“A person's life consists of a collection of events,
the last of which could also change the meaning of the whole,
not because it counts more than the previous ones
but because once they are included in a life,
events are arranged in an order that is not chronological but, rather,
corresponds to an inner architecture.”
― Italo Calvino, quote from Mr Palomar
“A person, for example, reads in adulthood a book that is important for him, and it makes him say, "How could I have lived without reading it!" and also, "What a pity I did not read it in my youth!" Well, these statements do not have much meaning, especially the second, because after he has read that book, his life becomes the life of a person who has read that book, and it is of little importance whether he read it early or late, because now his life before that reading also assumes a form shaped by that reading.”
― Italo Calvino, quote from Mr Palomar
“What remains uncertain, rather, is whether this gain in evidence and (we might as well say it) splendor is due to the slow retreat of the sky, which as it moves away, sinks deeper and deeper into darkness, or whether on the contrary, it is the moon that is coming forward, collecting the previously scattered light and depriving the sky of it, concentrating it all in the round mouth of its funnel.”
― Italo Calvino, quote from Mr Palomar
“Contemplating the stars he has become accustomed to considering himself an anonymous and incorporeal dot, almost forgetting that he exists; to deal now with human beings, he cannot help involving himself, and he no longer knows where his self is to be found.”
― Italo Calvino, quote from Mr Palomar
“In seguito a una serie di disavventure intellettuali che non meritano d'essere ricordate, il signor Palomar ha deciso che la sua principale attività sarà guardare le cose dal di fuori.”
― Italo Calvino, quote from Mr Palomar
“La conoscenza del prossimo ha questo di speciale: passa necessariamente attraverso la conoscenza di se stesso.”
― Italo Calvino, quote from Mr Palomar
“La vita d'una persona consiste in un insieme d'avvenimenti di cui l'ultimo potrebbe anche cambiare il senso di tutto l'insieme, non perché conti di più dei precedenti ma perché inclusi in una vita gli avvenimenti si dispongono in un ordine che non è cronologico, ma risponde a un'architettura interna.”
― Italo Calvino, quote from Mr Palomar
“The lawn mower attends with defeaning shudder to the tonsure; a light odor of fresh hay intoxicates the air; the leveled grass finds again a bristling infancy; but the bite of the blades reveals unevenness, mangy clearings, yellow patches.”
― Italo Calvino, quote from Mr Palomar
“Il signor Palomar, continuando a osservare le giraffe in corsa, si rende conto d'una complicata armonia che comanda quel trepestio disarmonico, d'una proporzione interna che lega tra loro le più vistose sproporzioni anatomiche, d'una grazia naturale che vien fuori da quelle movenze sgraziate. L'elemento unificatore è dato dalle macchie del pelo, disposte in figure irregolari ma omogenee, dai contorni netti e angolosi; esse si accordano come un esatto equivalente grafico ai movimenti segmentati dell'animale. Più che di macchie si dovrebbe parlare d'un manto nero la cui uniformità è spezzata da nervature chiare che s'aprono seguendo un disegno a losanghe: una discontinuità di pigmentazione che già annuncia la discontinuità dei movimenti.
A questa punto la bambina del signor Palomar, che si è stancata da un pezzo di guardare le giraffe, lo trascina verso la grotta dei pinguini. Il signor Palomar, cui i pinguini dànno angoscia, la segue a malincuore...”
― Italo Calvino, quote from Mr Palomar
“Or else, given that there is world that side of the window and world this side, perhaps the "I," the ego, is simply the window through which the world looks at the world.”
― Italo Calvino, quote from Mr Palomar
“A model is by definition that in which nothing has to be changed, that which works perfectly; whereas reality, as we see clearly, does not work and constantly falls to pieces; so we must force it, more or less roughly, to assume the form of the model.”
― Italo Calvino, quote from Mr Palomar
“If the ancients had been able to see it as I see it now, Mr. Palomar thinks, they would have thought they had projected their gaze into the heaven of Plato's ideas, or in the immaterial space of the postulates of Euclid; but instead, thanks to some misdirection or other, this sight has been granted to me, who fear it is too beautiful to be true, too gratifying to my imaginary universe to belong to the real world. But perhaps it is this same distrust of our senses that prevents us from feeling comfortable in the universe. Perhaps the first rule I must impose on myself is this: stick to what I see.”
― Italo Calvino, quote from Mr Palomar
“A stone, a figure, a sign, a word reaching us isolated from its context is only that stone, figure, sign, or word: we can try to define them, to describe them as they are, and no more than that; whether, beside the face they show us, they also have a hidden face, is not for us to know. The refusal to comprehend more than what the stones show us is perhaps the only way to evince respect for their secret; trying to guess is a presumption, a betrayal of that true, lost meaning.”
― Italo Calvino, quote from Mr Palomar
“If all material were transparent—the ground that supports us, the envelope that sheathes our body—everything would be seen not as a fluttering of impalpable wings but as an inferno of grinding and ingesting. Perhaps at this moment a god of the nether world situated in the center of the earth with his eye that can pierce granite is watching us from below, following the cycle of living and dying, the lacerated victims dissolving in the bellies of their devourers, until they, in their turn, are swallowed by another belly.”
― Italo Calvino, quote from Mr Palomar
“The iguana room of the Jardin des Plantes, with its illuminated cases, where dozing reptiles are hidden among branches and rocks and sand of the forest or the desert of their origin, reflects the order of the world, whether it be the reflection on earth of the sky of ideas or the external manifestation of the secret of the nature of creation, of the norm concealed in the depths of that which exists.
Is it this atmosphere, more than the reptiles in themselves, that obscurely attracts Mr. Palomar? A damp, soft warmth soaks the air like a sponge; a sharp stink, heavy, rotten, forces him to hold his breath; shadow and light lie stagnant in a motionless mixture of days and nights: are these the sensations of a man who peers out beyond the human? Beyond the glass of every cage there is the world as it was before man, or as it will be, to show that the world of man is not eternal and is not unique.”
― Italo Calvino, quote from Mr Palomar
“Le riflessioni che il negozio del macellaio ispira a chi vi entra con la borsa della spesa coinvolgono cognizioni tramandate per secoli in varie branche del sapere: la competenza delle carni e del tagli, il miglior modo di cuocere ogni pezzo, i riti che permettono di placare il rimorso per l'uccisione d'altre vite al fine di nutrire la propria.”
― Italo Calvino, quote from Mr Palomar
“The splendor of the salmon canapés radiant with mayonnaise disappears, swallowed by the dark shopping bags of the customers. Certainly every one of these men and women knows exactly what he wants, heads straight for his objective with a decisiveness admitting no hesitancy; and rapidly he dismantles mountains of vol-au-vents, white puddings, cervelats.
Mr. Palomar would like to catch in their eyes some reflection of those treasures' spell, but the faces and actions are only impatient and hasty, of people concentrated on themselves, nerves taut, each concerned with what he has and what he does not have. Nobody seems to him worthy of the Pantagruelic glory that unfolds in those cases, on the counters. A greed without joy or youth drives them; and yet a deep, atavistic bond exists between them and those foods, their consubstance, flesh of their flesh.”
― Italo Calvino, quote from Mr Palomar
“of the story showed the four brain-destroyed women Linda Gail had shown me. The grainy transfer of the images to newsprint had made them even more macabre. The story had come off the wire in Los Angeles and was written by a gossip columnist who quoted other gossip columnists as the story’s source. The details were bizarre and prurient and unbelievable, in the way of stories from True Detective, Argosy, Saga, and Male, and because they were so unbelievable, the reader concluded they could not have been manufactured. I saw Roy’s name and Linda Gail’s and the director Jerry Fallon’s and Clara Wiseheart’s. The story was basically accurate; the prose was another matter. It was purple, full of erotic suggestion, cutesy about “love nests” and “romance in Mayheco.” But as tabloid reporting often does for no purpose other than to satisfy a lascivious readership, the article brought to light an injustice and criminal conspiracy that mainstream newspaper and radio would not have touched. In other words, the account was less one of fact than a hazy description of infidelity, a movie set that had turned into the Baths of Caracalla, a young starlet seduced by”
― James Lee Burke, quote from Wayfaring Stranger
“but nothing upset and preoccupied him like the phrase whatever they dread most, that will happen. It seemed more than a simple curse; there was the ring of something presaging and prophetic about it, it was the sort of thing Jesse would say.”
― Ron Hansen, quote from The Assassination of Jesse James by the Coward Robert Ford
“وقتی شخصیتی آفریده می شود، بلافاصله از نویسنده خود فاصله می گیرد، مستقل می شود. بقیه می توانند او را در موقعیت های دیگری ببینند که نویسنده به فکرش نرسیده است. و در نتیجه "معنی" دیگری بدان داده می شود که نویسنده هرگز به عقلش نرسیده بوده است.”
― Luigi Pirandello, quote from Six Characters in Search of an Author
“The quick brown fox jumps over the lazy dog’, which, Mr Holcombe pointed out, contained every letter in the alphabet. I checked, and he turned out to be right.”
― Jeffrey Archer, quote from Only Time Will Tell
“That’s how they hooked you—they gave you just enough to keep alive but they never gave you enough so you could finally escape.”
― Charles Bukowski, quote from Hot Water Music
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.