“You’ve been drinking. Let’s go before I become the asshole prick you think I am.”
― Cristin Harber, quote from Hart Attack
“There’s no other way to look at you. You’re the definition of beauty.”
― Cristin Harber, quote from Hart Attack
“Before Beth could warn the dude of the danger, Nicola elbowed him with that special touch of hers. His cheeks puffed out, his brow dropped down, and he doubled over. Not turning her head, she gave Beth a roll of her eyes. “I tried to say ‘go away’ politely.”
― Cristin Harber, quote from Hart Attack
“Your booty call embargo will remain intact.”
― Cristin Harber, quote from Hart Attack
“Tequila had been a bad idea.”
― Cristin Harber, quote from Hart Attack
Cristin Harber
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“The fly in her argument is that when she says, 'they' will feel like lemons, we don't know who 'they' are. And 'they' might BE lemons.”
― Louise Rennison, quote from Withering Tights
“insanlarla en içten biçimde arkadaş oluyor ve bunun gerçekten ömür boyu süreceğine inanıyor ve günün birinde bu her şeyden çok taktir ettiğimiz, hayranlık duyduğumuz, hatta sevdiğimiz insanlar tarafından hayal kırıklığına uğratılıyor ve onlardan tiksiniyoruz ve onlardan nefret ediyoruz ve onlarla hiçbir ilişkimiz kalsın istemiyoruz, diye düşündüm berjer koltukta, tıpkı eskiden duyduğumuz eğilim ve sevgi gibi, nefretimizle de onları ömür boyu istemediğimiz için onları tamamen kafamızdan siliyoruz.”
― Thomas Bernhard, quote from Woodcutters
“MAYBE IT WOULD be a good idea to rearrange the flat a bit,’ said Mum. ‘I’ve been thinking. You and Kendall might like your own den, more of a play space. So how about us turning the bedroom into your room. It’s purple too, your favourite colour.’ ‘Lilac isn’t purple.’ ‘It’s light purple, Miss Picky. Anyway, I was thinking of getting a little portable telly for you two. You’d like that, wouldn’t you? Then the living room could be more – well, my room.’ ‘And you want to put a socking great bed in it for you and Jake,’ I said coldly. ‘No I don’t! Well. I was thinking about one of them sofa beds. Then if Jake should want to stay over . . .’ ‘Why can’t he stay in his own place?’ ‘He hasn’t exactly got his own place,’ said Mum. ‘He’s staying with a friend at the moment.’ ‘Why can’t he get his own place, then?’ I said. ‘Because he hasn’t got any money. He’s a student.’ ‘They give them rooms in the university, don’t they?’ ‘Only the first year. For God’s sake, Lola Rose, give it a rest. He’s coming to live with us and that’s that. I don’t see why you’ve got such a problem with it. We’re in love, can’t you see?’ ‘He doesn’t love you. He’s just shacking up with us because he hasn’t got anywhere else. And you spend a fortune on him. Our fortune.’ Mum slapped me straight across the face. Kendall was watching. He cried. I didn’t cry. I stared Mum out. ‘You only slapped me because you know it’s true.’ ‘I slapped you because you’re a spoilt little cow,’ Mum snapped. ‘What’s the matter with you, Lola Rose? You can’t be jealous, can you?”
― Jacqueline Wilson, quote from Lola Rose
“And I was reminded once again how a song really can change the world.”
― Mark Peter Hughes, quote from Lemonade Mouth
“The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.
With this chorus the profound Greek, so uniquely susceptible to the subtlest and deepest suffering, who had penetrated the destructive agencies of both nature and history, solaced himself. Though he had been in danger of craving a Buddhistic denial of the will, he was saved through art, and through art life reclaimed him.”
― Friedrich Nietzsche, quote from The Birth of Tragedy
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The Red PyramidBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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