Alexandra Fuller · 315 pages
Rating: (43.3K votes)
“How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.”
“This is not a full circle. It's Life carrying on. It's the next breath we all take. It's the choice we all make to get on with it.”
“The land itself, of course, was careless of its name. It still is. You can call it what you like, fight all the wars you want in its name. Change its name altogether if you like. The land is still unblinking under the African sky. It will absorb white man's blood and the blood of African men, it will absorb blood from slaughtered cattle and the blood from a woman's birthing with equal thirst. It doesn't care.”
“Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both. When I picked up the skulls to add to my growing collection of what Vanessa called "Bobo's smelly pile," the hooked horns fell away from each other and the story of the impalas' death struggle was undone.”
“But I plucked a new, different, worldly soul for myself -- maybe a soul I found in the spray thrown up by the surge of that distant African river as it plummets onto black rocks and sends up into the sun a permanent arc of a rainbow.”
“Well-bred' ensured buckled noses, high-arched feet, a predisposition to madness, and ... an innate belief in our own unquestioning superiority.”
“But this is africa, so hardly anything is normal.”
“The schools wear the blank faces of war buildings, their windows blown blind by rocks or guns or mortars. Their plaster is an acne of bullet marks. The huts and small houses crouch open and vulnerable; their doors are flimsy pieces of plyboard or sacks hanging and lank. Children and chickens and dogs scratch in the red, raw soil and stare at us as we drive through their open, eroding lives.”
“All of us are mad and then she adds,smiling, but I'm the only one with a certificate to prove it”
“There is a madman who lives on the road to Mkushi. Every full moon he comes out onto the tarmac and digs a deep trench across the road. Dad would like to find the madman and bring him back to the farm. 'Think what a strong bugger he is, eh?' 'Yes, but you could only get him to work when there was a full moon.' 'Which is twice as hard as any other Zambian.”
“The world looks better when your belly is full, brighter and more hopeful. After”
“They drink blood," he tells me.
"Who?"
"Leopards."
"Why?"
"For fun. Leopard beer." He laughs.”
“We drink the barely cool locally brewed Mosi from the leaky mildew-smelling fridge, keeping an eye out for UFOs, unidentified floating objects, in the bottles.”
“She is gently manic, in a pottering sort of way.”
“There is only one time of absolute silence. Halfway between the dark of night and the light of morning, all animals and crickets and birds fall into a profound silence as if pressed quiet by the deep quality of the blackest time of night...This silence is how I know it is not yet dawn, nor is it the middle of the night, but it is the place of no-time, when all things sleep most deeply, when their guard is dozing”
“In the hot, slow time of day when time and sun and thought slow to a dragging, shallow, pale crawl, there is the sound of heat. The grasshoppers and crickets sing and whine. Drying grass crackles. Dogs pant. There is the sound of breath and breathing, of an entire world collapsed under the apathy of the tropics.”
“It’s strange, the lack of emotion, the absence of drama in reality. When things happen in real life, extraordinary things, there’s no music…There’s no close-ups. No dramatic camera angles. Nothing happens. Nothing stops, the rest of the world goes on.”
“I just felt like . . . me. And whatever “me” meant, that was perfectly fine and absolutely enough. Everyone should feel that kind of peace and self-acceptance far more often than I think most of us do.”
“They could hurt you," I insisted.
"Not on purpose. They're just teenagers. We'll be like that too one day.”
“There is nothing you can offer me,” she said. “Oh, I don’t know. You might change your mind. You’re like me, Victoria.” He grinned. “You like to do things that make life interesting. We both do so hate to be bored.”
“Understanding dog-psychology is simple and there are only a few essential (yet very simple) things that you need to understand – but you need to understand them well! The photojournal format makes it conducive to offer helpful tactics, techniques, tips, and tricks that can be accompanied by illustrative photos (when necessary) that are spread throughout the book.”
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