“You are grown, Abby, dear. You’re amazing. I don’t know why you don’t see that.” “But, that’s just it. I do see that. I know I’m amazing and that people should get over the past and see that I’m an adult who likes to dance and not just knit. They need to get over the fact that my parents always fought and don’t even know who I am anymore. They need to know that I’m not the goody-goody they think I am. But that’s not going to happen in a town where everyone knows the exact brand of tampons I use and when I need to buy them.” Jordan curled a lip and shook her head. “That’s just sick. You know, that was one part of small-town living I didn’t miss.” “Yeah, just wait until they make a connection to when you stop buying them. Because believe me, they’re watching to see when you and Matt make a mini Cooper.” She laughed at her own joke, even as Jordan’s eyes widened. “You’re kidding, right? We just got married.”
― Carrie Ann Ryan, quote from Finding Abigail
“Tyler?” Brayden asked, and Tyler shook his head to clear thoughts that were going way too fast for him. “Sorry, yes, we’ll just deal with my issues now,” Tyler finally answered. “But, whatever it is that’s bothering you, I hope you know I’ll help if you need it.” “I don’t know if I like this new caring-brother thing you’re doing.” “Hey, I’ve always been caring, just a bit of an ass at times.” “At times?” Brayden smiled.”
― Carrie Ann Ryan, quote from Finding Abigail
“Third step, get to know her surroundings so she could get out of there. Or at least try. That’s what the heroine always did, right? And they said romance novels never taught anyone anything. She’d prove them wrong. And get the heck out of there.”
― Carrie Ann Ryan, quote from Finding Abigail
“She really needed to stop reading romantic suspense because now horror stories from authors like Shiloh Walker were on her mind and a little too vivid for what she needed at the moment.”
― Carrie Ann Ryan, quote from Finding Abigail
“Tyler had bandaged her burns, and she had soothed his bruises. They hadn’t made love, though she knew they’d both wanted to. But sometimes those aches and pains were a little too much to get in the mood.”
― Carrie Ann Ryan, quote from Finding Abigail
Carrie Ann Ryan
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“En lugar de interrogarnos a nosotros mismos,¿no sería mejor crear, obrar sobre una realidad que no se entrega al que la contempla, sino al que es capaz de sumergirse en ella?”
― Octavio Paz, quote from The Labyrinth of Solitude and Other Writings
“I chanced the chest and the slow-beating heart. The quick compulsion of my will was rewarded. I no longer had chest nor heart. I was only a mind, a soul, a consciousness—call it what you will—incorporate in a nebulous brain that, while it still centered inside my skull, was expanded, and was continuing to expand, beyond my skull.”
― Jack London, quote from The Star Rover
“Ahora, señor Harris, estará usted probablemente esperando que le diga que le di patadas al arbusto o que me eché a llorar o que corrí al aparcamiento y monté una escena. Pues siento decepcionarle y todo eso, pero me quedé con la cara completamente tranquila y el cuerpo completamente inmóvil. Lo único que hice fue romper una telaraña, partiéndola en dos con el canto de la mano. Una mitad se quedó en el muro y la otra mitad balanceándose de una rama, y esa es la única prueba que hay en el mundo de que sentí que algo se me rompía por dentro.”
― Annabel Pitcher, quote from Ketchup Clouds
“My gift to you, Yukiko-chan.' He nodded. 'Use it to cut away your fear, and leave nothing in its wake. Cherish it. And cherish this truth I speak to you now, if no other before or after: The greatest tempest Shima has even known waits in the wings for you to call its name. Your anger can topple mountains. Crush empires. Change the very shape of the world.'
He pressed the blade into her hand, watched her with cool eyes the colour of steel.
'Your anger is a gift.”
― Jay Kristoff, quote from Kinslayer
“The emphasis on shifting essences, uncertainty, and fiercely contrasting opposite states was, of course, neither new nor unique to Byron. He and the other Romantic poets, however, took the ideas and emotions to a particularly intense extreme. Shelley's belief that poetry "marries exultation and horror, grief and pleasure, eternity and change," and that it "subdues to union, under its light yoke, all irreconcilable things," was in sympathy not only with the views of Byron but those of Keats as well. "Negative capability," wrote Keats, exists "when a man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching out after fact & reason." The "poetical Character," he said:
has no self-it is every thing and nothing-It has no character-it enjoys light and shade; it lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated-It has as much delight in conceiving an Iago as an Imogen. What shocks the virtuous philosopher, delights the camelion Poet. It does no harm from its relish of the dark side of things any more than from its taste for the bright one; because they both end in speculation.”
― Kay Redfield Jamison, quote from Touched with Fire: Manic-Depressive Illness and the Artistic Temperament
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