“Cleaning is considered a vital part of the training process in all traditional Japanese disciplines and is a required practice for any novice. It is accorded spiritual significance. Purifying an unclean place is believed to purify the mind.”
― Mineko Iwasaki, quote from Geisha, a Life
“And we are not mountaintop sages who can live by consuming mist.”
― Mineko Iwasaki, quote from Geisha, a Life
“Kimono, the. Costumes of our profession, are sacred to us. They are the emblems of our calling. Kimono embody beautyas we understand!!!”
― Mineko Iwasaki, quote from Geisha, a Life
“So we support the dance but it does not support us.”
― Mineko Iwasaki, quote from Geisha, a Life
“Non è mai giusto colpire altre persone o causare loro del dolore.”
― Mineko Iwasaki, quote from Geisha, a Life
“Ricordo ancora dei momenti magnifici, in cui la famiglia era al completo...non immaginavo neppure lontanamente che da lì a breve quegli idilliaci intermezzi sarebbero finiti.
Eppure presto accadde.”
― Mineko Iwasaki, quote from Geisha, a Life
“Gli abiti che usiamo per la nostra professione per noi sono sacri. Rappresentano l'emblema della nostra vocazione. Realizzati con i tessuti più belli e costosi del mondo, i kimono incarnano la bellezza per come noi la concepiamo. Ciascun kimono è un'opera d'arte unica e colei che lo possiede partecipa attivamente alla sua creazione. In linea generale, si può dire molto di una persona dalla qualità del kimono che indossa: stato economico, gusto, retroterra familiare, personalità. A fronte di piccole variazioni nel taglio, c'è un'enorme varietà di colori e motivi nei materiali usati per realizzare ogni abito. Scegliere un kimono adatto alla situazione in cui verrà indossato è un'arte. Il giusto abbinamento in base alle stagioni è fondamentale. I canoni del gusto tradizionale giapponese dividono l'anno in ventotto stagioni, ciascuna delle quali possiede i propri simboli. I colori e i motivi del kimono e dell'obi dovrebbero rispecchiare la stagione: l'usignolo a fine marzo, per esempio, o il crisantemo nei primi giorni di novembre.”
― Mineko Iwasaki, quote from Geisha, a Life
“fiction has served to propagate the notion that courtesans ply their trade in the area and that geiko spend the night with their customers. Once an idea like this is planted in the general culture it takes on a life of its own. I understand that there are some scholars of Japan in foreign countries who also believe these misconceptions to be true. But”
― Mineko Iwasaki, quote from Geisha, a Life
Mineko Iwasaki
Born place: in Kyoto, Japan
Born date November 2, 1949
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“It will finish badly when she dries out, I suppose, and probably end with madness, but almost everything does.”
― Tom Piccirilli, quote from A Choir of Ill Children
“I liked his voice, rich and unself-conscious even when he forgot words and hummed to fill in the gap. What I didn't understand, I imagined, and thus it became a love song.”
― Chitra Banerjee Divakaruni, quote from Queen of Dreams
“There is a clear pattern in U.S. history: When we need labor, we welcome migrants. When we are in recession, we want them to leave.”
― quote from Enrique's Journey: The Story of a Boy's Dangerous Odyssey to Reunite with His Mother
“Craig,” he says, in that tone that’s like, I’m one step away from middle-naming you.”
― Hannah Moskowitz, quote from Gone, Gone, Gone
“[Democracy] is as without plans as it is without energy, as incapable of harm as it is incapable of good. It is powerless and passive. It lets society marcher tout seul without trying to direct it. Well, in the present state of affairs, it is perfect, no? In order to prosper? America does not need either leadership or deep-laid plans or great efforts, but liberty and still more liberty. The reason for this is that no one yet has any interest in abusing liberty. but wait, monsieur. It may take a century but le fou viendra.”
― Peter Carey, quote from Parrot and Olivier in America
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