“Cuando la gente pregunta cómo nuestros fotográfos hacen las fotos más estupendas del mundo, ellos podrían encogerse de hombros y decir "f/8 y estar allí". Pero estar allí significa mucho.”
― quote from National Geographic: The Photographs
“A Bob Sacha le gusta trabajar de noche, cuando puede ver las cosas de manera distinta. Realizando un reportaje en Nuevo México para el artículo "Los primitivos astrónomos americanos", tomó una fotografía nocturna de la Casa Rinconada, una kiva anasazi en el Chaco Canyon. Sacha creyó que el mejor modo de plasmar la imagen de esta estructura circular -construida con la precisón del compás- era mediante una fotografía que mostrara los desplazamientos circulares de las estrellas sobre ella. Para conseguirla necesito una exposición de varias horas. Dispuso su cámara directamente en la puerta sur del edificio, y apuntó el objetivo ojo de pez hacia la puerta norte. Iluminó cada sección de los muros durante a penas un instante; para ello trabajó en noche sin luna, caminando al rededor del edificio y disparando el flash repetidas veces. Para iluminar los nichos encendió una vela en uno de ellos, contó hasta tres, y la apagó y avanzó hasta el siguiente e hizo lo mismo, con el obturador abierto todo el rato.
"Con largas exposiciones como ésta, no tienes ni idea de lo que realmente está pasando" dice Sacha ". No puedes mirar a través de la lente.”
― quote from National Geographic: The Photographs
“Psihoyos usó flashes de estroboscopio para tomar múltiple imágenes de él mismo en el antiguo teatro de Epidauro, en Grecia. La ciudad levantó un santuario a Asclepio, días de la medicina, que se cree que realizaba sus curaciones durante el sueño.”
― quote from National Geographic: The Photographs
“Para mí, un éxito es cuando termino un reportaje y estoy triste porque estoy alejándome de alguien de quien había logrado estar cerca" dice Karen Kasmauski”
― quote from National Geographic: The Photographs
“Incluso en esos días, los fotográfos de Geographic tenían fama por algo más que las fotografías. Como uno de ellos expresó recientemente, "me encantaría haber vivido la vida que la gente cree que he tenido". Si la dinámica imagen del fotográfo de Geographic parece exagerada en novelas, folclore y cine, bueno, su vida es todavía nada aburrida. Nuestros equipos fotográficos han sobrevivido a ataques de tiburones, ejércitos invasores, aviones estrellados y volcanes en erupción.”
― quote from National Geographic: The Photographs
“It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.
The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new.
When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.”
― Kurt Vonnegut, quote from Slaughterhouse-five: The Children's Crusade, A Duty-dance with Death
“The light was going: some cloud cover arriving, as if summoned by drama.”
― China Miéville, quote from Kraken
“Brandon starts pulling food out of the bag. He hasn’t said anything, but he’s making himself useful. I like that he’s avoiding the fact that I’m basically a train wreck wrapped up in a comforter.
Considering which, I should probably put on a bra.”
― Brigid Kemmerer, quote from Letters to the Lost
“And, when you want something, all the universe conspires in helping you to achieve it.”
― Paulo Coelho, quote from Alkimist
“It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power.”
― Robert Hughes, quote from The Shock of the New
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Legacy of Lies & Don...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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