole that he had made in her side and worked his finger deep into the opening. Blood was pumping from the wound, staining their sex a gruesome crimson. He wanted to get further inside, to melt into her. As he was about to come, he pulled his lips from her and she whispered in his ear: "I'm finished . . . finished."
"I know," he'd said, and he could still hear the exact sound of his own voice.”
― Natsuo Kirino, quote from Out
“Pritisnila je na gumb dvigala. Šla bo in kupila letalsko vozovnico. Svoboda, ki jo išče, je njena, ne Satakejeva, ne Jajoina, ne Jošijina, in prepričana je bila, da mora biti tam nekje zunaj. Če so se za njo zaprla še ena vrata, nima druge izbire, kot da najde nova in jih odpre. Dvigalo, ki ji je prišlo naproti, je ječalo kot veter.
END.”
― Natsuo Kirino, quote from Out
“Did you pick out this outfit?" he asked, looking at her clothes.
"No," she said. She was wearing a cheap, bright red dress that she'd been given by another girl from the bar who shared the same apartment. "Someone gave it to me."
"I thought so," said Satake. "It doesn't suit you."
Then buy me on that does!--that was the sort of thing she would learn to say only later. That night she had just smiled vaguely to cover her embarrassment.”
― Natsuo Kirino, quote from Out
“She could see now why she'd crossed over the line. She hadn't understood that it was despair that made her seek out this other world. That was her motive, her reason for helping Yayoi. But what had been waiting for her on the other side? Nothing, that's what. She stared down at her white hands still gripping the sofa. If they came now and arrested her, they'd never be able to find out why she'd done it; they'd find no trace of what had spurred her on. She could hear the sound of doors closing behind her, leaving her utterly alone.”
― Natsuo Kirino, quote from Out
Natsuo Kirino
Born place: in Kanazawa, Ishikawa Prefecture, Japan
Born date October 7, 1951
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“Failure concentrates the mind wonderfully. If you don't make mistakes, you're not trying hard enough.”
― Jasper Fforde, quote from The Well of Lost Plots
“Hope was supposed to be a good thing, but it was starting to feel like every other four-letter word you're not supposed to say.”
― Elizabeth Scott, quote from Perfect You
“Humor is a petal on the flower of hope, and hope blossoms on the vine of faith. They have faith in each other and faith that life has meaning, and from this faith comes their indefatigable good humor, which is their greatest gift to each other—and to me.”
― Dean Koontz, quote from Life Expectancy
“As a writer you slant all evidence in favor of the conclusions you want to produce and you rarely tilt in favor of the truth. ...This is what a writer does: his life is a maelstrom of lying. Embellishment is his focal point. This is what we do to please others. This is what we do in order to flee ourselves. A writer's physical life is basically one of stasis, and to combat this constraint, an opposite world and another self have to be constructed daily. ...the half world of a writer's life encourages pain and drama, and defeat is good for art: if it was day we made it night, if it was love we made it hate, serenity becomes chaos, kindness became viciousness, God became the devil, a daugher became a whore. I had been inordinately rewarded for participating in this process, and lying often leaked from my writing life--an enclosed sphere of consciousness, a place suspended outside of time, where the untruths flowed onto the whiteness of a blank screen--into the part of me that was tactile and alive.”
― Bret Easton Ellis, quote from Lunar Park
“Case closed, game over, zip up your fly.”
― Stephen King, quote from Black House
The Physician
The New York Trilogy
Women
Nevermore
Kindred
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