“Loneliness, she thought, was craving for other people's company. But she did not know that loneliness can be an unnoticed cramping of the spirit for lack of companionship.”
― Doris Lessing, quote from The Grass is Singing
“If she had been left alone she would have gone on, in her own way, enjoying herself thoroughly, until people found one day that she had turned imperceptibly into one of those women who have become old without ever having been middle aged: a little withered, a little acid, hard as nails, sentimentally kindhearted, and addicted to religion or small dogs.”
― Doris Lessing, quote from The Grass is Singing
“Perhaps it is not such a bad marriage after all? There are innumerable marriages where two people, both twisted and wrong in their depths, are well matched, making each other miserable in the way they need, in the way the pattern of their life demands.”
― Doris Lessing, quote from The Grass is Singing
“Women have an extraordinary ability to withdraw from the sexual relationship, to immunize themselves against it, in such a way that their men can be left feeling let down and insulted without having anything tangible to complain of.”
― Doris Lessing, quote from The Grass is Singing
“The stinting poverty in which they lived was unbearable; it was destroying them. It did not mean that there was not enough to eat: it meant that every penny must be watched, new clothes foregone, amusements abandoned, holidays kept in the never-never-land of the future. A poverty that allows a tiny margin for spending, but which is shadowed always by a weight of debt that nags like a conscience, is worse than starvation itself. That was how she had come to feel. And it was bitter because it was a self imposed poverty.”
― Doris Lessing, quote from The Grass is Singing
“Es terrible destruir la imagen que una persona tiene de sí misma en aras de la verdad o cualquier otra abstracción. ¿Cómo saber si será capaz de crear otra que le permita seguir viviendo?”
― Doris Lessing, quote from The Grass is Singing
“What had happened was that the formal pattern of black-and-white, mistress-and-servant, had been broken by the personal relation; and when a white man in Africa by accident looks into the eyes of a native and sees the human being (which it is his chief preoccupation to avoid), his sense of guilt, which he denies, fumes up in resentment and he brings down the whip.”
― Doris Lessing, quote from The Grass is Singing
Doris Lessing
Born place: in Kermanshah, Iran
Born date October 22, 1919
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“You never hate someone that much unless you’re afraid of him.”
― Christopher Rice, quote from A Density of Souls
“On nights like this, when he rode out from the dark, silent house to the dark, deserted park, he could
forget.
He could be nothing but a solitary rider on a fast horse, wind in his face and the world open around him.
No walls, no bars, no quiet weeping or screams or death. None of that could catch him. On a night like
this, none of it could find him.”
― Suzanne Enoch, quote from England's Perfect Hero
“The desire to make art begins early. Among the very young this is encouraged (or at least indulged as harmless) but the push toward a 'serious' education soon exacts a heavy toll on dreams and fantasies....Yet for some the desire persists, and sooner or later must be addressed. And with good reason: your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are. Life and Art, once entwined, can quickly become inseparable; at age ninety Frank Lloyd Wright was still designing, Imogen Cunningham still photographing, Stravinsky still composing, Picasso still painting.
But if making art gives substance to your sense of self, the corresponding fear is that you're not up to the task -- that you can't do it, or can't do it well, or can't do it again; or that you're not a real artist, or not a good artist, or have no talent, or have nothing to say. The line between the artist and his/her work is a fine one at best, and for the artist it feels (quite naturally) like there is no such line. Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. For many people, that alone is enough to prevent their ever getting started at all -- and for those who do, trouble isn't long in coming. Doubts, in fact, soon rise in swarms:
"I am not an artist -- I am a phony. I have nothing worth saying. I'm not sure what I'm doing. Other people are better than I am. I'm only a [student/physicist/mother/whatever]. I've never had a real exhibit. No one understands my work. No one likes my work. I'm no good.
Yet viewed objectively, these fears obviously have less to do with art than they do with the artist. And even less to do with the individual artworks. After all, in making art you bring your highest skills to bear upon the materials and ideas you most care about. Art is a high calling -- fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others -- indeed anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit. Each step in the artmaking process puts that issue to the test.”
― quote from Art and Fear: Observations on the Perils (and Rewards) of Artmaking
“I'm probably the only person on earth who had to be committed to a mental hospital to find a date.”
― Julie Halpern, quote from Get Well Soon
“good lawyers know the law and that great lawyers know the judge?”
― Ashwin Sanghi, quote from The Krishna Key
Metamorphoses
Fang
Cat's Eye
The Final Warning
Bird by Bird: Some I...
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