Our Oriental Heritage

A nation is born stoic, and dies epicurean. At its cradle (to repeat a thoughtful adage) religion stands, and philosophy accompanies it to the grave. In the beginning of all cultures a strong religious faith conceals and softens the nature of things, and gives men courage to bear pain and hardship patiently; at every step the gods are with them, and will not let them perish, until they do. Even then a firm faith will explain that it was the sins of the people that turned their gods to an avenging wrath; evil does not destroy faith, but strengthens it. If victory comes, if war is forgotten in security and peace, then wealth grows; the life of the body gives way, in the dominant classes, to the life of the senses and the mind; toil and suffering are replaced by pleasure and ease; science weakens faith even while thought and comfort weaken virility and fortitude. At last men begin to doubt the gods; they mourn the tragedy of knowledge, and seek refuge in every passing delight. Achilles is at the beginning, Epicurus at the end. After David comes Job, and after Job, Ecclesiastes.

The institutions, conventions, customs and laws that make up the complex structure of a society are the work of a hundred centuries and a billion minds; and one mind must not expect to comprehend them in one lifetime, much less in twenty years.

[N]o language has ever had a word for a virgin man.

There is hardly an absurdity of the past that cannot be found flourishing somewhere in the present. Underneath all civilization, ancient or modern, moved and still moves a sea of magic, superstition and sorcery. Perhaps they will remain when the works of our reason have passed away.

NOTHING should more deeply shame the modern student than the recency and inadequacy of his acquaintance with India. Here is a vast peninsula of nearly two million square miles; two-thirds as large as the United States, and twenty times the size of its master, Great Britain; 320,000,000 souls, more than in all North and South America combined, or one-fifth of the population of the earth; an impressive continuity of development and civilization from Mohenjo-daro, 2900 B.C. or earlier, to Gandhi, Raman and Tagore; faiths compassing every stage from barbarous idolatry to the most subtle and spiritual pantheism; philosophers playing a thousand variations on one monistic theme from the Upanishads eight centuries before Christ to Shankara eight centuries after him; scientists developing astronomy three thousand years ago, and winning Nobel prizes in our own time; a democratic constitution of untraceable antiquity in the villages, and wise and beneficent rulers like Ashoka and Akbar in the capitals; minstrels singing great epics almost as old as Homer, and poets holding world audiences today; artists raising gigantic temples for Hindu gods from Tibet to Ceylon and from Cambodia to Java, or carving perfect palaces by the score for Mogul kings and queens—this is the India that patient scholarship is now opening up, like a new intellectual continent, to that Western mind which only yesterday thought civilization an exclusively European thing.I

This is the tragedy of almost every civilization—that its soul is in its faith, and seldom survives philosophy.

Civilizations are the generations of the racial soul. As family-rearing, and then writing, bound the generations together, handing down the lore of the dying to the young, so print and commerce and a thousand ways of communication may bind the civilizations together, and preserve for future cultures all that is of value for them in our own. Let us, before we die, gather up our heritage, and offer it to our children.

The worst conceivable government would be by philosophers; they botch every natural process with theory; their ability to make speeches and multiply ideas is precisely the sign of their incapacity for action.

All science is a charted ignorance and belongs to Maya.

A history of civilization shares the presumptuousness of every philosophical enterprise: it offers the ridiculous spectacle of a fragment expounding the whole. Like philosophy, such a venture has no rational excuse, and is at best but a brave stupidity; but let us hope that, like philosophy, it will always lure some rash spirits into its fatal depths.

There are not many things finer in our murderous species than this noble curiosity, this restless and reckless passion to understand.

Art is the creation of beauty; it is the expression of thought or feeling in a form that seems beautiful or sublime, and therefore arouses in us some reverberation of that primordial delight which woman gives to man, or man to woman.

Nearly all ancient peoples worshiped sex in some form and ritual, and not the lowest people but the highest expressed their worship most completely [...]. The sexual character and functions of primitive deities were held in high regard, not through any obscenity of mind, but through a passion for fertility in women and in the earth. Certain animals, like the bull and the snake, were worshiped as apparently possessing or symbolizing in a high degree the divine power of reproduction. The snake in the story of Eden is doubtless a phallic symbol, representing sex as the origin of evil, suggesting sexual awakening as the beginning of the knowledge of good and evil, and perhaps insinuating a certain proverbial connection between mental innocence and bliss.

Perhaps, in return for conquest, arrogance and spoliation, India will teach us the tolerance and gentleness of the mature mind, the quiet content of the unacquisitive soul, the calm of the understanding spirit and a unifying, pacifying love for all living things.

The fount and breeding-place of the Semites was Arabia.

What is beauty? why do we admire it? why do we endeavor to create it? [...] [B]eauty is any quality by which an object or a form pleases a beholder. Primarily and originally the object does not please the beholder because it is beautiful, but rather he calls it beautiful because it pleases him. Any object that satisfies desire will seem beautiful: food is beautiful - Thai's is not beautiful - to a starving man.

For what is philosophy but an art - one more attempt to give "significant form" to the chaos of experience?

Fear of death, wonder at the causes of chance events or unintelligible happenings, hope for divine aid and gratitude for good fortune, cooperated to generate religious belief.

Men look to love and life for everything; they receive a little less than that; they imagine that they have received nothing: these are the three stages of the pessimist.

As the Moslems advanced into India native culture receded farther and farther south; and towards the end of these Middle Ages the finest achievements of Hindu civilization were those of the Deccan.

The conquering troops plundered the wealthy capital, and found the booty so abundant “that every private man in the allied army became rich in gold, jewels, effects, tents, arms, horses and slaves.”71 For five months the plunder continued: the victors slaughtered the helpless inhabitants in indiscriminate butchery, emptied the stores and shops, smashed the temples and palaces, and labored at great pains to destroy all the statuary and painting in the city; then they went through the streets with flaming torches, and set fire to all that would burn. When at last they retired, Vijayanagar was as completely ruined as if an earthquake had visited it and had left not a stone upon a stone. It was a destruction ferocious and absolute, typifying that terrible Moslem conquest of India which had begun a thousand years before, and was now complete.

[S]hame is a child of custom rather than of nature.

The story of the "bondage" in Egypt, of the use of the Jews as slaves in great construction enterprises, their rebellion and escape - or emigration - to Asia, has many internal signs of essential truth, mingled, of course, with supernatural interpolations customary in all the historical writings of the ancient East.

In some way the god had to be appeased and satisfied; for his worshipers had made him in the image and dream of themselves, and he had no great regard for human life, or womanly tears.

The record is broken and incomplete, not because India ever rested, but because war and the idol-smashing ecstasies of Moslems destroyed uncounted masterpieces of building and statuary, and poverty neglected the preservation of others.

The first source of art, then, is akin to the display of colors and plumage on the male animal in mating time; it lies in the desire to adorn and beautify the body. And just as self-love and mate-love, overflowing, pour out their surplus of affection upon nature, so the impulse to beautify passes from the personal to the external world. The soul seeks to express its feeling in objective ways, through color and form; art really begins when men undertake to beautify things.

[V]irtue is not news, and virtuous men, like happy nations, have no history.

Three meals a day are a highly advanced institution. Savages gorge themselves or fast.”2 The wilder tribes among the American Indians considered it weak-kneed and unseemly to preserve food for the next day.3 The natives of Australia are incapable of any labor whose reward is not immediate; every Hottentot is a gentleman of leisure; and with the Bushmen of Africa it is always “either a feast or a famine.