Paul Collins · 224 pages
Rating: (2.3K votes)
“If a book cover has raised lettering, metallic lettering, or raised metallic lettering, then it is telling the reader: Hello. I am an easy-to-read work on espionage, romance, a celebrity, and/or murder. To readers who do not care for such things, this lettering tells them: Hello. I am crap.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“Many people are partial to the notion that . . . all writers are somehow mere vessels for Truth and Beauty when they compose. That we are not really in control. This is a variation on that twee little fable that writers like to pass off on gullible readers, that a character can develop a will of his own and 'take over a book.' This makes writing sound supernatural and mysterious, like possession by faeries. The reality tends to involve a spare room, a pirated copy of MS Word, and a table bought on sale at Target. A character can no more take over your novel than an eggplant and a jar of cumin can take over your kitchen.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“If you grew up in a rural area, you have seen how farmhouses come and go, but the dent left by cellars is permanent. There is something unbreakable in that hand-dug foundational gouge into the earth. Books are the cellars of civilization: when cultures crumble away, their books remain out of sheer stupid solidity.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“Historically, dust jackets are a new concern for authors; you don't see them much before the 1920s. And dust jacket is a strange name for this contrivance, as if books had anything to fear from dust. If you store a book properly, standing up, then the jacket doesn't cover the one part of the book that is actually exposed to dust, which is the top of the pages. So a dust jacket is no such thing at all; it is really a sort of advertising wrapper, like the brown paper sheath on a Hershey's bar. On this wrapper goes the manufacturer's name, the ingredients--some blithering about unforgettable characters or gemlike prose or gripping narrative--and a brief summation of who does what to whom in our gripping, unforgettable, gemlike object.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“Leatherbound books are an expensive form of wallpaper, and yet every English nobleman’s home seems to have had them. Their endless sets of the works of Cooper and Scott and Goethe, in finely tanned bindings with marbled endpapers, all end up with this sort of dealer sooner or later. I look through a set of Cooper and, without surprise, find uncut pages: these books were never actually read.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“…I had a good title already. My book was originally called Loser: A Brief History of Notable Failures. But American publishers don’t like this. Losing is a bad thing in our country. It’s not allowed.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“You see, literary culture is perpetually dead and dying; and when some respected writer discovers and loudly proclaims the finality of this fact, it is a forensic marker of their own decomposition. It means that they have artistically expired within the last ten years, and that they will corporeally expire within the next twenty.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“What you mean to find matters less than what you do find.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“I noticed you made a bee-line for their bookcases." It is the oldest and most incorrigible trait of the book-lover.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“It really is an APPALLING thing to think of the people who have no books...It is only by books that most men and women can lift themselves above the sordidness of life. No books! Yet for the greater part of humanity that is the common lot. We may, in fact, divide our fellow-creatures into two branches - those who read books and those who do not.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
Paul Collins
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“My definition of gawking would be…” Dean paused as if to hold back what he was going to say. But he couldn’t any longer. “…when you look at her, your heart starts slamming uncontrollably in your chest. So much that it scares you. And every other noise that surrounds you slowly fades away into absolute silence. You only hear the sounds she makes. And when she looks back at you, when her eyes meet yours, it’s as if she is looking deep inside your soul. And she can see all of the hatred you’re consumed in. Her eyes quench the thirst of your soul, gently soothing your damaged heart in the most alluring way… a way you could only dream of.” His peaceful face started to fill with pain. “Then those magical eyes start to look away. The time-freeze you were caught in starts to wear off. And fear takes over. You want to pull those eyes to yours again so that you could once again feel the fascinating sensations of happiness. Then, when she’s out of your sight, you feel empty inside. Your heart is back to normal. Only this time, it’s left with an aching worse than before. But you can never tell her. You can never be with her. You are alone in your pitiful existence-”
― E.M. Jade, quote from Captivated
“He backed me into a wall, caging me in, got in my face and explained he is most definitely into me.”
When I was done speaking, her lips were parted and her eyes were glazed.
“KC?” I called when she didn’t say anything.
“Shh,” she shushed me. “I’m having an orgasm.”
― Kristen Ashley, quote from Raid
“It’s like … everything that happened to you, all those terrible things that I hope someday you’ll tell me about, they’re part of who you are now. They make up the scars that are on your heart. If you rip them off, try to make them disappear, you’ll just cause more damage in the end. Scars are your body’s way of healing, making that damaged part stronger than it ever was before the pain.”
― Elle Casey, quote from Don't Make Me Beautiful
“What right have we to believe Nature under any obligation to do her work by means of complete minds only? She may find an incomplete mind a more suitable instrument for a particular purpose.”
― William James, quote from The Varieties of Religious Experience
“we live with those retrievals from childhood that coalesce and echo throughout our lives”
― Michael Ondaatje, quote from Divisadero
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