“You had to invent something. It's not possible to leave it blank. The mind
won't let you.”
“Once a man begins to recognize himself in another, he can no longer look on that person as a stranger.”
“It's just another word for the same thing. You want to believe in some hidden purpose. You're trying to persuade yourself there's a reason for what happens in the world. I don't care what you call it--God or luck or harmony-- it all comes down to the same bullshit. It's a way of avoiding the facts, of refusing to look at how things really work.”
“It was a dizzying prospect—to imagine all that freedom, to understand how little it mattered what choice he made.”
“I know you don't love me but that doesn't mean I'm the wrong girl for you.”
“Due artisti nella stessa casa potrebbero essere troppi. Qualcuno deve occuparsi dell’aspetto pratico delle cose, eh, Willie? Ci vuole gente di tutti i tipi per fare il mondo.”
“کافیست زندگی دیگری برای خود تجسم کنید تا قلب تان هم چنان بتپد”
“بعضی ها یکشنبه ها می رن کلیسا، اما برای ما پوکر جمعه شب ها مهم بود. نمی دونین اون وقتا چه قدر آخر هفته هامونو دوست داشتیم! بذارین بهتون بگم برای از بین بردن دغدغه های کار هیچ دوایی بهتر از یک دست قمار دوستانه نیس.”
“The first thing she noticed were the lightbulbs in the ceiling.
She wondered where the spindlers had gotten them, and where the wires for the electricity ran to, and pictured some poor family Above whose bills were always too high at the end of the month, and the father who would yell at the children about where all that power went - when really, of course, it was the spindlers that were the whole problem.”
“I read a lot. I love books. If they came in a bottle, I'd be a drunk too.”
“It is our inward journey that leads us through time – forward or back, seldom in a straight line, most often spiraling. Each of us is moving, changing, with respect to others. As we discover, we remember; remembering, we discover; and most intensely do we experience this when our separate journeys converge. Our living experience at those meeting points is one of the charged dramatic fields of fiction. ”
“: “Behold the Rooster who suffers much more than he must. Ah, Chauntecleer, Chauntecleer. Why do you suffer today and tomorrow?” oozed the compassionate voice. “Curse God. Curse him, and all will be done. Or, lest you forget the truth of things, remember: I am Wyrm. And I am here.”
“I am concerned that in their efforts to evade the Sapphire stereotype, black women may be discouraged from demanding equal consideration of their specific political needs within black political discourses.”
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