“...did you have parents or did the devil just create you from some spare parts?”
― Jennifer Loren, quote from The Devil's Eyes
“People say exactly what they mean when they are angry. That's when they are the most free to do so. They may not mean to hurt you, but they always mean what they say.”
― Jennifer Loren, quote from The Devil's Eyes
“Did you just roll your eyes at me?"
"Yes, I did and you better get used to it if you're going to say stupid things.”
― Jennifer Loren, quote from The Devil's Eyes
“No, but I do read a lot. I love to read. I could read for days and never stop. I use to be such a bookworm. I would barely look up to notice much of anything.”
― Jennifer Loren, quote from The Devil's Eyes
“Oh my! Did you see him?' Exie stops abruptly and turns to watch a man who smiles at her. ' Ooh yeah, he is fine.'
'You're not going to stop to talk to him?'
'Why ruin what we have by getting to know him?' She said with a wink.”
― Jennifer Loren, quote from The Devil's Eyes
“She is not too good about sharing and I am not too good with having to listen her complain. So, please stay away from her.”
― Jennifer Loren, quote from The Devil's Eyes
“I have the body - they didn't have to tell me that - or that I am innocent looking enough to drive the man crazy, but I blushed when they call me pretty.”
― Jennifer Loren, quote from The Devil's Eyes
“Few approach Nick the rest of the night, I am the only one brave enough to take him his specially made tea. "Thank you", he said barely glancing up at me.
"You're welcome", I said waiting for him to look up at me but he won't. I have to force myself to say something before the doubt takes me over. " That guy was wrong, but you should have ignored her to begin with. She would have been humiliated enough by that alone. Your ego got in the way of your judgment." I said before walking away proudly.”
― Jennifer Loren, quote from The Devil's Eyes
“You could recognize him from any angle: lean tall stature, deep black hair, and a walk that had an air of authority - like no one could possibly have anything to say that was of any importance to him”
― Jennifer Loren, quote from The Devil's Eyes
“...he walks out the door making eye contact with me for only a second. It was at that moment that he lured me in. I was captivated by him and, for the first time, I understood his power. Nicholas Jayzon commanded attention when he walked into a room.”
― Jennifer Loren, quote from The Devil's Eyes
“After what I told her and she still wants me to date her son? He must be a perfectly wonderful catch.”
― Jennifer Loren, quote from The Devil's Eyes
“I'm Exie and despite what you may hear I am the best dancer here. No one else compares. So, don't even think you're going to come in here and take my time slots.
With a slight smile,' Well, if you're that good then you shouldn't have to worry about it, should you' I said.
Exie's bright smile forms smoothly across her face, 'I like you...”
― Jennifer Loren, quote from The Devil's Eyes
“Hot as hell isn't he?' Exie questioned from over my shoulder.
'Yeah, I guess he is'
'You guess? Are you blind? Girl, he is so fine it's scary. I nearly had an orgasm the other day when he asked me a cup of tea. But don't stare too hard, Meagan will scratch your eyes out if she catches you staring at her man.' Exie said with a high eyebrow warning.”
― Jennifer Loren, quote from The Devil's Eyes
“Nick almost breaks a full smile when the men around him laugh aloud. "I don't kiss on the cheek." He said smoothly giving her the opportunity to end it there, but instead, she drags the bride over to him and asks again.”
― Jennifer Loren, quote from The Devil's Eyes
“Nick snatches the picture from the man's hand and laughs. "This is funny to you, asshole?"
Nick tosses the picture back behind him. "No. No, it's not. What is funny is that you believe your whore of a wife."
"Stand up your spineless punk!" The man yells in sheer rage.”
― Jennifer Loren, quote from The Devil's Eyes
“She is a mess, her dress once pulled together long and fresh, now drooping and awkwardly weighted to one side of her head. "What happened? Are you okay?" The women clamor around her.
Nick walks out in perfect order and perfect swagger, passing her with a downward glance. "You forgot your panties". He said tossing her underwear onto the table in front of her. After being embarrassingly ignored by the group of debutants, the nearby college boys feel justified by the turn of events and break into hysterics. Slinking out the side door, the mortified women exit without another word.”
― Jennifer Loren, quote from The Devil's Eyes
“Oh, that boy is in so much trouble.' Exie screeches out of the parking lot as if Jerran can hear her.”
― Jennifer Loren, quote from The Devil's Eyes
“The last time I saw him, I didn't breath again until he had dressed himself completely. From the crack in my sister's door, I saw him get out of her bed and inhale, as if he had accomplished his mission for the day.”
― Jennifer Loren, quote from The Devil's Eyes
“to read is to surrender oneself to an endless displacement of curiosity and desire from one sentence to another, from one action to another, from one level of a text to another. The text unveils itself before us, but never allows itself to be possessed; and instead of trying to possess it we should take pleasure in its teasing”
― David Lodge, quote from Small World
“We come into contact with people only with our exteriors—physically and externally; yet each of us walks about with a great wealth of interior life, a private and secret self. We are, in reality, somewhat split in two, the self and the body; the one hidden, the other open. The child learns very quickly to cultivate this private self
because it puts a barrier between him and the demands of the world. He learns he can keep secrets—at first an excruciating, intolerable burden: it seems that the outer world has every right to penetrate into his self and that the parents could automatically do so if they wished—they always seem to know just what he is thinking and feeling. But then he discovers that he can lie and not be found out: it is a
great and liberating moment, this anxious first lie—it represents the staking out of his claim to an integral inner self, free from the prying eyes of the world. By the time we grow up we become masters at dissimulation, at cultivating a self that the world cannot probe. But we pay a price. After years of turning people away,
of protecting our inner self, of cultivating it by living in a different world, of furnishing this world with our fantasies and dreams—we find that we are hopelessly separated from everyone else. We have become victims of our own art. We touch people on the outsides of their bodies, and they us, but we cannot get at their insides and cannot reveal our insides to them. This is one of the great tragedies of our interiority—it is utterly personal and unrevealable. Often we want to say something unusually intimate to a spouse, a parent, a friend, communicate
something of how we are really feeling about a sunset, who we really feel we are—only to fall strangely and miserably flat. Once in a great while we succeed, sometimes more with one person, less or never with others. But the occasional breakthrough only proves the rule. You reach out with a disclosure, fail, and fall back bitterly into yourself. We emit huge globs of love to our parents and spouses, and the glob slithers away in exchanges of words that are somehow beside the point of what we are trying to say. People seem to keep bumping up against each other with their exteriors and falling away from each other. The cartoonist Jules Feiffer is the modern master of this aspect of the human tragedy. Take even the sexual act—the most intimate merger given to organisms. For most people, even for their entire lives, it is simply a joining of exteriors. The insides melt only in the moment of orgasm, but even this is brief, and a melting is not a communication. It is a physical overcoming of separateness, not a symbolic revelation and justification of one’s interior. Many people pursue sex precisely because it is a mystique of the overcoming of the separateness of the inner world; and they go from one partner to another because they can never quite achieve “it.” So the endless interrogations: “What are you thinking about right now—me? Do you feel what I feel? Do you love me?”
― Ernest Becker, quote from The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man
“All will be well, if we do what is right”
― Dean Koontz, quote from Breathless
“You know," Elijah raised a hand to shake a finger at her, "you have an attitude problem."
"I certainly do. Your attitude is a huge problem for me.”
― Jacquelyn Frank, quote from Elijah
“Марго бавно започна да се надига по-високо и по-високо, като змия, която се развива.”
― Vladimir Nabokov, quote from Laughter in the Dark
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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