“To leave, after all, was not the same as being left.”
― Anita Shreve, quote from The Pilot's Wife
“Sometimes, she thought, courage was simply a matter of putting one foot in front of another and not stopping.”
― Anita Shreve, quote from The Pilot's Wife
“To be relieved of love, she thought, was to give up a terrible burden.”
― Anita Shreve, quote from The Pilot's Wife
“But how do you ever know that you know a person?”
― Anita Shreve, quote from The Pilot's Wife
“I loved him," Muire said. "We were in love." As if that were enough.”
― Anita Shreve, quote from The Pilot's Wife
“Odd, she thought, how intensely you knew a person, or thought you did, when you were in love - soaked, drenched in love - only to discover later that perhaps you didn't know that person quite as well as you had imagined. Or weren't quite as well known as you had hoped to be. In the beginning, a lover drank in every word and gesture and then tried to hold on to that intensity for as long as possible. But inevitable, if two people were together long enough, that intensity had to wane.”
― Anita Shreve, quote from The Pilot's Wife
“Among other things, Kathryn knew, grief was physically exhausting.”
― Anita Shreve, quote from The Pilot's Wife
“And she thought then how strange it was that disaster—the sort of disaster that drained the blood from your body and took the air out of your lungs and hit you again and again in the face—could be at times, such a thing of beauty.”
― Anita Shreve, quote from The Pilot's Wife
“The difficulty lay with the mind accommodating itself to the notion of the plane, with all its weight, defying gravity, staying aloft. She understood the aerodynamics of flight, could comprehend the laws of physics that made flight possible, but her heart, at the moment, would have none of it. Her heart knew the plane could fall out of the sky.”
― Anita Shreve, quote from The Pilot's Wife
“No matter how often Kathryn observed the phenomenon, she found it hard to comprehend: the way nothing could remain as it had been, not a house that was falling down, not a woman's face that had once been beautiful, not childhood, not a marriage, not love.
You have to let this happen to you, he said quietly. It has its own momentum.
But how do you ever know that you know a person?
Aren't we enough? she asks again.
Odd she thought, how a fact, seen one way, was one thing. And then, seen from a different angle, was something else entirely. Or perhaps not so odd.
Of all people, he said, this should not have happened to you.
She thought about the impossibility of ever knowing another person. About the fragility of the constructs people make. A marriage, for example. A family.
To be relieved of love, she thought, was to give up a terrible burden.”
― Anita Shreve, quote from The Pilot's Wife
“The warmth of him always, even on the coldest of nights, as though his inner furnace burned extravagantly.”
― Anita Shreve, quote from The Pilot's Wife
“her skin, which she has hardly”
― Anita Shreve, quote from The Pilot's Wife
“Es decir, ellos, como todas las otras parejas que ha conocido, viven en un estado de suave declive, de convertirse, de modo sutil y sin torturas, cada día en algo menos de lo que eran el día anterior.”
― Anita Shreve, quote from The Pilot's Wife
“Night would settle in like slow blindness, sucking the color from the trees and the low sky and the rocks and the frozen grass and the frost white hydrangeas until there was nothing left in the window but her own reflection.”
― Anita Shreve, quote from The Pilot's Wife
“It's not that girls are delusional, per se. It's just that they have this subtle ability to warp actual circumstances into something different.”
― Rebecca Serle, quote from When You Were Mine
“As a matter of fact I don’t care two pins about accuracy. Who is accurate? Nobody nowadays. If a reporter writes that a beautiful girl of twenty-two dies by turning on the gas after looking out over the sea and kissing her favourite Labrador, Bob, goodbye, does anybody make a fuss because the girl was twenty-six, the room faced inland, and the dog was a Sealyham terrier called Bonnie? If a journalist can do that sort of thing I don’t see that it matters if I mix up police ranks and say a revolver when I mean an automatic and a dictograph when I mean a phonograph, and use a poison that just allows you to gasp one dying sentence and no more. What really matters is plenty of bodies! If the thing’s getting a little dull, some more blood cheers it up. Somebody is going to tell something – and then they’re killed first! That always goes down well. It comes in all my books – camouflaged different ways of course. And people like untraceable poisons, and idiotic police inspectors and girls tied up in cellars with sewer gas or water pouring in (such a troublesome way of killing anyone really) and a hero who can dispose of anything from three to seven villains singlehanded.”
― Agatha Christie, quote from Cards on the Table
“It was typical of Washington’s style of leadership to present a promising proposal as someone else’s idea, rather than his own.”
― David Hackett Fischer, quote from Washington's Crossing
“Because Damien Stark is like crack to me. Seductive and very, very addictive.”
― J. Kenner, quote from Release Me
“Es interesante la novela que relata los hechos del monstruo de Frankenstein. Por lo general, cuando un monstruo rompe platos, hay cierta tendencia a atribuir esto al instinto destructor del monstruo, pero la autora de dicha novela procede al contrario, y da la siguiente interpretación al tema: es que los platos son frágiles de por sí; y él, como monstruo, sólo pretendía acallar su soledad, pero era la fragilidad de sus víctimas la que inevitablemente lo convertía en un malhechor”
― Kōbō Abe, quote from The Face of Another
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