“When stones lying warm in the sun were turned over, they exposed the cold, damp earth underneath; and that was where Masako had burrowed deep. There was no trace of warmth in this dark earth, yet for a bug curled up tight in it, it was a peaceful and familiar world.”
― Natsuo Kirino, quote from Out
“You know," she murmured, "we're all heading straight to hell."
"Yes," said Masako, giving her a bleak look. "It's like riding downhill with no brakes."
"You mean, there's no way to stop?"
"No, you stop all right - when you crash.”
― Natsuo Kirino, quote from Out
“I want to go home.' The moment the smell hit her, the words came into her head. She didn't know exactly what home it was she wanted to go to, certainly not the one she'd just left. But why didn't she want to go back there? And where did she want to go? She felt lost.”
― Natsuo Kirino, quote from Out
“The woman had gasped beneath his heavy body. He rubbed against her, lubricated by the warm, sticky liquid, but as her body gradually grew cold, he felt as though they'd been glued together. She seemed to be see-sawing between agony and ecstasy, but finally Satake pressed his lips over hers to quiet the groans-of pain or pleasure-that were leaking from her mouth. He found the hole that he had made in her side and worked his finger deep into the opening. Blood was pumping from the wound, staining their sex a gruesome crimson. He wanted to get further inside, to melt into her. As he was about to come, he pulled his lips from her and she whispered in his ear: "I'm finished . . . finished."
"I know," he'd said, and he could still hear the exact sound of his own voice.”
― Natsuo Kirino, quote from Out
“Pritisnila je na gumb dvigala. Šla bo in kupila letalsko vozovnico. Svoboda, ki jo išče, je njena, ne Satakejeva, ne Jajoina, ne Jošijina, in prepričana je bila, da mora biti tam nekje zunaj. Če so se za njo zaprla še ena vrata, nima druge izbire, kot da najde nova in jih odpre. Dvigalo, ki ji je prišlo naproti, je ječalo kot veter.
END.”
― Natsuo Kirino, quote from Out
“Did you pick out this outfit?" he asked, looking at her clothes.
"No," she said. She was wearing a cheap, bright red dress that she'd been given by another girl from the bar who shared the same apartment. "Someone gave it to me."
"I thought so," said Satake. "It doesn't suit you."
Then buy me on that does!--that was the sort of thing she would learn to say only later. That night she had just smiled vaguely to cover her embarrassment.”
― Natsuo Kirino, quote from Out
“She could see now why she'd crossed over the line. She hadn't understood that it was despair that made her seek out this other world. That was her motive, her reason for helping Yayoi. But what had been waiting for her on the other side? Nothing, that's what. She stared down at her white hands still gripping the sofa. If they came now and arrested her, they'd never be able to find out why she'd done it; they'd find no trace of what had spurred her on. She could hear the sound of doors closing behind her, leaving her utterly alone.”
― Natsuo Kirino, quote from Out
Natsuo Kirino
Born place: in Kanazawa, Ishikawa Prefecture, Japan
Born date October 7, 1951
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“Pain of the past never goes away, you just find a way to deal with it. And in the future....... all the promise it holds.... that's what keeps you moving forward, and out of the darkness.”
― Samantha Towle, quote from Trouble
“I remember about the inside of the house,” Joel went on, “was that the radio wasn’t playing—it was buzzing, like it was picking up static. Anyway, we got out of the house and decided to run up to the university campus to call somebody. I’ll never forget that. There were dogs outside, and when they saw us running, they started to run with us too. But when they got close, they ran backwards! And the birds—as we ran along, the whole woods were full of screeching birds!”
― quote from The Demonologist: The Extraordinary Career of Ed and Lorraine Warren
“There’s a thin line between saving someone and helping them destroy themselves”
― Lara Zielin, quote from The Waiting Sky
“She wore leopard-skin leggings, a tight black turtleneck sweater and sparkly red heels. I don't make this stuff up.”
― Kate Carlisle, quote from Homicide in Hardcover
“Suppose that a man leaps out of a burning building—as my dear friend and colleague Jeff Goldberg sat and said to my face over a table at La Tomate in Washington not two years ago—and lands on a bystander in the street below. Now, make the burning building be Europe, and the luckless man underneath be the Palestinian Arabs. Is this a historical injustice? Has the man below been made a victim, with infinite cause of complaint and indefinite justification for violent retaliation? My own reply would be a provisional 'no,' but only on these conditions. The man leaping from the burning building must still make such restitution as he can to the man who broke his fall, and must not pretend that he never even landed on him. And he must base his case on the singularity and uniqueness of the original leap. It can't, in other words, be 'leap, leap, leap' for four generations and more. The people underneath cannot be expected to tolerate leaping on this scale and of this duration, if you catch my drift. In Palestine, tread softly, for you tread on their dreams. And do not tell the Palestinians that they were never fallen upon and bruised in the first place. Do not shame yourself with the cheap lie that they were told by their leaders to run away. Also, stop saying that nobody knew how to cultivate oranges in Jaffa until the Jews showed them how. 'Making the desert bloom'—one of Yvonne's stock phrases—makes desert dwellers out of people who were the agricultural superiors of the Crusaders.”
― Christopher Hitchens, quote from Hitch-22: A Memoir
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