“Andábamos sin buscarnos, pero sabiendo que andábamos para encontrarnos”
― Julio Cortázar, quote from Hopscotch
“Lo que mucha gente llama amar consiste en elegir una mujer y casarse con ella. La eligen, te lo juro, los he visto. Como si se pudiera elegir en el amor, como si no fuera un rayo que te parte los huesos y te deja estaqueado en la mitad del patio. Vos dirás que la eligen porque-la-aman, yo creo que es al vesre. A Beatriz no se la elige, a Julieta no se la elige. Vos no elegís la lluvia que te va a calar hasta los huesos cuando salís de un concierto.”
― Julio Cortázar, quote from Hopscotch
“She would smile and show no surprise, convinced as she was, the same as I, that casual meetings are apt to be just the opposite, and that people who make dates are the same kind who need lines on their writing paper, or who always squeeze up from the bottom on a tube of toothpaste.”
― Julio Cortázar, quote from Hopscotch
“Música! Melancólico alimento para los que vivimos de amor.”
― Julio Cortázar, quote from Hopscotch
“me atormenta tu amor que no me sirve de puente porque un puente no se sostiene de un solo lado...”
― Julio Cortázar, quote from Hopscotch
“Si te caes te levanto y sino me acuesto contigo”
― Julio Cortázar, quote from Hopscotch
“Probablemente de todos nuestros sentimientos el único que no es verdaderamente nuestro es la esperanza. La esperanza le pertenece a la vida, es la vida misma defendiéndose.”
― Julio Cortázar, quote from Hopscotch
“But what is memory if not the language of feeling, a dictionary of faces and days and smells which repeat themselves like the verbs and adjectives in a speech, sneaking in behind the thing itself,into the pure present, making us sad or teaching us vicariously...”
― Julio Cortázar, quote from Hopscotch
“Hay ausencias que representan un verdadero triunfo”
― Julio Cortázar, quote from Hopscotch
“La rayuela se juega con una piedrita que hay que empujar con la punta del zapato. Ingredientes: una acera, una piedrita, un zapato, y un bello dibujo con tiza, preferentemente de colores. En lo alto está el Cielo, abajo está la Tierra, es muy difícil llegar con la piedrita al Cielo, casi siempre se calcula mal y la piedra sale del dibujo. Poco a poco, sin embargo, se va adquiriendo la habilidad necesaria para salvar las diferentes casillas (rayuela caracol, rayuela rectangular, rayuela de fantasía, poco usada) y un día se aprende a salir de la Tierra y remontar la piedrita hasta el Cielo, hasta entrar en el Cielo, (Et tous nos amours, sollozó Emmanuèle boca abajo), lo malo es que justamente a esa altura, cuando casi nadie ha aprendido a remontar la piedrita hasta el Cielo, se acaba de golpe la infancia y se cae en las novelas, en la angustia al divino cohete, en la especulación de otro Cielo al que también hay que aprender a llegar. Y porque se ha salido de la infancia (Je n'oublierai pas le temps des cérises, pataleó Emmanuèle en el suelo) se olvida que para llegar al Cielo se necesitan, como ingredientes, una piedrita y la punta de un zapato.”
― Julio Cortázar, quote from Hopscotch
“Toco tu boca, con un dedo toco el borde de tu boca, voy dibujándola como si saliera de mi mano, como si por primera vez tu boca se entreabriera, y me basta cerrar los ojos para deshacerlo todo y recomenzar, hago nacer cada vez la boca que deseo, la boca que mi mano elige y te dibuja en la cara, una boca elegida entre todas, con soberana libertad elegida por mí para dibujarla con mi mano por tu cara, y que por un azar que no busco comprender coincide exactamente con tu boca que sonríe por debajo de la que mi mano te dibuja.
Me miras, de cerca me miras, cada vez más de cerca y entonces jugamos al cíclope, nos miramos cada vez más de cerca y nuestros ojos se agrandan, se acercan entre sí, se superponen y los cíclopes se miran, respirando confundidos, las bocas se encuentran y luchan tibiamente, mordiéndose con los labios, apoyando apenas la lengua en los dientes, jugando en sus recintos donde un aire pesado va y viene con un perfume viejo y un silencio. Entonces mis manos buscan hundirse en tu pelo, acariciar lentamente la profundidad de tu pelo mientras nos besamos como si tuviéramos la boca llena de flores o de peces, de movimientos vivos, de fragancia oscura. Y si nos mordemos el dolor es dulce, y si nos ahogamos en un breve y terrible absorber simultáneo del aliento, esa instantánea muerte es bella. Y hay una sola saliva y un solo sabor a fruta madura, y yo te siento temblar contra mí como una luna en el agua.”
― Julio Cortázar, quote from Hopscotch
“...nos queríamos en una dialéctica de imán y limadura, de ataque y defensa, de pelota y pared.”
― Julio Cortázar, quote from Hopscotch
“Cómo podía yo sospechar que aquello que parecía tan mentira era verdadero...”
― Julio Cortázar, quote from Hopscotch
“Demasiado tarde, siempre, porque aunque hiciéramos tantas veces el amor la felicidad tenía que ser otra cosa, algo quizá más triste que esta paz y este placer, un aire como de unicornio o isla, una caída interminable en la inmovilidad”
― Julio Cortázar, quote from Hopscotch
“I love you because you are not mine, because you are from the other side, from there where you invite me to jump and I cannot make the jump, because in the deepest moment of possession you are not in me, I cannot reach you, I cannot get beyond your body...”
― Julio Cortázar, quote from Hopscotch
“Buscás eso que llamas la armonía, pero la buscás justo ahí donde acabás de decir que no está, entre los amigos, la familia, en la ciudad...”
― Julio Cortázar, quote from Hopscotch
“As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. (...) You don't pick out the rain that soaks you to the skin when you come out of a concert.”
― Julio Cortázar, quote from Hopscotch
“Happy was she who could believe without seeing, who was at one with the duration and continuity of life.”
― Julio Cortázar, quote from Hopscotch
“Hay ríos metafísicos, ella los nada como esa golondrina está nadando en el aire, girando alucinada en torno al campanario, dejándose caer para levantarse mejor con el impulso. Yo describo y defino y deseo esos ríos, ella los nada. Yo los busco, los encuentro, los miro desde el puente, ella los nada.”
― Julio Cortázar, quote from Hopscotch
“Pobre amor el que de pensamiento se alimenta.”
― Julio Cortázar, quote from Hopscotch
“Vos no elegís la lluvia que te va a calar hasta los huesos cuando salís de un concierto.”
― Julio Cortázar, quote from Hopscotch
“Sintió una especie de ternura rencorosa, algo tan contradictorio que debía ser la verdad misma.”
― Julio Cortázar, quote from Hopscotch
“Y mirá que apenas nos conocíamos y ya la vida urdía lo necesario para desencontrarnos minuciosamente.”
― Julio Cortázar, quote from Hopscotch
“Of all our feelings the only one which really doesn't belong to us is hope. Hope belongs to life, it's life itself defending itself. Etcetera.”
― Julio Cortázar, quote from Hopscotch
“Y lo que llamamos amarnos fue quizá que yo estaba de pie, delante de vos, con una flor amarilla en la mano, y vos sostenías dos velas verdes, y el tiempo soplaba contra nuestras caras una lenta lluvia de renuncias y despedidas y tickets de metro.”
― Julio Cortázar, quote from Hopscotch
“No estábamos enamorados, hacíamos el amor con un virtuosismo desapegado y crítico, pero después caíamos en silecios terribles y la espuma de los vasos de cerveza se iba poniendo como estopa, se entibiaba y contraía mientras nos mirábamos y sentíamos que eso era el tiempo...”
― Julio Cortázar, quote from Hopscotch
“Before going back to sleep I imagined (I saw) a plastic universe, changeable, full of wondrous chance, an elastic sky, a sun that suddenly is missing or remains fixed or changes its shape.”
― Julio Cortázar, quote from Hopscotch
“—Usted escribe, supongo.
—No —dijo Oliveira—. Qué voy a escribir, para eso hay que tener alguna certidumbre de haber vivido.”
― Julio Cortázar, quote from Hopscotch
“No es que haya que vivir, puesto que la vida nos es fatalmente dada... la vida se vive a sí misma, nos guste o no.”
― Julio Cortázar, quote from Hopscotch
“You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.”
― Julio Cortázar, quote from Hopscotch
“If you lose your ego, you lose the thread of that narrative you call your Self. Humans, however, can't live very long without some sense of a continuing story. Such stories go beyond the limited rational system (or the systematic rationality) with which you surround yourself; they are crucial keys to sharing time-experience with others.
Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world.
Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there?
At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego.
Just what kind of narrative?
It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.”
― Haruki Murakami, quote from Underground: The Tokyo Gas Attack and the Japanese Psyche
“Legal plunder has two roots: One of them, as I have said before, is in human greed; the other is in false philanthropy.”
― Frédéric Bastiat, quote from The Law
“For, in the end, it is impossible to have a great life unless it is a meaningful life. And it is very difficult to have a meaningful life without meaningful work.”
― James C. Collins, quote from Good to Great: Why Some Companies Make the Leap... and Others Don't
“If you want to transform your karma to a more desirable experience, look for the seed of opportunity within every adversity, and tie that seed of opportunity to your dharma, or purpose in life. This will enable you to convert the adversity into a benefit, and transform the karma into a new expression.”
― Deepak Chopra, quote from The Seven Spiritual Laws of Success: A Practical Guide to the Fulfillment of Your Dreams
“When you eat, eat. When you sleep, sleep. When you fight, fight.”
― Matthew Woodring Stover, quote from Blade of Tyshalle
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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