“Bite me, damn it, or I'll kick you in the balls so hard, you'll scream into the next century!”
― Tina Folsom, quote from Samson's Lovely Mortal
“Champagne?" Carl asked.
"You know we don't drink champagne, Carl." Ricky laughed.
"Yes, but I don't think it's polite in mixed company to gulp down glasses of blood.”
― Tina Folsom, quote from Samson's Lovely Mortal
“May I have another one?" Her voice was smooth, silky, tempting.
Did she know this was foreplay?”
― Tina Folsom, quote from Samson's Lovely Mortal
“You are more beautiful than any woman I’ve ever met. And if there weren’t so many people here, I’d show you just how desirable I think you are.”
― Tina Folsom, quote from Samson's Lovely Mortal
“A humming sound alerted him to a message on his cell phone. He looked at it.
'She said yes'.
Yes! Yes! Yes!”
― Tina Folsom, quote from Samson's Lovely Mortal
“Open," he urged her in a soft voice.
Samson to Delilah”
― Tina Folsom, quote from Samson's Lovely Mortal
“Your fangs are showing, Miss Lyndon."
"Are they?" she asked, reaching up to touch her face. "I shall have to remember to retract them."
Charles burst out laughing. "You, Miss Lyndon, are a treasure."
"That's what I keep telling everyone," she said with a shrug and a wicked smile, "but no one seems to believe me.”
― Julia Quinn, quote from Brighter Than the Sun
“How had she ended up like this, imprisoned in the role of harridan? Once upon a time, her brash manner had been a mere posture - a convenient and amusing way for an insecure teenage bride, newly arrived in America, to disguise her crippling shyness. People had actually enjoyed her vituperation back then, encouraged it and celebrated it. She had carved out a minor distinction for herself as a 'character': the cute little English girl with the chutzpah and the longshoreman's mouth. 'Get Audrey in here,' they used to cry whenever someone was being an ass. 'Audrey'll take him down a peg or two.'
But somewhere along the way, when she hadn't been paying attention, her temper had ceased to be a beguiling party at that could be switched on and off at will. It had begun to express authentic resentments: boredom with motherhood, fury at her husband's philandering, despair at the pettiness of her domestic fate. She hadn't noticed the change at first. Like an old lady who persists in wearing the Jungle Red lipstick of her glory days, she had gone on for a long time, fondly believing that the stratagems of her youth were just as appealing as they had ever been. By the time she woke up and discovered that people had taken to making faces at her behind her back - that she was no longer a sexy young woman with a charmingly short fuse but a middle-aged termagant - it was too late. Her anger had become a part of her. It was a knotted thicket in her gut, too dense to be cut down and too deeply entrenched in the loamy soil of her disappointments to be uprooted.”
― Zoë Heller, quote from The Believers
“No wonder these people don’t believe in evolution. It obviously hasn’t worked in their favor.”
― Jeri Smith-Ready, quote from Requiem for the Devil
“Maybe he had a gaydar anti-cloaking device.”
― Josh Lanyon, quote from Fatal Shadows
“Every once in a while I would have to go to a powwow and put on some feathers so you could believe I was a real Indian. But other than that you would think I was smarter and more important if I lived in a big house and owned lots of things. That's just the way white people are. It's the way you are trained.”
― Kent Nerburn, quote from Neither Wolf Nor Dog: On Forgotten Roads with an Indian Elder
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