Quotes from Don't Let's Go to the Dogs Tonight

“How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“This is not a full circle. It's Life carrying on. It's the next breath we all take. It's the choice we all make to get on with it.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“The land itself, of course, was careless of its name. It still is. You can call it what you like, fight all the wars you want in its name. Change its name altogether if you like. The land is still unblinking under the African sky. It will absorb white man's blood and the blood of African men, it will absorb blood from slaughtered cattle and the blood from a woman's birthing with equal thirst. It doesn't care.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both. When I picked up the skulls to add to my growing collection of what Vanessa called "Bobo's smelly pile," the hooked horns fell away from each other and the story of the impalas' death struggle was undone.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“But I plucked a new, different, worldly soul for myself -- maybe a soul I found in the spray thrown up by the surge of that distant African river as it plummets onto black rocks and sends up into the sun a permanent arc of a rainbow.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“Well-bred' ensured buckled noses, high-arched feet, a predisposition to madness, and ... an innate belief in our own unquestioning superiority.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“But this is africa, so hardly anything is normal.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“The schools wear the blank faces of war buildings, their windows blown blind by rocks or guns or mortars. Their plaster is an acne of bullet marks. The huts and small houses crouch open and vulnerable; their doors are flimsy pieces of plyboard or sacks hanging and lank. Children and chickens and dogs scratch in the red, raw soil and stare at us as we drive through their open, eroding lives.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“All of us are mad and then she adds,smiling, but I'm the only one with a certificate to prove it”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“There is a madman who lives on the road to Mkushi. Every full moon he comes out onto the tarmac and digs a deep trench across the road. Dad would like to find the madman and bring him back to the farm. 'Think what a strong bugger he is, eh?' 'Yes, but you could only get him to work when there was a full moon.' 'Which is twice as hard as any other Zambian.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“The world looks better when your belly is full, brighter and more hopeful. After”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“They drink blood," he tells me.
"Who?"
"Leopards."
"Why?"
"For fun. Leopard beer." He laughs.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“We drink the barely cool locally brewed Mosi from the leaky mildew-smelling fridge, keeping an eye out for UFOs, unidentified floating objects, in the bottles.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“She is gently manic, in a pottering sort of way.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“There is only one time of absolute silence. Halfway between the dark of night and the light of morning, all animals and crickets and birds fall into a profound silence as if pressed quiet by the deep quality of the blackest time of night...This silence is how I know it is not yet dawn, nor is it the middle of the night, but it is the place of no-time, when all things sleep most deeply, when their guard is dozing”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

“In the hot, slow time of day when time and sun and thought slow to a dragging, shallow, pale crawl, there is the sound of heat. The grasshoppers and crickets sing and whine. Drying grass crackles. Dogs pant. There is the sound of breath and breathing, of an entire world collapsed under the apathy of the tropics.”
― Alexandra Fuller, quote from Don't Let's Go to the Dogs Tonight

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“In the old days, farmers would keep a little of their home-made opium for their families, to be used during illnesses, or at harvests and weddings; the rest they would sell to the local nobility, or to pykari merchants from Patna. Back then, a few clumps of poppy were enough to provide for a household's needs, leaving a little over, to be sold: no one was inclined to plant more because of all the work it took to grow poppies - fifteen ploughings of the land and every remaining clod to be built; purchases of manure and constant watering; and after all that, the frenzy of the harvest, each bulb having to be individually nicked, drained and scrapped. Such punishment was bearable when you had a patch or two of poppies - but what sane person would want to multiply these labours when there were better, more useful crops to grow, like wheat, dal, vegetables? But those toothsome winter crops were steadily shrinking in acreage: now the factory's appetite for opium seemed never to be seated. Come the cold weather, the English sahibs would allow little else to be planted; their agents would go from home to home, forcing cash advances on the farmers, making them sign /asámi/ contracts. It was impossible to say no to them: if you refused they would leave their silver hidden in your house, or throw it through a window. It was no use telling the white magistrate that you hadn't accepted the money and your thumbprint was forged: he earned commissions on the oppium adn would never let you off. And, at the end of it, your earnings would come to no more than three-and-a-half sicca rupees, just about enough to pay off your advance.”
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