“Cuando la gente pregunta cómo nuestros fotográfos hacen las fotos más estupendas del mundo, ellos podrían encogerse de hombros y decir "f/8 y estar allí". Pero estar allí significa mucho.”
― quote from National Geographic: The Photographs
“A Bob Sacha le gusta trabajar de noche, cuando puede ver las cosas de manera distinta. Realizando un reportaje en Nuevo México para el artículo "Los primitivos astrónomos americanos", tomó una fotografía nocturna de la Casa Rinconada, una kiva anasazi en el Chaco Canyon. Sacha creyó que el mejor modo de plasmar la imagen de esta estructura circular -construida con la precisón del compás- era mediante una fotografía que mostrara los desplazamientos circulares de las estrellas sobre ella. Para conseguirla necesito una exposición de varias horas. Dispuso su cámara directamente en la puerta sur del edificio, y apuntó el objetivo ojo de pez hacia la puerta norte. Iluminó cada sección de los muros durante a penas un instante; para ello trabajó en noche sin luna, caminando al rededor del edificio y disparando el flash repetidas veces. Para iluminar los nichos encendió una vela en uno de ellos, contó hasta tres, y la apagó y avanzó hasta el siguiente e hizo lo mismo, con el obturador abierto todo el rato.
"Con largas exposiciones como ésta, no tienes ni idea de lo que realmente está pasando" dice Sacha ". No puedes mirar a través de la lente.”
― quote from National Geographic: The Photographs
“Psihoyos usó flashes de estroboscopio para tomar múltiple imágenes de él mismo en el antiguo teatro de Epidauro, en Grecia. La ciudad levantó un santuario a Asclepio, días de la medicina, que se cree que realizaba sus curaciones durante el sueño.”
― quote from National Geographic: The Photographs
“Para mí, un éxito es cuando termino un reportaje y estoy triste porque estoy alejándome de alguien de quien había logrado estar cerca" dice Karen Kasmauski”
― quote from National Geographic: The Photographs
“Incluso en esos días, los fotográfos de Geographic tenían fama por algo más que las fotografías. Como uno de ellos expresó recientemente, "me encantaría haber vivido la vida que la gente cree que he tenido". Si la dinámica imagen del fotográfo de Geographic parece exagerada en novelas, folclore y cine, bueno, su vida es todavía nada aburrida. Nuestros equipos fotográficos han sobrevivido a ataques de tiburones, ejércitos invasores, aviones estrellados y volcanes en erupción.”
― quote from National Geographic: The Photographs
“You wouldn't be twisting yourself into knots like this, Harry, if you didn't care."
"So?"
"Monsters don't care," Michael said. "The damned don't care, Harry. The only way to go beyond redemption is to choose to take yourself there. The only way to do it is to stop caring.”
― Jim Butcher, quote from Skin Game
“I say that humans are the only ones in this world that need everything within it...But there is nothing in the world that needs us for its survival. We aren't the masters of the earth. We're the servants.”
― Joseph Boyden, quote from The Orenda
“Being a hero means ignoring how silly you feel.”
― Diana Wynne Jones, quote from Fire and Hemlock
“Studentdom, he felt, must pass its own Examinations and define its own Commencement--a slow, most painful process, made the more anguishing by bloody intelligences like the Bonifacists of Siegfrieder College. Yet however it seemed at times that men got nowhere, but only repeated class by class the mistakes of their predecessors, two crucial facts about them were at once their hope and the limitation of their possibility, so he believed. One was their historicity: the campus was young, the student race even younger, and by contrast with the whole of past time, the great collegiate cultures had been born only yesterday. The other had to do with comparative cyclology, a field of systematic speculation he could not review for me just then, but whose present relevance lay in the correspondency he held to obtain between the life-history of individuals and the history of studentdom in general. As the embryologists maintained that ontogeny repeats phylogeny, so, Max claimed, the race itself--and on a smaller scale, West-Campus culture--followed demonstrably--in capital letters, as it were, or slow motion--the life-pattern of its least new freshman. This was the basis of Spielman's Law--ontogeny repeats cosmogeny--and there was much more to it and to the science of cyclology whereof it was first principle. The important thing for now was that, by his calculations, West-Campus as a whole was in mid-adolescence...
'Look how we been acting,' he invited me, referring to intercollegiate political squabbles; 'the colleges are spoilt kids, and the whole University a mindless baby, ja? Okay: so weren't we all once, Enos Enoch too? And we got to admit that the University's a precocious kid. If the history of life on campus hadn't been so childish, we couldn't hope it'll reach maturity.' Studentdom had passed already, he asserted, from a disorganized, pre-literate infancy (of which Croaker was a modern representative, nothing ever being entirely lost) through a rather brilliant early childhood ('...ancient Lykeion, Remus, T'ang...') which formed its basic and somewhat contradictory character; it had undergone a period of naive general faith in parental authority (by which he meant early Founderism) and survived critical spells of disillusionment, skepticism, rationalism, willfulness, self-criticism, violence, disorientation, despair, and the like--all characteristic of pre-adolescence and adolescence, at least in their West-Campus form. I even recognized some of those stages in my own recent past; indeed, Max's description of the present state of West-Campus studentdom reminded me uncomfortably of my behavior in the Lady-Creamhair period: capricious, at odds with itself, perverse, hard to live with. Its schisms, as manifested in the Quiet Riot, had been aggravated and rendered dangerous by the access of unwonted power--as when, in the space of a few semesters, a boy finds himself suddenly muscular, deep-voiced, aware of his failings, proud of his strengths, capable of truly potent love and hatred--and on his own. What hope there was that such an adolescent would reach maturity (not to say Commencement) without destroying himself was precisely the hope of the University.”
― John Barth, quote from Giles Goat-Boy
“Some people seem to fade away but then when they are truly gone, it's like they didn't fade away at all.”
― Bob Dylan, quote from Chronicles, Volume One
The Orchardist
Chasing Daisy
Dare Me
Extreme Exposure
Gomorrah
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