Quotes from The Music of Chance

Paul Auster ·  217 pages

Rating: (8.2K votes)


“You had to invent something. It's not possible to leave it blank. The mind
won't let you.”
― Paul Auster, quote from The Music of Chance


“Once a man begins to recognize himself in another, he can no longer look on that person as a stranger.”
― Paul Auster, quote from The Music of Chance


“It's just another word for the same thing. You want to believe in some hidden purpose. You're trying to persuade yourself there's a reason for what happens in the world. I don't care what you call it--God or luck or harmony-- it all comes down to the same bullshit. It's a way of avoiding the facts, of refusing to look at how things really work.”
― Paul Auster, quote from The Music of Chance


“It was a dizzying prospect—to imagine all that freedom, to understand how little it mattered what choice he made.”
― Paul Auster, quote from The Music of Chance


“I know you don't love me but that doesn't mean I'm the wrong girl for you.”
― Paul Auster, quote from The Music of Chance



“Due artisti nella stessa casa potrebbero essere troppi. Qualcuno deve occuparsi dell’aspetto pratico delle cose, eh, Willie? Ci vuole gente di tutti i tipi per fare il mondo.”
― Paul Auster, quote from The Music of Chance


“کافیست زندگی دیگری برای خود تجسم کنید تا قلب تان هم چنان بتپد”
― Paul Auster, quote from The Music of Chance


“بعضی ها یکشنبه ها می رن کلیسا، اما برای ما پوکر جمعه شب ها مهم بود. نمی دونین اون وقتا چه قدر آخر هفته هامونو دوست داشتیم! بذارین بهتون بگم برای از بین بردن دغدغه های کار هیچ دوایی بهتر از یک دست قمار دوستانه نیس.”
― Paul Auster, quote from The Music of Chance


About the author

Paul Auster
Born place: in Newark, New Jersey, The United States
Born date February 3, 1947
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Popular quotes

“How do I look to him?" she asked herself. She got up and brought a long mirror towards the window. She stood it on the floor against a chair. Then she sat down in front of it on the rug and, facing it, slowly opened her legs. The sight was enchanting. The skin was flawless, the vulva, roseate and full. She thought it was like the gum plant leaf with its secret milk that the pressure of the finger could bring out, the odorous moisture that came like the moisture of the sea shells. So was Venus born of the sea with this little kernel of salty honey in her, which only caresses could bring out of the hidden recesses of her body.”
― Anaïs Nin, quote from Delta of Venus


“My head cleared enough to realize she was talking to me slowly as if I was an unbalanced, crazy person, which was smart because I was an unbalanced, crazy person.”
― D.J. MacHale, quote from The Light


“Older forms of indentured servanthood and the bond-service of biblical times had often been harsh, but Christian abolitionists concluded that race-based, life-long chattel slavery, established through kidnapping, could not be squared with biblical teaching either in the Old Testament or the New.”
― Timothy J. Keller, quote from The Reason for God: Belief in an Age of Skepticism


“It was Aileron who saw the light blaze in Arthur's face. The Warrior leaped from his horse down into the road and, at the top of his great voice, cried 'Cavall!'

Bracing his legs, he opened wide his arms and was knocked flying, nonetheless, by the wild leap of the dog. Over and over they rolled, the dog yelping in intoxicated delight, the Warrior mock growling in his chest. . . .
This is' asked Aileron with gentle irony, 'your dog?”
― Guy Gavriel Kay, quote from The Wandering Fire


“The point of these studies is that moral judgment is like aesthetic judgment. When you see a painting, you usually know instantly and automatically whether you like it. If someone asks you to explain your judgment, you confabulate. You don’t really know why you think something is beautiful, but your interpreter module (the rider) is skilled at making up reasons, as Gazzaniga found in his split-brain studies. You search for a plausible reason for liking the painting, and you latch on to the first reason that makes sense (maybe something vague about color, or light, or the reflection of the painter in the clown’s shiny nose). Moral arguments are much the same: Two people feel strongly about an issue, their feelings come first, and their reasons are invented on the fly, to throw at each other. When you refute a person’s argument, does she generally change her mind and agree with you? Of course not, because the argument you defeated was not the cause of her position; it was made up after the judgment was already made.”
― Jonathan Haidt, quote from The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom


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