“He waved to the city and said good-bye.
The city responded by carrying on the way it always did, traffic moving forward uninterrupted, without slowing, as if it were trying to demonstrate its permanence and show him it would still be there if he ever wanted to return. That promise was the best and only thing he could ask of it.”
― Matthew J. Kirby, quote from The Clockwork Three
“Giuseppe would miss them as well, but in a different way than he would miss the city. A city would stay the same. The same buildings. The same streets. Not forever, but for a great long while. But Frederick and Hannah would never again be the people they were right now, standing on the dock, wishing him farewell. Tomorrow they would wake up and be a little bit different and a little bit different the day after that, and in no time they might become people he did not recognize. Giuseppe knew it because they were already different from when he had first met them. He knew it because he was different from when they had first met him.”
― Matthew J. Kirby, quote from The Clockwork Three
“Clockwork could not run counter to its nature. The seconds, minutes, and hours moved only forward. Patient, precise, and unstoppable. Memory was an indulgence, an illusion that broke like a wave upon the juggernaut of time. The past remained the past.”
― Matthew J. Kirby, quote from The Clockwork Three
“In the early morning hours, Hannah read at the table by the dim light of dawn. She leaned in close to the pages, chin resting on her folded arms, eyes racing over the words, like chasing butterflies over the hills, to catch as many as she could before going to work. She wondered at how such tales of magic could be contained by mere paper and ink for her to read again and again.”
― Matthew J. Kirby, quote from The Clockwork Three
“I hate them!' she cried. 'It's not fair!'
'No, it isn't,' Frederick said gently.
'I can't do it all!'
'No. You can't.' After a long moment he said, 'But you can do what you can.'
'And what if that isn't enough?'
Frederick held her shoulders and took a step back. He looked in her eyes. 'Enough for what?'
'For my family.'
'What more could they ask for than what you've given?”
― Matthew J. Kirby, quote from The Clockwork Three
“Sharing his memories felt like handing over a sharp knife. A knife that others might handle carelessly. A knife that could be used to hurt him.”
― Matthew J. Kirby, quote from The Clockwork Three
“The hours trampled her on their way through the day.”
― Matthew J. Kirby, quote from The Clockwork Three
“It was his fault too,” Fredrick said. “He never really asked her why. It was like he didn’t want to know.”
― Matthew J. Kirby, quote from The Clockwork Three
“You see, in all his travels through the fallen ruins of civilizations, he picked up this notion that mankind is insignificant. That nothing we create will last. That we will all turn to dust. And it is only in nature that we find constancy and immortality.”
― Matthew J. Kirby, quote from The Clockwork Three
“Giuseppe was not tied down, not by rope, not by fear. He stood up, and spoke with a loud voice in the language of his parents, his brother and sister. "You kidnap children because they're the only ones you can bully. You tie up an old reverend and think you're getting back at a city that hates you. You try and make everyone afraid of you because you think that makes you powerful." Giuseppe looked him up and down. "I say you're weak. I say you're a coward.”
― Matthew J. Kirby, quote from The Clockwork Three
“Men grant and withdraw their love according to their whims, but fear is a hand that rests on their shoulders in a way they can never shake.”
― quote from From Beirut to Jerusalem
“Early risers strolling along the Thames would see the toshers wading through the muck of low tide, dressed almost comically in flowing velveteen coats, their oversized pockets filled with stray bits of copper recovered from the water’s edge. The toshers walked with a lantern strapped to their chest to help them see in the predawn gloom, and carried an eight-foot-long pole that they used to test the ground in front of them, and to pull themselves out when they stumbled into a quagmire. The pole and the eerie glow of the lantern through the robes gave them the look of ragged wizards, scouring the foul river’s edge for magic coins.”
― Steven Johnson, quote from The Ghost Map: The Story of London's Most Terrifying Epidemic - and How It Changed Science, Cities, and the Modern World
“If someone had given me a tank top with shoulder pads, I probably would have put it on. I couldn’t possibly have understood the influence I had—or, to be honest, the influence my character, Mike Seaver, had. When I spun around sporting sunglasses and a brown leather coat during the Growing Pains theme, millions of teens were doing the same thing in front of their bathroom mirrors. I had no idea.”
― Kirk Cameron, quote from Still Growing: An Autobiography
“I asked him if he thought “there” was better than “here.” “Not better,” he said. “I mean, my great-great-grandpap got his leg shot off. But I feel like it was bigger somehow.” Hawkins flipped through pages of Civil War pictures. “At work, I mix dyes and put them in a machine. I’m thirty-six and I’ve spent almost half my life in Dye House No. 1. I make eight dollars sixty-one cents an hour, which is okay, ’cept everyone says the plant will close and go to China.” He put the book back on the shelf. “I just feel like the South has been given a bum deal ever since that War.”
― Tony Horwitz, quote from Confederates in the Attic: Dispatches from the Unfinished Civil War
“And Lynnie understood. There were two kinds of hope: the kind you couldn't do anything about and the kind you could. And even if the kind you could do something about wasn't what you'd originally wanted, it was still worth doing. A rainy day is better than no day. A small happiness can make a big sadness less sad.
p 313
"The sky was crying outside, and as she watched the drops come down, she thought: A rainy day can actually be a very important day. And a small hope isn't really small if it makes a lost hope less sad."
p 318
Lynnie about the lost hope of finding Homan, the hope of seeing the lighthouse/connecting with her daughter and how selling her art work was doing something about it.”
― Rachel Simon, quote from The Story of Beautiful Girl
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