Quotes from The Last Cato

Matilde Asensi ·  464 pages

Rating: (6.5K votes)


“Las cosas hermosas, las obras de arte, los objetos sagrados, sufren, como nosotros, los efectos imparables del paso del tiempo. Desde el mismo instante en que su autor humano, consciente o no de su armonía con el infinito, les pone punto y final y las entrega al mundo, comienza para ellas una vida que, a lo largo de los siglos las acerca también a la vejez y a la muerte. Sin embargo, ese tiempo que a nosotros nos marchita y nos destruye, a ellas les confiere una nueva forma de belleza que la vejez humana no podría siquiera soñar en alcanzar.”
― Matilde Asensi, quote from The Last Cato


“—El arte y la cultura aumentan la armonía, la tolerancia y la comprensión entre las personas”
― Matilde Asensi, quote from The Last Cato


“¿Por qué creemos que vivimos nuestras vidas-dije, al fin-, cuando son nuestras vidas las que nos viven a nosotros?”
― Matilde Asensi, quote from The Last Cato


“...reflexione, una vez más, sobre aquella vieja idea de los efectos del tiempo, ese tiempo inexorable que a nosotros nos destruye y que a las obras de arte las vuelve infinitamente más hermosas.”
― Matilde Asensi, quote from The Last Cato


“Jerusalén seguía estando llena de ira, de sangre, de rencor y de muerte. Bien podría Jesús haber elegido otra ciudad para morir y Mahoma otra para ascender al cielo. Habrían salvado muchas vidas humanas y muchas almas que no hubieran conocido el odio.”
― Matilde Asensi, quote from The Last Cato



“Η κόλαση για την οποία μιλούν τα βιβλία δεν είναι στην άλλη ζωή. Είναι εδώ, σ' αυτή την όχθη, και τη δημιουργούν τόσο οι άνθρωποι που αυτοαποκαλούνται ερμηνευτές του λόγου του Θεού, όσο και οι κυβερνήσεις που περιορίζουν τις ελευθερίες των πολιτών τους "
Ο τελευταίος Κάτωνας της Matilde Asensi”
― Matilde Asensi, quote from The Last Cato


“Había vivido, soñado, trabajado, respirado, reído e, incluso, amado, sin sospechar que, al final del camino, yo le estaba esperando.”
― Matilde Asensi, quote from The Last Cato


“¡Qué poco valoramos las cosas cuando no las hemos perdido!”
― Matilde Asensi, quote from The Last Cato


“No me sorprendió. Por norma, todas las religiones del mundo discriminaban a las mujeres, bien situándolas en un incomprensible segundo plano o bien legitimando que pudieran ser maltratadas y vejadas. Era algo realmente lamentable a lo que nadie parecía querer encontrar una solución.”
― Matilde Asensi, quote from The Last Cato


“—El arte y la cultura aumentan la armonía, la tolerancia y la comprensión entre las personas —dijo Gete—.”
― Matilde Asensi, quote from The Last Cato



“La Iglesia es santa, pero, sin duda, sus miembros son muy pecadores.”
― Matilde Asensi, quote from The Last Cato


“Por costumbre, todo cuanto fuera contra la Iglesia quedaba más o menos alejado de mi vida y de la vida de todos los religiosos y religiosas. No es que no pudiéramos saber —que podíamos—, es que no queríamos; a priori, no nos gustaba escuchar este tipo de acusaciones y hacíamos oídos más o menos sordos a los escándalos anticlericales.”
― Matilde Asensi, quote from The Last Cato


“Por qué creemos que vivimos nuestras vidas —dije, al fin—, cuando son nuestras vidas las que nos viven a nosotros?”
― Matilde Asensi, quote from The Last Cato


About the author

Matilde Asensi
Born place: in Alicante, Spain
Born date January 1, 1962
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“This next part might cheer you up. So my mom told me she was gonna drive me to my appointment at the sperm bank, and she handed me one of my dad's Playboys--I had something way dirtier stashed in my closet, by the way--and she asked me, all serious, if I knew what do do."

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“We don’t ask why God chose as his prophet a stutterer with a public speaking phobia. But we should. The book of Exodus is short on explication, but its stories suggest that introversion plays yin to the yang of extroversion; that the medium is not always the message; and that people followed Moses because his words were thoughtful, not because he spoke them well.”
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“And thus I clothe my naked villainy
With odd old ends stol'n out of holy writ;
And seem a saint, when most I play the devil.”
― William Shakespeare, quote from Richard III


“I receive remarkable letters. They are opened for me, unfolded, and spread out before my eyes in a daily ritual that gives the arrival of the mail the character of a hushed and holy ceremony. I carefully read each letter myself. Some of them are serious in tone, discussing the meaning of life, invoking the supremacy of the soul, the mystery of every existence. And by a curious reversal, the people who focus most closely on these fundamental questions tend to be people I had known only superficially. Their small talk has masked hidden depths. Had I been blind and deaf, or does it take the harsh light of disaster to show a person's true nature?

Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark... I hoard all these letters like treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship.

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