“He is not simply looking into the mirror because he is transfixed by what he sees. Rather, the artist’s success depends as much as anything on his powers of detachment, on de-narcissizing himself… Freud… studied his own dreams not because he was a “narcissist,” but because he was a student of dreams. And whose were at once the least and most accessible of dreams, if not his own?”
― Philip Roth, quote from My Life as a Man
“I would browse for half an hour or so in the secondhand bookstores in the neighborhood. Owning my own 'library' was my only materialistic ambition; in fact, trying to decide which two of these thousands of books to buy that week, I would frequently get so excited that by the time the purchase was accomplished I had to make use of the bookseller's toilet facilities. I don't believe that either microbe or laxative has ever affected me so strongly as the discovery that I was all at once the owner of a slightly soiled copy of Empson's Seven Types of Ambiguity in the original English edition.”
― Philip Roth, quote from My Life as a Man
“As far as I can see there is no conquering or exorcising the past with words - words born either of imagination or forthrightness.”
― Philip Roth, quote from My Life as a Man
“I think I should learn to get along better with people," he explained to Miss Benson one day, when she came upon him in the corridor of the literature building and asked what he was doing wearing a fraternity pledge pin (wearing it on the chest of the new V-neck pullover in which his mother said he looked so collegiate). Miss Benson's response to his proposed scheme for self-improvement was at once so profound and so simply put that Zuckerman went around for days repeating the simple interrogative sentence to himself; like Of Times and the River, it verified something he had known in his bones all along, but in which he could not placed his faith until it had been articulated by someone of indisputable moral prestige and purity : "Why," Caroline Benson asked the seventeen-year-old boy, "should you want to learn a thing like that?”
― Philip Roth, quote from My Life as a Man
“Though frankly… Tarnapol, as he is called, is beginning to seem as imaginary as my Zuckermans anyway, or at least as detached from the memoir-ist – his revelations coming to seem like still another “useful fiction,” and not because I am telling lies. I am trying to keep to the facts. Maybe all I’m saying is that words, being words, only approximate the real thing, and so no matter how close I come, I only come close.”
― Philip Roth, quote from My Life as a Man
Philip Roth
Born place: in Newark, New Jersey, The United States
Born date March 19, 1933
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“True generosity consists precisely in fighting to destroy the causes which nourish false charity. False charity constrains the fearful and subdued, the "rejects of life," to extend their trembling hands. True generosity lies in striving so that these hands--whether of individuals or entire peoples--need be extended less and less in supplication, so that more and more they become human hands which work and, working, transform the world.”
― Paulo Freire, quote from Pedagogy of the Oppressed
“Sometimes I think that the amount of time you live on earth is just an inverse reflection of how good you were in a previous existence. For example, infants who die from SIDs were actually great people when they were alive for real, so they get to go to heaven after a mere five weeks in purgatory. Meanwhile anyone Willard Scott ever congratulated for turning one hundred two was obviously a terrible individual who had many many previous sins to pay for and had to spend a century in his or her own unknown purgatory even though the person seemed perfectly wholesome in this particular world.”
― Chuck Klosterman, quote from Killing Yourself to Live: 85% of a True Story
“A trial is two narratives competing for your attention.”
― Harlan Coben, quote from The Woods
“When a good woman knows an important thing needs to be done, she won't let death prevent her from doing it.”
― Dean Koontz, quote from Relentless
“Nope,” she managed. “No other questions.”
Eleven centuries of captivity. Hung on his hated enemy’s study wall. Eleven centuries of not touching. Not eating. Not loving. Had he had anyone to talk
to?
Her face must have betrayed her thoughts, for he startled her by saying softly, “ ’Tis no longer of
consequence, lass, but thank you for the compassion. ’Tis nigh over. Seventeen more days, Jessica. That’s all.”
For some reason his words brought a sudden hot burn of tears to the backs of her eyes. Not only hadn’t eleven centuries turned him into a monster, he was trying to soothe her, to make her feel better about his imprisonment.
“You weep for me, woman?”
She turned away. “It’s been a long day. Hell, it’s been a long week.”
“Jessica.” Her name was a soft command.
She disobeyed it, staring out the window at the rolling hills.
“Jessica, look at me.”
Eyes bright with unshed tears, she whipped her head around and glared at him. “I weep for you, okay?” she snapped. “For eleven centuries stuck in there. Can I start driving again or do you need something else?”
He smiled faintly, raised his hand, and splayed his palm against the inside of the silvery glass. Without an ounce of conscious thought, her hand rose to
meet his, aligning on the cool silver,
palm to palm, finger to finger, thumb to thumb. And though she felt only a cold hardness beneath her palm, the gesture made something go all warm and soft in her heart.
Neither of them spoke or moved for a moment.”
― Karen Marie Moning, quote from Spell of the Highlander
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