Quotes from Tales from Earthsea

Ursula K. Le Guin ·  280 pages

Rating: (14.4K votes)


“It's a rare gift, to know where you need to be, before you've been to all the places you don't need to be.”
― Ursula K. Le Guin, quote from Tales from Earthsea


“We have inhabited both the actual and the imaginary realms for a long time. But we don't live in either place the way our parents or ancestors did. Enchantment alters with age, and with the age.
We know a dozen Arthurs now, all of them true. The Shire changed irrevocably even in Bilbo's lifetime. Don Quixote went riding out to Argentina and met Jorge Luis Borges there. Plus c'est la même chose, plus ça change.”
― Ursula K. Le Guin, quote from Tales from Earthsea


“The danger in trying to do good is that the mind comes to confuse the intent of goodness with the act of doing things well.”
― Ursula K. Le Guin, quote from Tales from Earthsea


“Past events exist, after all, only in memory, which is a form of imagination. The event is real now, but once it’s then, its continuing reality is entirely up to us, dependent on our energy and honesty.”
― Ursula K. Le Guin, quote from Tales from Earthsea


“They way one does research into nonexistent history is to tell the story and find out what happened. I believe this isn't very different from what historians of the so-called real world do. Even if we are present at some historic event, so we comprehend it - can we even remember it - until we can tell it as a story? And for events in times or places outside our own experience, we have nothing to go on but the stories other people tell us. Past events exist, after all, only in memory, which is a form of imagination. The event is real now, but once it's then, its continuing reality is entirely up to us, dependent on our energy and honesty. If we let it drop from memory, only imagination can restore the least glimmer of it. If we lie about the past, forcing it to tell a story we want it to tell, to mean what we want it to mean, it loses its reality, becomes a fake. To bring the past along with us through time in the hold-alls of myth and history is a heavy undertaking; but as Lao Tzu says, wise people march along with the baggage wagons.”
― Ursula K. Le Guin, quote from Tales from Earthsea



“This writing doesn't affect reality any more than any writing does; that is to say, indirectly, but considerably.”
― Ursula K. Le Guin, quote from Tales from Earthsea


“Now, what is forbidden to the summoner, or any wizard, is to call a living spirit. We can call to them, yes. We can send to them a voice or a presentment, a seeming, of ourself. But we do not summon them, in spirit or in flesh, to come to us. Only the dead may we summon. Only the shadows. You can see why this must be. To summon a living man is to have entire power over him, body and mind. No one, no matter how strong or wise or great, can rightly own and use another.”
― Ursula K. Le Guin, quote from Tales from Earthsea


“And the mills of capitalism provide them. Supply meets demand. Fantasy becomes a commodity, an industry. Commodified fantasy takes no risks: it invents nothing, but imitates and trivialises.”
― Ursula K. Le Guin, quote from Tales from Earthsea


“As the virtual world of electronic communication becomes the world many of us inhabit all the time, in turning to imaginative literature we may not be seeking mere reassurance nor be impelled by mere nostalgia. To enter with heart and mind into the world of the imagination may be to head deliberately and directly toward, or back toward, engagement with the real world. In one of T. S. Eliot’s poems a bird sings, “Mankind cannot bear very much reality.” I’ve always thought that bird was mistaken, or was talking only about some people. I find it amazing how much of the real world most of us can endure. Not only endure, but need, desire, crave. Reality is life. Where we suffocate is in the half-life of unreality, untruth, imitation, fakery, the almost-true that is not true. To be human is to live both within and beyond the narrow band of what-happens-now, in the vast regions of the past and the possible, the known and the imagined: our real world, our true Now.”
― Ursula K. Le Guin, quote from Tales from Earthsea


“I spoke your true name. It's not what I thought it would be. And I don't feel easy about it. As if I'd left something unfinished. But it is your name. If it betrays you, then that's the truth of it."
Rose hesitated and then spoke less angrily, more coldly: "If you want the power to betray me, Irian, I'll give you that. My name is Etaudis."

"Dragonfly”
― Ursula K. Le Guin, quote from Tales from Earthsea



“Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their truth-telling to sentimental platitude. heroes brandish their swords, lasers, wands, as mechanically as combine harvesters, reaping profits. Profoundly disturbing moral choices are sanitized, made cute, made safe. The passionately conceived ideas of the great story-tellers are copied, stereotyped, reduced to toys, molded in bright-colored plastic, advertised, sold, broken, junked, replaceable, interchangeable.

What the commodifiers of fantasy count on and exploit is the insuperable imagination of the reader, child or adult, which gives even these dead things life- of a sort, for a while.”
― Ursula K. Le Guin, quote from Tales from Earthsea


“patience with him either, always at him to hurry up and”
― Ursula K. Le Guin, quote from Tales from Earthsea


“Det som förblir oförändrat för länge förstör sig själv. Skogen är evig därför att den dör och dör och därför lever." (s. 319)”
― Ursula K. Le Guin, quote from Tales from Earthsea


“To enter with heart and mind into the world of the imagination may be to head deliberately and directly toward, or back toward, engagement with the real world.”
― Ursula K. Le Guin, quote from Tales from Earthsea


About the author

Ursula K. Le Guin
Born place: in Berkeley, California, The United States
Born date October 21, 1929
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“It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp—the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan’s chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan’s black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing in front of the full face of the harvest moon. And I imagined the shimmering Great Salt Lake calling the swans down like a mother, the suddenness of the storm, the anguish of its separation. And I tried to listen to the stillness of its body. At dusk, I left the swan like a crucifix on the sand. I did not look back.”
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