“Hu’s heart clanged like fifteen buckets in a single well.”
― Shi Nai'an, quote from Outlaws of the Marsh
“When I tell you you’ll fart and pee in your pants with terror.”
― Shi Nai'an, quote from Outlaws of the Marsh
“The old woman’s face was wreathed in smiles.”
― Shi Nai'an, quote from Outlaws of the Marsh
“Truly, flowers open, only to be blown down by the wind.”
― Shi Nai'an, quote from Outlaws of the Marsh
“Li Gui called out, "Sir, if you kill me you will kill two persons."
"How do you make that out?" asked Li Kui, staying the blow.
"At home I support my mother who is ninety years of age, and this is my only means of helping her in her old age," said Li Gui. "I never injure people, but only make them afraid. If you kill me, my old mother will die of starvation."
Li Kui who never twinkled his eyes in chopping off people's heads, paused and thought when he heard this. "Here am I trying to succour my old mother, and yet killing a man who supports his old mother. Heaven will not allow me to live if I do this. No! No! I will forgive this man.
(J.H. Jackson translation)”
― Shi Nai'an, quote from Outlaws of the Marsh
Shi Nai'an
Born place: Suzhou, China
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“There is a prophecy, Dovepaw,” he began. “There”
― Erin Hunter, quote from The Fourth Apprentice
“Happiness is not our goal. The achievement of happiness deflects us from our true destiny which is the utter realization of self.”
― Timothy Findley, quote from Pilgrim
“To me, at least in retrospect, the really interesting question is why dullness proves to be such a powerful impediment to attention. Why we recoil from the dull. Maybe it's because dullness is intrinsically painful; maybe that's where phrases like 'deadly dull' or 'excruciatingly dull' come from. But there might be more to it. Maybe dullness is associated with psychic pain because something that's dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from feeling, or at least from feeling directly or with our full attention. Admittedly, the whole thing's pretty confusing, and hard to talk about abstractly...but surely something must lie behind not just Muzak in dull or tedious places anymore but now also actual TV in waiting rooms, supermarkets' checkouts, airports' gates, SUVs' backseats. Walkmen, iPods, BlackBerries, cell phones that attach to your head. The terror of silence with nothing diverting to do. I can't think anyone really believes that today's so-called 'information society' is just about information. Everyone knows it's about something else, way down.”
― David Foster Wallace, quote from The Pale King
“While Trip’s looking for a place to stay, I was hoping maybe you would let me stay at your apartment.” She holds her breath, waiting for my response. “Are you fucking kidding me?” I ask again. But this time I wrap my arms around her while I do it and spin her around. She giggles against me, and I can feel the movement of it in her belly. She doesn’t try to push me away the way she did with Trip earlier when he tried this move on her. Of course, he wasn’t the happiest man in the whole fucking world when he did it. I guess that matters. “Of course you can stay with me.” I tweak her nose. “Silly woman.” I want her with me every minute of every day. “Your brothers won’t mind?” she asks. “They’ll be ecstatic,” I say. I tuck a lock of hair behind her ear. “They’ve missed you.” “Does your apartment smell like sweaty socks and stale pizza?” she asks. I grimace. It probably does. I hold my finger and thumb an inch apart. “Maybe a little bit.” She cuddles into me, wrapping her arms around my waist. She says something against my chest, but I can’t see her lips. I tip her face up. “What?” I ask. “I love you,” she says.”
― quote from Smart, Sexy and Secretive
“up to twist her belly into knots. When it did, she’d just have to find a way to uncoil them until there was time, until there was a place. She had a whole checklist of priorities ahead of that one. On”
― Nora Roberts, quote from High Noon
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