The Amazing Adventures of Kavalier & Clay
Quotes from the Book
There's nothing more embarrassing than to have earned the disfavor of a perceptive animal.
It's always been hard for me to tell the difference between denial and what used to be known as hope.
The problem, if anything, was precisely the opposite. I had too much to write: too many fine and miserable buildings to construct and streets to name and clock towers to set chiming, too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within, too many terrible genetic and fiduciary secrets to dig up and bury and dig up again, too many divorces to grant, heirs to disinherit, trysts to arrange, letters to misdirect into evil hands, innocent children to slay with rheumatic fever, women to leave unfulfilled and hopeless, men to drive to adultery and theft, fires to ignite at the hearts of ancient houses.
I knew that I shouldn’t have, but I did it all the same; and there you have my epitaph, or one of them, because my grave is going to require a monument inscribed on all four sides with rueful mottoes, in small characters, set close together.
I don’t mean to make a big deal out of sobriety, by the way. Of all the modes of human consciousness available to the modern consumer I consider it to be the most overrated.
Undressing her was an act of recklessness, a kind of vandalism, like releasing a zoo full of animals, or blowing up a dam.
I’d spent my whole life waiting to awake on an ordinary morning in the town that was destined to be my home, in the arms of the woman I was destined to love, knowing the people and doing the work that would make up the changing but essentially invariable landscape of my particular destiny.
As long as she was falling in love with me, I might as well start making her promises I didn't intend to keep.
I said, “I need to hear something that’s going to save my life.” Re: Selecting songs from a jukebox.
He looked so profoundly disappointed in me that I wondered for a moment if he was someone I knew.
He was a fugitive, lurking soul, James Leer. He didn't belong anywhere, but things went much better for him in places where nobody belonged.
All male friendships are essentially quixotic: they last only so long as each man is willing to polish the shaving-bowl helmet, climb on his donkey, and ride off after the other in pursuit of illusive glory and questionable adventure.
It was nice standing out in the darkness, in the damp grass, with spring coming on and a feeling in my heart of imminent disaster.
It was in this man's class that I first began to wonder if people who wrote fiction were not suffering from some kind of disorder--from what I've since come to think of, remembering the wild nocturnal rocking of Albert Vetch, as the midnight disease. The midnight disease is a kind of emotional insomnia; at every conscious moment its victim--even if he or she writes at dawn, or in the middle of the afternoon--feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbors soundly sleep. this is in my opinion why writers--like insomniacs--are so accident-prone, so obsessed with the calculus of bad luck and missed opportunities, so liable to rumination and a concomitant inability to let go of a subject, even when urged repeatedly to do so.
It struck me that the chief obstacle to marital contentment was this perpetual gulf between the well-founded, commendable pessimism of women and the sheer dumb animal optimism of men, the latter a force more than any other responsible for the lamentable state of the world.
There were so many Pittsburgh poets in my hallway that if, at that instant, a meteorite had come smashing through my roof, there would never have been another stanza written about rusting fathers and impotent steelworkers and the Bessemer convertor of love.
Not only would I never want to belong to any club that would have me for a member--if elected I would wear street shoes onto the squash court and set fire to the ballroom curtains.
The midnight disease is a kind of emotional insomnia; at ever conscious moment its victim—even if he or she writes at dawn, or in the middle of the afternoon—feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbours soundly sleep.
That's a big trunk," James said, as we jammed in the leathery old case that looked so much like the black heart of some leviathan. "It fits a tuba, three suitcases, a dead dog, and a garment bag almost perfectly." "That's just what they used to say in the ads," I said...
I’m a man who falls in love so easily, and with such reckless lack of consideration for the consequences of my actions, that from the very first instant of entering into a marriage I become, almost by definition, an adulterer.
Although it wasn't raining anymore, the air was still heavy with water, and rain gutters were ringing all over Point Breeze.
Eight solid light-years of lead...is the thickness of that metal in which you would need to encase yourself if you wanted to keep from being touched by neutrinos. I guess the little fuckers are everywhere.
A few other couples joined us on the dance floor and we lost ourselves among them. I'd never been able to figure out exactly what was involved in slow dancing, so I contented myself, as I had since high school, with gripping my partner to me, letting out awkward breaths against her ear, and tipping from foot to foot like someone waiting for a bus. I could feel the sweat cooling on her forearms and smell a trace of apples in her hair.
I closed my eyes and I thought of the lash of her skirt snapping around her as she danced one evening in a bar on the South Side to a jukebox that was playing “Barefootin’,” of the downy slope of her neck and the declivity in her nightgown as she bent to wash her face in the bathroom sink, of a tuna salad sandwich she’d handed me one windy afternoon as we sat at a picnic table in Lucia, California, and looked out for the passage of whales, and I felt that I loved Emily insofar as I loved those things – beyond reason, and with a longing that made me want to hang my head – but it was a love that felt an awful lot like nostalgia.
For me the act of marriage has proven, like most of the other disastrous acts of my life, little more than a hedge against any future lack of good material.
Other than along certain emotional tangents there was little in the book that felt as if it had actually been lived. It was a fiction produced by someone who knew only fictions, The Tempest as written by isolate Miranda, raised on the romances in her father's library.
This was the writer's true doppelgänger, I thought; not some invisible imp of the perverse who watched you from the shadows, periodically appearing, dressed in your clothes and carrying your house keys, to set fire to your life; but rather the typical protagonist of your work -- Roderick Usher, Eric Waldensee, Francis Macomber, Dick Diver -- whose narratives at first reflected but in time came to determine your life's very course.
[His coat] emitted an odor of bus station so desolate that just standing next to him you could feel your luck changing for the worse.
Maybe the midnight disease was like that, too. After a while you lost the ability to distinguish between your fictional and actual words; you confused yourself with your characters, and the random happenings of your life with the machinations of a plot.
Writers, unlike most people, tell their best lies when they are alone.
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About Michael Chabon
More by Michael Chabon
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Book details
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- Michael Chabon
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- Literature
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