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The Death of Ivan Ilych

by Leo Tolstoy

"The Death of Ivan Ilyich" is a short novel by Leo Tolstoy, first published in 1886. It tells the story of Ivan Ilyich Golovin, a successful high-court judge in nineteenth-century Russia who has built a comfortable… more

First published 1886 · 86 pages · English

26 quotes ★ 4.14 (245,279) Classics

Quotes from the Book

Can it be that I have not lived as one ought?" suddenly came into his head. "But how not so, when I've done everything as it should be done?
Morning or night, Friday or Sunday, made no difference, everything was the same: the gnawing, excruciating, incessant pain; that awareness of life irrevocably passing but not yet gone; that dreadful, loathsome death, the only reality, relentlessly closing in on him; and that same endless lie. What did days, weeks, or hours matter?
He sought his former accustomed fear of death and did not find it. "Where is it? What death?" There was no fear because there was no death. In place of death there was light.
The example of a syllogism that he had studied in Kiesewetter's logic: Caius is a man, men are mortal, therefore Caius is mortal, had throughout his whole life seemed to him right only in relation to Caius, but not to him at all.
the very fact of the death of someone close to them aroused in all who heard about it, as always, a feeling of delight that he had died and they hadn't.
Always the same. Now a spark of hope flashes up, then a sea of despair rages, and always pain; always pain, always despair, and always the same. When alone he had a dreadful and distressing desire to call someone, but he knew beforehand that with others present it would be still worse.
Death is finished, he said to himself. It is no more!
And he has to live like this on the edge of destruction, alone, with nobody at all to understand or pity him
False. Everything by which you have lived and live now is all a deception, a lie, concealing both life and death from you.
They had supper and went away, and Ivan Ilyich was left alone with the consciousness that his life was poisoned and was poisoning the lives of others, and that this poison did not weaken but penetrated more and more deeply into his whole being. With this consciousness, and with physical pain besides the terror, he must go to bed, often to lie awake the greater part of the night. Next morning he had to get up again, dress, go to the law courts, speak, and write; or if he did not go out, spend at home those twenty-four hours a day each of which was a torture. And he had to live thus all alone on the brink of an abyss, with no one who understood or pitied him.
Ivan Iylich saw that he was dying, and was in continual despair. At the bottom of his heart Ivan Ilyich knew that he was dying; but so far from growing used to the idea, he simply did not grasp it - he was utterly unable to grasp it. The example of the syllogism that he had learned in Kiseveter's logic - Caius is a man, men are mortal, therefore Caius is mortal - had seemed to him all his life correct only as regards Caius, but not at all regards himself. In that case it was a question of Caius, a man, an abstract man, and it was perfectly true, but he was not Caius, and was not an abstract man; he had always been a creature quite, quite different from all the others.
Ivan Ilych had been a colleague of the gentlemen present and was liked by them all. He had been ill for some weeks with an illness said to be incurable. His post had been kept open for him, but there had been conjectures that in case of his death Alexeev might receive his appointment, and that either Vinnikov or Shtabel would succeed Alexeev. So on receiving the news of Ivan Ilych's death the first thought of each of the gentlemen in that private room was of the changes and promotions it might occasion among themselves or their acquaintances.
It is impossible that all men have been doomed to suffer this awful horror!
... the mere fact of the death of a near acquaintance aroused, as usual, in all who heard of it the complacent feeling that, "it is he who is dead and not I.
Always the same. Now a spark of hope flashes up, then a sea of despair rages, and always pain; always pain, always despair, and always the same.
In reality it was just what is usually seen in the houses of people of moderate means who want to appear rich, and therefore succeed only in resembling otherslike themselves: there are damasks, dark wood, plants, rugs, and dull and polished bronzes -- all the things people of a certain class have in order to resemble other people of that class. His house was so like the others that it would never have been noticed, but to him it all seemed to be quite exceptional.
What tormented Ivan Ilych most was the deception, the lie, which for some reason they all accepted, that he was not dying but was simply ill, and that he only need keep quiet and undergo a treatment and then something very good would result.
So that's what it is!" he suddenly exclaimed aloud. "What joy!
There was no deceiving himself: something terrible, new, and more important than anything before in his life, was taking place within him of which he alone was aware.
In reality it was just what is usually seen in the houses of people of moderate means who want to appear rich, and therefore succeed only in resembling others like themselves: there are damasks, dark wood, plants, rugs, and dull and polished bronzes -- all the things people of a certain class have in order to resemble other people of that class. His house was so like the others that it would never have been noticed, but to him it all seemed to be quite exceptional.
No hay felicidad en la existencia, no hay más que relámpagos de felicidad.
When the examination was over, the doctor looked at his watch, and then Praskovya Fyodorovna informed Ivan Ilyich that it must of course be as he liked, but she had sent today for a celebrated doctor, and that he would examine him, and have a consultation with Mihail Danilovich (that was the name of his regular doctor). 'Don't oppose it now, please. This I'm doing entirely for my own sake,' she said ironically, meaning it to be understood that she was doing it all for his sake, and was only saying this to give him no right to refuse her request. He lay silent, knitting his brows. He felt that he was hemmed in by such a tangle of falsity that it was hard to disentangle anything from it. Everything she did for him was entirely for her own sake, and she told him she was doing for her own sake what she actually was doing for her own sake as something so incredible that he would take it as meaning the opposite.
Oare nu e limpede, pentru toti in afara de mine, ca ma sfarsesc ? Si nu e vorba decat de saptamani, de zile ― poate chiar acum mor. A fost lumina si-acum e intuneric. Am fost aici si-acum plec acolo! Unde ?" Il trecura fiori, respiratia i se opri. Nu auzea decat bataile inimii. "N-am sa mai exist ― si-atunci ce-o sa fie? N-o sa fie nimic. Unde am sa fiu cand n-am sa mai exist? Cum? Chiar moartea? Nu, nu vreau!" Se ridica din pat, vru sa aprinda lumanarea, bajbai cu mainile tremuratoare, scapa lumanarea si sfesnicul pe jos si cazu din nou in pat, pe perna. "De ce ? Totuna e, isi spuse, privind cu ochii deschisi in intuneric. Moartea. Da, moartea. Si nimeni din ei nu stie si nici nu vrea sa stie, si nu le e mila. Ei canta! (auzea ca din departare, de dupa usa, glasuri si refrene.) Lor le e totuna, dar si ei o sa moara. Natangii! Eu mai devreme, ei mai tarziu; dar si ei o sa pateasca la fel. Acum se veselesc. Dobitocii!
Avea conștiința că viața îi este otrăvită,că otrăvește și viața celorlalți și că otrava asta nu scade,ci îi pătrunde tot mai adânc întreaga-i ființă.
It occurred to him that his scarcely perceptible attempts to struggle against what was considered good by the most highly placed people, those scarcely noticeable impulses which he had immediately suppressed, might have been the real thing, and all the rest false.
What tormented Ivan Ilyich most was the deception, the lie, which for some reason they all accepted, that he was not dying but was simply ill, and the only need keep quiet and undergo a treatment and then something very good would result.

Did you know?

  • The novella was first published in Russian in 1886, after Tolstoy's major spiritual crisis of the late 1870s.
  • The story opens with Ivan Ilyich already dead, as his colleagues learn of his passing and privately consider how it affects their own careers.
  • Tolstoy summarizes the protagonist's life with the line that it 'had been most simple and most ordinary and therefore most terrible.'
  • Philosopher Martin Heidegger cited the work in 'Being and Time' as an illustration of confronting one's own death.
  • The peasant servant Gerasim is the only character who treats Ivan Ilyich's dying with honesty and genuine compassion.
  • Akira Kurosawa's acclaimed 1952 film 'Ikiru' was inspired by the novella.

About Leo Tolstoy

Leo Tolstoy (1828-1910) was a Russian novelist and moral philosopher, widely considered one of the greatest writers of all time. He is best known for the epic novels 'War and Peace' and 'Anna Karenina,' and in his later years turned increasingly to spiritual and ethical questions.

More about the author →

About the book

"The Death of Ivan Ilyich" is a short novel by Leo Tolstoy, first published in 1886. It tells the story of Ivan Ilyich Golovin, a successful high-court judge in nineteenth-century Russia who has built a comfortable, conventional, and socially proper life. After injuring himself while hanging curtains in a new apartment, he develops a mysterious illness that slowly proves terminal, and the story follows his physical decline and inner reckoning as death approaches.

As his condition worsens, Ivan Ilyich is forced to confront questions he has spent his whole life avoiding: whether his respectable existence was ever truly meaningful, and why those around him meet his suffering with polite evasion rather than honesty. The novella opens after his death, with colleagues privately calculating their own advancement, and then moves back through his life; the famous verdict that his life 'had been most simple and most ordinary and therefore most terrible' frames Tolstoy's critique of a life lived only for propriety and status. Only the compassion of the peasant servant Gerasim offers him genuine human comfort.

The book is widely regarded as one of the finest novellas ever written and a landmark meditation on mortality, authenticity, and the emptiness of bourgeois convention. Written after Tolstoy's own spiritual crisis of the 1870s, it reflects his later moral and religious concerns, and it became a touchstone for later existential thought, notably informing Martin Heidegger's discussion of being-toward-death. Its unflinching portrait of dying continues to be read across literature, philosophy, and medical humanities.

Key characters

  • Ivan Ilyich GolovinProtagonist; a high-court judge facing terminal illness
  • Praskovya FyodorovnaIvan's self-absorbed wife
  • GerasimA young peasant servant who tends Ivan with compassion
  • Pyotr IvanovichIvan's longtime friend and colleague
  • LisaIvan's daughter

Book details

First published
1886
Length
86 pages
Reading time
2 hours
Goodreads rating
4.14 (245k ratings) →
First line
“During an interval in the Melvinski trial in the large building of the Law Courts the members and public prosecutor met in Ivan Egorovich Shebek's private room, where the conversation turned on the celebrated Krasovski case.”

Movie & TV adaptations

  • IMDb
    Ikiru 1952

    Akira Kurosawa film inspired by the novella

  • IMDb
    Ivans Xtc 2000

    Bernard Rose film adapting the story to modern Hollywood

  • IMDb
    Living 2022

    British film adaptation with a screenplay by Kazuo Ishiguro, itself based on Ikiru

If you liked this, read…

  1. 1
    The MetamorphosisKafka's novella of a man's isolating bodily transformation and family's cold response
  2. 2
    A ConfessionTolstoy's own account of the spiritual crisis behind this story
  3. 3
    Cancer WardSolzhenitsyn's Russian novel confronting mortality and the meaning of a life

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