“Irony is Fate's most common figure of speech.”
― Trevanian, quote from Shibumi
“It was not their irritating assumption of equality that annoyed Nicholai so much as their cultural confusions. The Americans seemed to confuse standard of living with quality of life, equal opportunity with institutionalized mediocrity, bravery with courage, machismo with manhood, liberty with freedom, wordiness with articulation, fun with pleasure - in short, all of the misconceptions common to those who assume that justice implies equality for all, rather than equality for equals.”
― Trevanian, quote from Shibumi
“It's not Americans I find annoying; it's Americanism: a social disease of the postindustrial world that must inevitably infect each of the mercantile nations in turn, and is called 'American' only because your nation is the most advanced case of the malady, much as one speaks of Spanish flu, or Japanese Type-B encephalitis. It's symptoms are a loss of work ethic, a shrinking of inner resources, and a constant need for external stimulation, followed by spiritual decay and moral narcosis. You can recognize the victim by his constant efforts to get in touch with himself, to believe his spiritual feebleness is an interesting psychological warp, to construe his fleeing from responsibility as evidence that he and his life are uniquely open to new experiences. In the later stages, the sufferer is reduced to seeking that most trivial of human activities: fun.”
― Trevanian, quote from Shibumi
“Hana: What on Earth is a 'barbeque'? Hel: A primitive tribal ritual featuring paper plates, elbows, flying insects, encrusted meat, hush puppies, and beer. Hana: I daren't ask what a 'hush puppy' is. Hel: Don't.”
― Trevanian, quote from Shibumi
“Your scorn for mediocrity blinds you to its vast primitive power. You stand in the glare of your own brilliance, unable to see into the dim corners of the room, to dilate your eyes and see the potential dangers of the mass, the wad of humanity. Even as I tell you this, dear student, you cannot quite believe that lesser men, in whatever numbers, can really defeat you. But we are in the age of the mediocre man. He is dull, colorless, boring — but inevitably victorious. The amoeba outlives the tiger because it divides and continues in its immortal monotony. The masses are the final tyrants. See how, in the arts, Kabuki wanes and withers while popular novels of violence and mindless action swamp the mind of the mass reader. And even in that timid genre, no author dares to produce a genuinely superior man as his hero, for in his rage of shame the mass man will send his yojimbo, the critic, to defend him. The roar of the plodders is inarticulate, but deafening. They have no brain, but they have a thousand arms to grasp and clutch at you, drag you down.”
― Trevanian, quote from Shibumi
“You can gain experience, if you are careful to avoid empty redundancy. Do not fall into the error of the artisan who boasts of twenty years experience in craft while in fact he has had only one year of experience–twenty times. And never resent the advantage of experience your elders have. Recall that they have paid for this experience in the coin of life, and have emptied a purse that cannot be refilled.”
― Trevanian, quote from Shibumi
“Generalization is flawed thinking only when applied to individuals. It is the most accurate way to describe the mass, the Wad. And yours is a democracy, a dictatorship of the Wad.”
― Trevanian, quote from Shibumi
“And he recalled the ancient adage: Who must do the harsh things? He who can.”
― Trevanian, quote from Shibumi
“Go is to Western chess what philosophy is to double-entry accounting.”
― Trevanian, quote from Shibumi
“(...) shibumi has to do with great refinement underlying commonplace appearances. It is a statement so correct that it does not have to be bold, so poignant it does not have to be pretty, so true it does not have to be real. Shibumi is understanding, rather than knowledge. Eloquent silence. In demeanor, it is modesty without pudency. In art, where the spirit of shibumi takes the form of sabi, it is elegant simplicity, articulate brevity. In philosophy, where shibumi emerges as wabi, it is spiritual tranquility that is not passive; it is being without the angst of becoming. And in the personality of a man, it is . . . how does one say it? Authority without domination? Something like that.”
Nicholai’s imagination was galvanized by the concept of shibumi. No other ideal had ever touched him so. “How does one achieve this shibumi, sir?”
“One does not achieve it, one . . . discovers it. And only a few men of infinite refinement ever do that. Men like my friend Otake-san.”
“Meaning that one must learn a great deal to arrive at shibumi?”
“Meaning, rather, that one must pass through knowledge and arrive at simplicity.”
― Trevanian, quote from Shibumi
“In seeming contradiction of physical laws, time is heavy only when it is empty.”
― Trevanian, quote from Shibumi
“It is revealing of the American culture that its prototypic hero is the cowboy: an uneducated, boorish, Victorian migrant agricultural worker.”
― Trevanian, quote from Shibumi
“Niko? I have decided to christen this little pool Le Cagot's Soul."
"Oh?"
"Yes. Because it is clear and pure and lucid."
"And treacherous and dangerous?"
"You know, Niko, I begin to suspect that you are a man of prose. It is a blemish on you."
"No one's perfect."
"Speak for yourself.”
― Trevanian, quote from Shibumi
“— Шибуми, сър? — Николай познаваше думата, но само когато се използваше за градини и архитектура, където означаваше ненатрапчива красота. — В какъв смисъл използвате понятието, сър?
— О, неясно. И предполагам, неправилно. Глупав опит да се обясни неизразимо качество. Както знаеш, при шибуми трябва да има едно пречистване на ниските, баналните мисли. Това е едно изразяване — толкова правилно, че няма нужда да е смело, толкова трогателно, че няма нужда да е красиво, толкова вярно, че няма нужда да е истинско. Шибуми е разбиране, не познание. Красноречиво мълчание. В поведението това е скромност без срамежливост. В изкуството, където духът на шибуми приема формата на саби, това е елегантна простота, изразителна яснота. Във философията, където шибуми се явява като ваби, това е душевно спокойствие, което не е пасивно; това е да бъдеш, без да те е страх да станеш. А в личността на един човек, това е… как може да се каже? Авторитет без доминиране? Нещо такова.”
― Trevanian, quote from Shibumi
“All right. But take my advice, Mr. Hel. Don’t let this chance get away. Opportunity doesn’t knock twice, you know.”
“Penetrating observation. Did you make up the epigram?”
“I’ll see you tomorrow.”
“Very well. And ask the guard to knock on my cell door twice. I wouldn’t want to confuse him with opportunity.”
― Trevanian, quote from Shibumi
“Listen!” Hannah pled. “Is there someone who could drive me to the Château of Etchebar?” A quick conference was held between the café owner and the mousse players. There was some argument and a considerable amount of clarification and restatement of positions. Then the proprietor delivered the consensus opinion. “No.”
― Trevanian, quote from Shibumi
“As you know, shibumi has to do with great refinement underlying commonplace appearances. It is a statement so correct that it does not have to be bold, so poignant it does not have to be pretty, so true it does not have to be real. Shibumi is understanding, rather than knowledge. Eloquent silence. In demeanor, it is modesty without pudency. In art, where the spirit of shibumi takes the form of sabi, it is elegant simplicity, articulate brevity. In philosophy, where shibumi emerges as wabi, it is spiritual tranquility that is not passive; it is being without the angst of becoming.”
― Trevanian, quote from Shibumi
“It is a truism of American politics that no man who can win an election deserves to.”
― Trevanian, quote from Shibumi
“Sıkılmak ve kızmak benim dostumun kullandığı duygulardan değildir.”
― Trevanian, quote from Shibumi
“Zevk, okuma ve rahatlık yeterliydi Nicholai için. (...) Eğlence gibi bir uyuşturucu maddeye de gereksinim duymuyordu.”
― Trevanian, quote from Shibumi
“But he could feel nothing but disdain for the artificial class of the merchant, who sucks up his living through buying and selling things he does not create, who collects power and wealth out of proportion to his discrimination, and who is responsible for all that is kitsch, for all that is change without progress, for all that is consumption without use.”
― Trevanian, quote from Shibumi
“Confession is good for the soul, it empties the spirit making more room for sin.”
― Trevanian, quote from Shibumi
Trevanian
Born place: in Granville, New York, The United States
Born date June 12, 1931
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“3. Nada hagáis por contienda o por vanagloria; antes bien, con humildad, estimando cada uno a los demás como superiores a sí mismo; 4. no mirando cada uno por lo suyo propio, sino cada cual también por lo de los otros.”
― The Church of Jesus Christ of Latter-day Saints, quote from The LDS Scriptures: Unabridged Complete King James Version Holy Bible /The Book of Mormon / Doctrine and Covenants / The Pearl of Great Price
“Every day of your life, you are faced with opportunities. Unfortunately, the choices that face you are not heroic choices. They are bamboo tree choices. They are small, but progressive choices that steer you in a positive direction and over time you're bound to meet success. For most of us, we spend all our lives waiting for that life changing moment that will change the course of our lives and make us successful. Unfortunately, the clock is ticking. Every day, we choose not to tend to our bamboo tree, a choice is made for us and by the time we realize it, the seasons have passed and we have nothing to show for it.”
― Mary Maina, quote from The Proverbs 31 Lady: Unveiling Her Secrets Before Saying I Do
“Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the harmonious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and children play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physiological needs which are considered private as discreetly as possible, without realizing that such a pattern of behavior is not common to all human societies. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff.
His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Confidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.”
― Czesław Miłosz, quote from The Captive Mind
“Olivia hasn’t just taught me how to love. She’s done something much bigger. She’s taught me how to live.
And I don’t want to do it without her.”
― Lauren Layne, quote from Broken
“night.” “Just some sore muscles. That’s all.” She shrugged,”
― Tess Gerritsen, quote from Presumed Guilty
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