“From 30 feet away she looked like a lot of class. From 10 feet away she looked like something made up to be seen from 30 feet away.”
― Raymond Chandler, quote from The High Window
“I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.”
― Raymond Chandler, quote from The High Window
“She had eyes like strange sins.”
― Raymond Chandler, quote from The High Window
“Until you guys own your own souls you don't own mine. Until you guys can be trusted every time and always, in all times and conditions, to seek the truth out and find it and let the chips fall where they may—until that time comes, I have the right to listen to my conscience, and protect my client the best way I can. Until I'm sure you won't do him more harm than you'll do the truth good. Or until I'm hauled before somebody that can make me talk.”
― Raymond Chandler, quote from The High Window
“A check girl in peach-bloom Chinese pajamas came over to take my hat and disapprove of my clothes. She had eyes like strange sins.”
― Raymond Chandler, quote from The High Window
“When I left Merle was wearing a bungalow apron and rolling pie crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty [...] I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again. (p. 262)”
― Raymond Chandler, quote from The High Window
“She had a lot of face and chin. She had pewter-colored hair set in a ruthless permanent, a hard beak and moist eyes with the sympathetic expression of wet stones.”
― Raymond Chandler, quote from The High Window
“I looked at Spangler. He was leaning forward so far he was almost out of his chair. He looked as if he was going to jump. I couldn't think of any reason why he should jump, so I thought he must be excited. I looked back at Breeze. He was about as excited as a hole in the wall.”
― Raymond Chandler, quote from The High Window
“I looked at the ornaments on the desk. Everything standard and all copper. A copper lamp, pen set and pencil tray, a glass and copper ashtray with a copper elephant on the rim, a copper letter opener, a copper thermos bottle on a copper tray, copper corners on the blotter holder. There was a spray of almost copper-colored sweet peas in a copper vase.
It seemed like a lot of copper.”
― Raymond Chandler, quote from The High Window
“After a moment I pushed my chair back and went over to the french windows. I opened the screens and stepped out on to the porch. The night was all around, soft and quiet. The white moonlight was cold and clear, like the justice we dream of but don't find.”
― Raymond Chandler, quote from The High Window
“Well, George Anson Phillips is a kind of pathetic case... He was the sort of cop who would be likely to hang a pinch on a chicken thief, if he saw the guy steal the chicken and the guy fell down running away and hit his head on a post or something and knocked himself out. Otherwise it might get a little tough and George would have to go back to the office for instructions.”
― Raymond Chandler, quote from The High Window
“From thirty feet away she looked like a lot of class. From ten feet away she looked like something made up to be seen from thirty feet away.”
― Raymond Chandler, quote from The High Window
“Una tipa que sonaba a borracha perdida cantaba ''Frankie and Johnny'' en versión marinera, con una voz que ni el whisky había logrado mejorar.”
― Raymond Chandler, quote from The High Window
“Lois Magic was not listed in the phone book.”
― Raymond Chandler, quote from The High Window
“Bring him back to me,' he told them.”
― Madeline Miller, quote from The Song of Achilles
“You're not weak at all. Wounded, but that's nothing to be ashamed of.”
― Melissa Marr, quote from Ink Exchange
“you can not fully read a book without being alone. But through this very solitude you become intimately involved with people whom you might never have met otherwise, either because they have been dead for centuries or because they spoke languages you cannot understand. And, nonetheless, they have become your closest friends, your wisest advisors, the wizards that hypnotize you, the lovers you have always dreamed of.
-Antonio munoz molinas, "the power of the pen”
― Cornelia Funke, quote from Inkdeath
“In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?”
― Thomas Pynchon, quote from The Crying of Lot 49
“When I saw myself thus wholly cut off from human succour, incapable of attempting anything for my deliverance, I thought of heavenly succour. Memories of my childhood, of my mother...came back to me. I began to pray, little as I deserved that God should know me when I had forgotten Him so long; and I prayed fervently.”
― Jules Verne, quote from Journey to the Center of the Earth
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
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