“You never had me, Keaton, but I always had you.”
― Courtney Lane, quote from The Sect
“Love is the pain of pleasure,” I forced between sniveling sobs, “and pain is the pleasure of love.”
― Courtney Lane, quote from The Sect
“The sad thing is, I don’t think you’ll ever know what’s true and what’s false about me.”
― Courtney Lane, quote from The Sect
“Wasn’t that what you were? A pampered princess who couldn’t deal with the big bad world so you ran? Princess.” “And who are you? The villain?” “I’m something much worse than the villain,” he sneered. “Something you’ll never find a definition for.”
― Courtney Lane, quote from The Sect
“NO SMALL act of kindness goes unremembered.”
― Courtney Lane, quote from The Sect
“Reven is a sadist who thinks he’s some divine being. This place is a hideaway for a very screwed up sex cult.”
― Courtney Lane, quote from The Sect
“I’ve got your number, princess. Fucking you, touching you—anything I do to your body that will make you come—will break you.”
― Courtney Lane, quote from The Sect
“My worst fear was that I would be trained for sex enslavement.”
― Courtney Lane, quote from The Sect
“The faculty of re-solution is possibly much invigorated by mathematical study, and especially by that highest branch of it which, unjustly, and merely on account of its retrograde operations, has been called, as if par excellence, analysis. Yet to calculate is not in itself to analyse. A chess-player, for example, does the one without effort at the other. It follows that the game of chess, in its effects upon mental character, is greatly misunderstood. I am not now writing a treatise, but simply prefacing a somewhat peculiar narrative by observations very much at random; I will, therefore, take occasion to assert that the higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by a the elaborate frivolity of chess. In this latter, where the pieces have different and bizarre motions, with various and variable values, what is only complex is mistaken (a not unusual error) for what is profound. The attention is here called powerfully into play. If it flag for an instant, an oversight is committed resulting in injury or defeat. The possible moves being not only manifold but involute, the chances of such oversights are multiplied; and in nine cases out of ten it is the more concentrative rather than the more acute player who conquers. In draughts, on the contrary, where the moves are unique and have but little variation, the probabilities of inadvertence are diminished, and the mere attention being left comparatively unemployed, what advantages are obtained by either party are obtained by superior acumen. To be less abstract, let us suppose a game of draughts where the pieces are reduced to four kings, and where, of course, no oversight is to be expected. It is obvious that here the victory can be decided (the players being at all equal) only by some recherché movement, the result of some strong exertion of the intellect. Deprived of ordinary resources, the analyst throws himself into the spirit of his opponent, identifies himself therewith, and not unfrequently sees thus, at a glance, the sole methods (sometime indeed absurdly simple ones) by which he may seduce into error or hurry into miscalculation.”
― Edgar Allan Poe, quote from The Murders in the Rue Morgue: The Dupin Tales
“You've heard tales of beauty and the beast. How a fair maid falls in love with a monster and sees the beauty of his soul beneath the hideous visage. But you've never heard the tale of the handsome man falling for the monstrous woman and finding joy in her love, because it doesn't happen, not even in a story-teller's tale.”
― Karen Maitland, quote from Company of Liars
“The Law, as quoted, lays down a fair conduct of life, and one not easy to follow.”
― Rudyard Kipling, quote from The Man Who Would Be King
“Some day soon, reaper, your mouth is going to be the source of your own destruction."
"That does seem likely, doesn’t it?" Tod glanced at me and shrugged. "Until then, it remains a source of my own amusement.”
― Rachel Vincent, quote from With All My Soul
“You’re right,” Jacks said. “You’re not part of my world. You’re not one of those girls. And maybe that’s why.”
“Why what?”
“Why I can’t stop thinking about you.”
Maddy rolled her eyes. “Guys like you don’t say that to girls like me.”
“I’ve never said that to anyone, actually,” Jacks corrected. “In fact, I’ve never done anything like this before.” He let out a little laugh. “How am I doing?”
He swallowed hard, trying to push down his nervousness. He was astonished to realize he was nervous. Somehow being around Maddy just put him in a different space. Jacks felt so present.
Maddy stared at him, letting the anger and frustration surge through her.
“Why are you doing this to me?” she asked finally.
He paused, considering.
“I’m being honest. I know you may not believe me. But I haven’t been able to not think about you. When we were in the back at the restaurant, and . . .” Jacks’s voice trailed off, his face coloring. “I still feel terrible about what I did. I lied to you and, even though I had good reasons for it, it was wrong of me.”
Maddy studied him. Was he telling the truth?
Jacks smiled. “I mean this in the best possible way: I’m not going to leave you alone until you let me make it up to you. I’m serious. I’ll be here every night. You might as well get me some pajamas and a toothbrush.”
Despite her best efforts not to, Maddy laughed. She looked at Jacks and could see the faintest twinkle of light in his eyes.
“So what you’re saying is that I should just give in and let you make it up to me. Otherwise you’ll be tormenting me like this for the rest of my life?”
“Pretty much. Yeah.”
“Well.” She sighed. “What do you have in mind?”
“Come fly with me.”
― Scott Speer, quote from Immortal City
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