“Thinking, not for the first time, that life should come with a trapdoor. Just a little exit hatch you could disappear through when you´d utterly and completely mortified yourself. Or when you had spontaneous zit eruptions.
“Good book?” he asked, taking it from her and reading the subtitle, “A Guide for Good Girls Who (Sometimes) Want to Be Bad,” out loud.
But life did not come with a trapdoor. ”
― Meg Cabot, quote from Prom Nights from Hell
“You talk more when you're nervous," he said, still standing close to her.
"No i don't. That's absurd. I'm just trying to explain to you-"
"Do i make you nervous?"
"No. I'm not nervous."
"You're trembling."
"I'm cold. I'm wearing practically zero clothes."
His glance went to her lips, then back to her eyes. "I noticed.”
― Meg Cabot, quote from Prom Nights from Hell
“Foxy girls know that silence may be golden-but only for four seconds. Anything longer and you're heading for Awkward Avenue.”
― Meg Cabot, quote from Prom Nights from Hell
“That kiss you gave me was the hottest kiss i've ever had. I pulled away because i was afraid i wouldn't be able to stop myself from ripping off your clothes. And that didn't seem like the right way to end a first date. I didn't want you to think that was all i was interested in."
She stared at him. There was silence again, but this time she didn't worry about how long it went on.
"Why didn't you tell me?" She said finally.
"I tried to, but every time i saw you afterward you disappeared. I got the feeling you were avoiding me."
"i didn't want things to be awkward."
"Yeah, there was nothing awkward about you hiding behind a plant when i came into the dining hall at lunch on wednesday."
"I wasn't hiding. I was, um, breathing. You know, oxygen. From the plant. Very oxygenated, that air is."
"Of course. I should have thought of that."
"It's a healthy thing. Not many people know about it.”
― Meg Cabot, quote from Prom Nights from Hell
“Are you wearing space pants?" Miranda asked him.
"What?"
How did it end? oh, right. "Because your butt is fine."
He gazed at her in that way he had like he was measuring her for straitjacket. "I think-" he started, then stopped and seemed to be having trouble talking. Cleared his throat three times before saying, "I think the line is 'because your butt is out of this world."
"Oh. That makes a lot more sense. I can see that. See, I read this book about how to get guys to like you and they said it was a line that never failed but i got interrupted in the middle and the line before it was about china-not the country, the kind you eat off of-and that is where the fine part was but i must have gotten them confused. He just kept staring at her.”
― Meg Cabot, quote from Prom Nights from Hell
“...Go live ITM."
ITM?"
In the Mo," Beth elaborated.”
― Meg Cabot, quote from Prom Nights from Hell
“Except I do care about being pretty. Der. I don't think there's a single person in the world who doesn't care about being pretty. Any female, at any rate.”
― Meg Cabot, quote from Prom Nights from Hell
“The first Christians were eucharistic by nature: they gathered for “the breaking of the bread and the prayers.” They were formed by the Word of God, the “apostles’ teaching.” When they met as a Church, their worship culminated in “fellowship”—the Greek word is koinonia, communion. The Mass was the center of life for the disciples of Jesus, and so it has ever been. Even today, the Mass is where we experience the apostolic teaching and communion, the breaking of the bread and the prayers.”
― Scott Hahn, quote from Signs of Life: 40 Catholic Customs and Their Biblical Roots
“Oh, where did you go, dear Gal-i-le-o? Your oats are a-ready, an’ we miss you so!” It”
― Jonathan Auxier, quote from The Night Gardener
“We will go to heaven or we will go to hell, but we will go together.”
― Don Winslow, quote from The Cartel
“You may have read or heard about the so-called positive thinkers of the West. They say
just the opposite -- they don't know what they are saying. They say, "When you breathe
out, throw out all your misery and negativity; and when you breathe in, breathe in joy,
positivity, happiness, cheerfulness."
Atisha's method is just the opposite: when you breathe in, breathe in all the misery and
suffering of all the beings of the world -- past, present and future. And when you breathe
out, breathe out all the joy that you have, all the blissfulness that you have, all the
benediction that you have. Breathe out, pour yourself into existence. This is the method
of compassion: drink in all the suffering and pour out all the blessings.
And you will be surprised if you do it. The moment you take all the sufferings of the
world inside you, they are no longer sufferings. The heart immediately transforms the
energy. The heart is a transforming force: drink in misery, and it is transformed into
blissfulness... then pour it out.
Once you have learned that your heart can do this magic, this miracle, you would like to
do it again and again. Try it. It is one of the most practical methods -- simple, and it
brings immediate results. Do it today, and see.
That is one of the approaches of Buddha and all his disciples. Atisha is one of his
disciples, in the same tradition, in the same line. Buddha says again and again to his
disciples, "IHI PASSIKO: come and see!" They are very scientific people. Buddhism is
the most scientific religion on the earth; hence, Buddhism is gaining more and more
ground in the world every day. As the world becomes more intelligent, Buddha will
become more and more important. It is bound to be so. As more and more people come to
know about science, Buddha will have great appeal, because he will convince the
scientific mind -- because he says, "Whatsoever I am saying can be practiced." And I
don't say to you, "Believe it," I say, "Experiment with it, experience it, and only then if
you feel it yourself, trust it. Otherwise there is no need to believe.”
― Osho, quote from The Book of Wisdom
“The truth is a beautiful and terrible thing, and should therefore be treated with great caution.”
― John Tiffany, quote from Harry Potter and the Cursed Child - Parts I & II
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