“Cleaning is considered a vital part of the training process in all traditional Japanese disciplines and is a required practice for any novice. It is accorded spiritual significance. Purifying an unclean place is believed to purify the mind.”
― Mineko Iwasaki, quote from Geisha, a Life
“And we are not mountaintop sages who can live by consuming mist.”
― Mineko Iwasaki, quote from Geisha, a Life
“Kimono, the. Costumes of our profession, are sacred to us. They are the emblems of our calling. Kimono embody beautyas we understand!!!”
― Mineko Iwasaki, quote from Geisha, a Life
“So we support the dance but it does not support us.”
― Mineko Iwasaki, quote from Geisha, a Life
“Non è mai giusto colpire altre persone o causare loro del dolore.”
― Mineko Iwasaki, quote from Geisha, a Life
“Ricordo ancora dei momenti magnifici, in cui la famiglia era al completo...non immaginavo neppure lontanamente che da lì a breve quegli idilliaci intermezzi sarebbero finiti.
Eppure presto accadde.”
― Mineko Iwasaki, quote from Geisha, a Life
“Gli abiti che usiamo per la nostra professione per noi sono sacri. Rappresentano l'emblema della nostra vocazione. Realizzati con i tessuti più belli e costosi del mondo, i kimono incarnano la bellezza per come noi la concepiamo. Ciascun kimono è un'opera d'arte unica e colei che lo possiede partecipa attivamente alla sua creazione. In linea generale, si può dire molto di una persona dalla qualità del kimono che indossa: stato economico, gusto, retroterra familiare, personalità. A fronte di piccole variazioni nel taglio, c'è un'enorme varietà di colori e motivi nei materiali usati per realizzare ogni abito. Scegliere un kimono adatto alla situazione in cui verrà indossato è un'arte. Il giusto abbinamento in base alle stagioni è fondamentale. I canoni del gusto tradizionale giapponese dividono l'anno in ventotto stagioni, ciascuna delle quali possiede i propri simboli. I colori e i motivi del kimono e dell'obi dovrebbero rispecchiare la stagione: l'usignolo a fine marzo, per esempio, o il crisantemo nei primi giorni di novembre.”
― Mineko Iwasaki, quote from Geisha, a Life
“fiction has served to propagate the notion that courtesans ply their trade in the area and that geiko spend the night with their customers. Once an idea like this is planted in the general culture it takes on a life of its own. I understand that there are some scholars of Japan in foreign countries who also believe these misconceptions to be true. But”
― Mineko Iwasaki, quote from Geisha, a Life
Mineko Iwasaki
Born place: in Kyoto, Japan
Born date November 2, 1949
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“We are joint heirs,' I said in a sharp undertone. 'The land will always be partly mine.'
Richard smiled, a smile like midsummer skies. 'I shan't regard it.' He said sweetly. 'And you don't know the law, my clever little cousin. If they commit you to an asylum, you are disinherited at once. Did you not know that, my dear? If you go on with your seeings and your dreamings, you will lose everything.”
― Philippa Gregory, quote from The Favored Child
“The Fates themselves grant us one or two places in our lives where the thread untwists and we can follow either one strand or the other. Better to know when and where those choices will come to us instead of being taken by surprise. “
“Why only one or two?” I asked, thinking of all the moments my life had already accumulated in which I’d chosen to follow a different path than the one most people would expect of me. “Why not say that every day lets me choose my own future?”
The priest chuckled. “What a gift you have for joking, Lady Helen! You know your future. You’ll be Sparta’s queen, living a life blessed by the gods. Your only surprises will be the name of your husband and whether your babies will be sons or daughters. You don’t need to visit the Pythia. But your noble brothers will be heroes, making their own futures; heroes should know what awaits them.”
“He’s right, Helen,” Castor said. “Polydeuces and I should know our fate.”
Castor’s fate? He didn’t need an oracle to discover that; I could tell him exactly what it would be. The young priest’s glib words were better than underground fumes for giving me a vision of what lay in store for both of my brothers: They were going to have their ears filled with flattery, then be persuaded to leave a rich gift at Apollo’s shrine just to hear some poor girl babble riddles while she choked half to death on smoke. Then they’d made another offering just to have Apollo’s priests translate the Pythia’s wild words. If their gifts to the sun god were too extravagant, I could also predict what Father would have to say about it when we got home.”
― Esther M. Friesner, quote from Nobody's Princess
“The monk in the grip of acedia would find it difficult or impossible to read. Looking away from his book, he might try to distract himself with gossip but would more likely glance in disgust at his surroundings and at his fellow monks. He would feel that things were better somewhere else, that he was wasting his life, that everything was stale and pointless, that he was suffocating.”
― Stephen Greenblatt, quote from The Swerve: How the World Became Modern
“I wondered what it must be like to be so handsome. Surely it would affect the behavior of everyone around you, always?”
― Michelle Paver, quote from Dark Matter
“We went through all the usual exchanges dictated by Hollywood and polite society. She tried to scream and bite the palm of my hand, and I told her to be quiet because I wasn't going to hurt her unless she shouted. She shouted and I hurt her. Pretty standard stuff, really.”
― Hugh Laurie, quote from The Gun Seller
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