“Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth. What remains in the bum or studiedly jocular desperation of one who is aware of the obscene Presence in the corner of the room and knows that the door is locked, that there aren’t any windows. And now the thing bears down on him. He feels a hand on his sleeve, smells a stinking breath, as the executioner’s assistant leans almost amorously toward him. “Your turn next, brother. Kindly step this way.” And in an instant his quiet terror is transmuted into a frenzy as violent as it is futile. There is no longer a man among his fellow men, no longer a rational being speaking articulately to other rational beings; there is only a lacerated animal, screaming and struggling in the trap. For in the end fear casts out even a man’s humanity. And fear, my good friends, fear is the very basis and foundation of modern life. Fear of the much touted technology which, while it raises out standard of living, increases the probability of our violently dying. Fear of the science which takes away the one hand even more than what it so profusely gives with the other. Fear of the demonstrably fatal institutions for while, in our suicidal loyalty, we are ready to kill and die. Fear of the Great Men whom we have raised, and by popular acclaim, to a power which they use, inevitably, to murder and enslave us. Fear of the war we don’t want yet do everything we can to bring about.”
― Aldous Huxley, quote from Ape and Essence
“The leech's kiss, the squid's embrace,
The prurient ape's defiling touch:
And do you like the human race?
No, not much.”
― Aldous Huxley, quote from Ape and Essence
“Cruelty and compassion come with the chromosomes”
― Aldous Huxley, quote from Ape and Essence
“It is a scene of Satyrs and Nymphs, of pursuits and captures, provocative resistances followed by the enthusiastic surrender of lips to bearded lips, of panting bosoms to the impatience of rough hands, the whole accompanied by a babel of shouting, squealing and shrill laughter”
― Aldous Huxley, quote from Ape and Essence
“And then there was Nationalism -- the theory that the state you happen to be subject to is the only true god, and that all other states are false gods; that all these gods, true as well as false, have the mentality of juvenile delinquents; and that every conflict over prestige, power or money is a crusade for the Good, the True and the Beautiful. The fact that such theories came, at a given moment of history, to be universally accepted is the best proof of Belial's existence, the best proof that at long last He'd won the battle.”
― Aldous Huxley, quote from Ape and Essence
“There are times, and this is one of them, when the world seems purposefully beautiful, when it is as though some mind in things had suddenly chosen to make manifest, for all who choose to see, the supernatural reality that underlies all appearances.”
― Aldous Huxley, quote from Ape and Essence
“Para dentro a Fenomenologia do Espírito. Para fora o pão de milho.”
― Aldous Huxley, quote from Ape and Essence
“But from the Parthenon and the Timaeus a specious logic leads to the tyranny which, in the Republic, is held up as the ideal form of government. In the field of politics the equivalent of a theorem is a perfectly disciplined army; of a sonnet or picture, a police state under a dictatorship. The Marxist calls himself scientific and to this claim the Fascist adds another: he is the poet - the scientific poet - of a new mythology. Both are justified in their pretentions; for each applies to human situations the procedures which have proved effective in the laboratory and the ivory tower. They simplify, they abstract, they eliminate all that, for their purposes, is irrelevant and ignore whatever they choose to regard as inessential; they impose a style, they compel the facts to verify a favorite hypothesis, they consign to the waste paper basket all that, to their mind, falls short of perfection. And because they thus act like good artists, sound thinkers and tried experimenters, the prisons are full, political heretics are worked to death as slaves, the rights and preferences of mere individuals are ignored, the Gandhis are murdered and from morning till night a million schoolteachers and broadcasters proclaim the infallibility of the bosses who happen at the moment to be in power.”
― Aldous Huxley, quote from Ape and Essence
“Do you think Gandhi was interested in Art?" I asked.
"Gandhi? No, of course not."
"I think you're right," I agreed. "Neither in art nor in science. And that is why we killed him."
"We?"
"Yes, we. The intelligent, the active, the forward-looking, the believers in Order and Perfection. Whereas Gandhi was a reactionary who believed only in people. Squalid little individuals governing themselves, village by village, and worshiping the Brahman who is also Atman. It was intolerable. No wonder we bumped him off."
But even as I spoke I was thinking that that wasn't the whole story. The whole story included an inconsistency, almost a betrayal. This man who believed only in people had got himself involved in the sub-human mass-madness of nationalism, in the would-be superhuman, but actually diabolic, institution of the nation-state. He got himself involved in these things, imagining that he could mitigate the madness and convert what was satanic in the state to something like humanity. But nationalism and the politics of power had proved too much for him. It is not at the center, not from within the organization, that the saint can cure our regimented insanity; it is only from without, at the periphery. If he makes himself a part of the machine, in which the collective madness is incarnated, one or the other of two things is bound to happen. Either he remains himself, in which case the machine will use him as long as it can and, when he becomes unusable, reject or destroy him. Or he will be transformed into the likeness of the mechanism with and against which he works, and in this case we shall see Holy Inquisitions and alliances with any tyrant prepared to guarantee ecclesiastical privileges.”
― Aldous Huxley, quote from Ape and Essence
“Old Deuteronomy's lived a long time;
He's a Cat who has lived many lives in succession.
He was famous in proverb and famous in rhyme
A long while before Queen Victoria's accession.
Old Deuteronomy's buried nine wives
And more – I am tempted to say, ninety-nine;
And his numerous progeny prospers and thrives
And the village is proud of him in his decline.
At the sight of that placid and bland physiognomy,
When he sits in the sun on the vicarage wall,
The Oldest Inhabitant croaks: "Well, of all …
Things … Can it be … really! … No! … Yes! …
Ho! hi!
Oh, my eye!
My mind may be wandering, but I confess
I believe it is Old Deuteronomy!"
Old Deuteronomy sits in the street,
He sits in the High Street on market day;
The bullocks may bellow, the sheep they may bleat,
But the dogs and the herdsman will turn them away.
The cars and the lorries run over the kerb,
And the villagers put up a notice: ROAD CLOSED —
So that nothing untoward may chance to disturb
Deuteronomy's rest when he feels so disposed
Or when he's engaged in domestic economy:
And the Oldest Inhabitant croaks: "Well of all …
Things … Can it be … really! … No! … Yes! …
Ho! hi!
Oh, my eye!
My sight's unreliable, but I can guess
That the cause of the trouble is Old Deuteronomy!”
― T.S. Eliot, quote from Old Possum's Book of Practical Cats
“She was willing a little bit of sweated labour, incapable of betraying the slogan of her slavers, that since the customer or sucker was paying for his gutrot ten times what it cost to produce and five times what it cost to fling in his face, it was only reasonable to defer to his complaints up to but not exceeding fifty per cent of his exploitation.”
― Samuel Beckett, quote from Murphy
“Gabriel shuffled around the trunk again, searching for faux arrows—arrows designed to injure but not kill. “All these arrows are sharp—and have blood on them.”
“Yes, well, I left my cotton candy arrows at home next to my teddy bear.”
Gabriel turned to Tristan. “We’re not going to kill that guy.”
“We might.”
“Tristan, that’s homicide.”
“It’s self defense.”
“It’s not self defense. He didn’t come after you.”
“But he came after Scarlet. And, technically, Scarlet is a piece of me. So, yeah. It’s self-defense. Are you coming with me or not?”
“I don’t want to kill him. I just want to hurt him. Or detain him.”
“Or maybe you could just give him a big hug.”Tristan started marching into the woods. “You can stay there and clean weapons or whatever, but I’m going after our intruder.”
― Chelsea Fine, quote from Anew
“They have to be born, you know," the Third Rail says. "They don't come from nowhere! When a child sits in her chair with a clean suzuri and her long brush, she believes she is writing, but she is simply calling to these poor lambs, calling them to attend her, to pass through her. We can hardy keep up with the demand; the pollination season is intense. And yet, they learn fewer and fewer kanji as the years go by, and more and more English, more katakana, more foreign things. The graveyard is on another train, where turtles set incense on the stones of words no one learns in your world anymore, words passed out of reach of any mouth. It is important work we do. We hope you agree, of course, but we are willing to admit it foolish if you call it so.”
― Catherynne M. Valente, quote from Palimpsest
“You may want to keep a commonplace book which is a notebook where you can copy parts of books you think are in code, or take notes on a series of events you may have observed that are suspicious, unfortunate, or very dull. Keep your commonplace book in a safe place, such as underneath your bed, or at a nearby dairy.”
― Lemony Snicket, quote from Lemony Snicket: The Unauthorized Autobiography
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