Tom Spanbauer · 368 pages
Rating: (2.4K votes)
“Looking for who I am is who I am.”
― Tom Spanbauer, quote from The Man Who Fell in Love with the Moon
“A person without her or his own truth ain't a person at all, Ida said. Anybody who tells you different—is a jackass, and no longer deserves to be called human being.”
― Tom Spanbauer, quote from The Man Who Fell in Love with the Moon
“I tell you I'm tired of hearing it. There ain't nothing that happens to a person that ain't that person. The world out there only does what you tell it to do. The world is happening to you the way it is happening because you're telling yourself the story that way. If you want to change the world so damn bad, Ida, then where you got to start is how it is you're looking at it.”
― Tom Spanbauer, quote from The Man Who Fell in Love with the Moon
“With tybo men there isn't much difference between fucking and killing.”
― Tom Spanbauer, quote from The Man Who Fell in Love with the Moon
“Felt good, though, just being what I was.”
― Tom Spanbauer, quote from The Man Who Fell in Love with the Moon
Tom Spanbauer
Born place: Pocatello, Idaho, The United States
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“Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
“There’s life after divorce, Sarah,’ my father proclaimed, not that he’d ever been divorced.”
― Claire Cook, quote from Must Love Dogs
“Order fails, and ghosts come in.
Now there are hands on my body, the sheets tangling like a snare around us. He stinks of cigarettes and booze, and I am floating, falling, somewhere, between here and there, and I think:
Remember me.
And I think:
Want me.
And I think:
Stay with me.
But no one ever does.”
― Andra Brynn, quote from Where I End and You Begin
“Through the trees there was a motion, a person walking on the road. Isabelle watched as the girl - it was Amy - moving slowly and with her head down, came up the gravel driveway. The sight of her pained Isabelle. It pained her terribly to see her, but why?
Because she looked unhappy, her shoulders slumped like that, her neck thrust forward, walking slowly, just about dragging her feet. This was Isabelle's daughter; this was Isabelle's fault. She hadn't done it right, being a mother, and this youthful desolation walking up the driveway was exactly proof of that. But then Amy straightened up, glancing toward the house with a wary squint, and she seemed transformed to Isabelle, suddenly a presence to be reckoned with. Her limbs were long and even, her breasts beneath her T-shirt seemed round and right, neither large or small, only part of some pleasing symmetry; her face looked intelligent and shrewd. Isabelle, sitting motionless in her chair, felt intimidated.
And angry. The anger arrived in one quick thrust. It was the sight of her daughter's body that angered her. It was not the girl's unpleasantness, or even the fact that she had been lying to Isabelle for so many months, nor did Isabelle hate Amy for taken up all the space in her life. She hated Amy because the girl had been enjoying the sexual pleasures of a man, while she herself had not.”
― Elizabeth Strout, quote from Amy and Isabelle
“When we love most, and love happily, then we are at our topmost bent, and soar further above the earth than anything else can carry us.”
― H. Rider Haggard, quote from Dawn
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