“Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth. What remains in the bum or studiedly jocular desperation of one who is aware of the obscene Presence in the corner of the room and knows that the door is locked, that there aren’t any windows. And now the thing bears down on him. He feels a hand on his sleeve, smells a stinking breath, as the executioner’s assistant leans almost amorously toward him. “Your turn next, brother. Kindly step this way.” And in an instant his quiet terror is transmuted into a frenzy as violent as it is futile. There is no longer a man among his fellow men, no longer a rational being speaking articulately to other rational beings; there is only a lacerated animal, screaming and struggling in the trap. For in the end fear casts out even a man’s humanity. And fear, my good friends, fear is the very basis and foundation of modern life. Fear of the much touted technology which, while it raises out standard of living, increases the probability of our violently dying. Fear of the science which takes away the one hand even more than what it so profusely gives with the other. Fear of the demonstrably fatal institutions for while, in our suicidal loyalty, we are ready to kill and die. Fear of the Great Men whom we have raised, and by popular acclaim, to a power which they use, inevitably, to murder and enslave us. Fear of the war we don’t want yet do everything we can to bring about.”
“The leech's kiss, the squid's embrace,
The prurient ape's defiling touch:
And do you like the human race?
No, not much.”
“Cruelty and compassion come with the chromosomes”
“It is a scene of Satyrs and Nymphs, of pursuits and captures, provocative resistances followed by the enthusiastic surrender of lips to bearded lips, of panting bosoms to the impatience of rough hands, the whole accompanied by a babel of shouting, squealing and shrill laughter”
“And then there was Nationalism -- the theory that the state you happen to be subject to is the only true god, and that all other states are false gods; that all these gods, true as well as false, have the mentality of juvenile delinquents; and that every conflict over prestige, power or money is a crusade for the Good, the True and the Beautiful. The fact that such theories came, at a given moment of history, to be universally accepted is the best proof of Belial's existence, the best proof that at long last He'd won the battle.”
“There are times, and this is one of them, when the world seems purposefully beautiful, when it is as though some mind in things had suddenly chosen to make manifest, for all who choose to see, the supernatural reality that underlies all appearances.”
“Para dentro a Fenomenologia do Espírito. Para fora o pão de milho.”
“But from the Parthenon and the Timaeus a specious logic leads to the tyranny which, in the Republic, is held up as the ideal form of government. In the field of politics the equivalent of a theorem is a perfectly disciplined army; of a sonnet or picture, a police state under a dictatorship. The Marxist calls himself scientific and to this claim the Fascist adds another: he is the poet - the scientific poet - of a new mythology. Both are justified in their pretentions; for each applies to human situations the procedures which have proved effective in the laboratory and the ivory tower. They simplify, they abstract, they eliminate all that, for their purposes, is irrelevant and ignore whatever they choose to regard as inessential; they impose a style, they compel the facts to verify a favorite hypothesis, they consign to the waste paper basket all that, to their mind, falls short of perfection. And because they thus act like good artists, sound thinkers and tried experimenters, the prisons are full, political heretics are worked to death as slaves, the rights and preferences of mere individuals are ignored, the Gandhis are murdered and from morning till night a million schoolteachers and broadcasters proclaim the infallibility of the bosses who happen at the moment to be in power.”
“Do you think Gandhi was interested in Art?" I asked.
"Gandhi? No, of course not."
"I think you're right," I agreed. "Neither in art nor in science. And that is why we killed him."
"We?"
"Yes, we. The intelligent, the active, the forward-looking, the believers in Order and Perfection. Whereas Gandhi was a reactionary who believed only in people. Squalid little individuals governing themselves, village by village, and worshiping the Brahman who is also Atman. It was intolerable. No wonder we bumped him off."
But even as I spoke I was thinking that that wasn't the whole story. The whole story included an inconsistency, almost a betrayal. This man who believed only in people had got himself involved in the sub-human mass-madness of nationalism, in the would-be superhuman, but actually diabolic, institution of the nation-state. He got himself involved in these things, imagining that he could mitigate the madness and convert what was satanic in the state to something like humanity. But nationalism and the politics of power had proved too much for him. It is not at the center, not from within the organization, that the saint can cure our regimented insanity; it is only from without, at the periphery. If he makes himself a part of the machine, in which the collective madness is incarnated, one or the other of two things is bound to happen. Either he remains himself, in which case the machine will use him as long as it can and, when he becomes unusable, reject or destroy him. Or he will be transformed into the likeness of the mechanism with and against which he works, and in this case we shall see Holy Inquisitions and alliances with any tyrant prepared to guarantee ecclesiastical privileges.”
“What else makes you hot?" You asking what makes me hot makes me hot.”
“Blinded by the opaque veil of mortality, her eyes are always sealed, like a tomb She wants to know- wants to feel that fire, the brightness of the moon So she searches for light, only to realize its in her, like an ember equipped to ignite. So she searches for light, only to realize its in her, like an ember equipped to ignite.”
“You can compel the memories from me, Aya, but you can't compel away my feelings," he said evenly.”
“Honest to God, dollface, you need to stop running around in that fuckin’ nightie. You’re killin’ me.”
“Mrs. Reed grabbed Kayla's wrist. "Good. You haven't gotten that damned tattoo. Whatever you do, don't let them make you get it.”
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