“Our life is like a land journey, too even and easy and dull over long distances across the plains, too hard and painful up the steep grades; but, on the summits of the mountain, you have a magnificent view--and feel exalted--and your eyes are full of happy tears--and you want to sing--and wish you had wings! And then--you can't stay there, but must continue your journey--you begin climbing down the other side, so busy with your footholds that your summit experience is forgotten.”
― Lloyd C. Douglas, quote from The Robe
“This faith, is not like a deed to a house in which one may live with full rights of possession. It is more like a kit of tools with which a man may build himself a house. The tools will be worth just what he does with them. When he lays them down, they will have no value until he takes them up again.”
― Lloyd C. Douglas, quote from The Robe
“I never thought much about flowers until I made the close acquaintance of a man who knew all about them. You would have thought that the butterflies and flowers were friends of his. 'See how richly they are clad,' he said. 'Even King Solomon did not have such raiment.”
― Lloyd C. Douglas, quote from The Robe
“It is a queer thing. In a time of great need, when powerful leadership is demanded, the people—confused and excited—hear only the strident voices of the audacious, and refuse to listen to the voice of wisdom which, being wise, is temperate.”
― Lloyd C. Douglas, quote from The Robe
“So much the better. The higher the price you have to pay, the more you will cherish it.”
― Lloyd C. Douglas, quote from The Robe
“A talent for truth is real property. If a man loves truth better than things, people like to be around where he is. Almost everybody wishes he could be honest, but you can’t have the spirit of truth when your heart is set on dickering for things.”
― Lloyd C. Douglas, quote from The Robe
“Her voice was unusually deep toned for a girl, he thought. Girls were always screaming what they had to say. Her throaty voice made you feel you had known her a long time.”
― Lloyd C. Douglas, quote from The Robe
“This faith...is not like a deed to a house in which one may live with full rights of possession. It is more like a kit of tools with which a man may build him a house. The tools will be worth just what he does with them. When he lays them down, they will have no value until he takes them up again.”
― Lloyd C. Douglas, quote from The Robe
“For many years a tree might wage a slow and silent warfare against an encumbering wall, without making any visible progress. One day the wall would topple--not because the tree had suddenly laid hold upon some supernormal energy, but because its patient work of self-defense and self release had reached fulfillment. The long-imprisoned tree had freed itself. Nature had had her way.”
― Lloyd C. Douglas, quote from The Robe
“Are men and beasts of the same category? Is there no essential difference between them in respect to the quality of their value?…It is an offense to the majesty of the human spirit; for if any man deserves to be regarded as of the same quality as a beast of burden, then no man has any dignity left.”
― Lloyd C. Douglas, quote from The Robe
“Nor could you clarify this confusion by assuming that the old man had been a victim of hallucination. Bartholomew wasn’t that type of person. He was neither a liar nor a fool.”
― Lloyd C. Douglas, quote from The Robe
“…they pick flowers, but they do not sweep the sky!”
― Lloyd C. Douglas, quote from The Robe
“I used to pass the flowers by without seeing them, as almost every man does.”
― Lloyd C. Douglas, quote from The Robe
“Marcellus cudgeled his memory. What did he know about Arpino? Delicious little melons! Arpino melons! And exactly the right time for them, too.”
― Lloyd C. Douglas, quote from The Robe
“there is always something fundamentally wrong with a rich man or a king who pretends to be religious. Let the poor and helpless invoke the gods. That is what the gods are for—to distract the attention of the weak from their otherwise intolerable miseries. When an emperor makes much ado about religion, he is either cracked or crooked.”
― Lloyd C. Douglas, quote from The Robe
“E greu să-ți imaginezi lumea fără un creator, dar prefer să nu-mi închipui că faptele oamenilor sunt inspirate de ființe supranaturale. Îmi place mai mult să cred că oamenii și-au inventat brutalitatea fără ajutor divin.”
― Lloyd C. Douglas, quote from The Robe
“Cauza necazurilor noastre nu se află în jilțul guvernului, ci în imediata apropiere, în trib, în familie, în noi înșine.”
― Lloyd C. Douglas, quote from The Robe
“Lumea nu merită sacrificiul de a trăi pentru ea, cu atât mai puțin de a muri.”
― Lloyd C. Douglas, quote from The Robe
“Viața noastră e ca o călătorie pe pământ: prea ușoară și monotonă de-a lungul întinselor câmpii, prea dură și neplăcută pe pantele abrupte; dar pe înălțimile munților te bucuri de o priveliște minunată, te simți exaltat, ochii se umplu de lacrimi, ai vrea să cânți, ai vrea să ai aripi. Dar nu poți să rămâi acolo, trebuie să-ți continui călătoria și începi să cobori pe partea cealaltă, atât de preocupat să alegi locul în care să-ți pui piciorul încât uiți plăcerea încercată pe culmi”
― Lloyd C. Douglas, quote from The Robe
“Nimic nu-i mai rău pentru caracterul omului decât să fi mândru de faptele tale bune. Fie că te mândrești cu musculatura, cu rapiditatea, cu forța, îndemânarea, îndurarea..., acestea sunt slăbiciuni comune nouă tuturor. Dar atunci când un om rămâne din virtutea lui doar cu îngâmfarea, este trist!”
― Lloyd C. Douglas, quote from The Robe
“Hoarded things might easily become a menace; a mere fire-and-theft risk; a breeding-ground for destructive insects; a source of worry. Men would have plenty of anxieties, but there was no sense in accumulating worries over THINGS! That kind of worry destroyed your character. Even an unused coat, hanging in your closet—it wasn't merely a useless thing that did nobody any good; it was an active agent of destruction to your life. And your LIFE must be saved, at all costs. What would it advantage a man—Jesus had demanded—if he were to gain the whole world, and lose his own life?”
― Lloyd C. Douglas, quote from The Robe
“There is no vanity so damaging to a man's character as pride over his good deeds!”
― Lloyd C. Douglas, quote from The Robe
“Perhaps this general degradation was the result of too much crowding, too little privacy, too much noise. You couldn't be decent if you weren't intelligent; you couldn't be intelligent if you couldn't think—and who could think in all this racket? Add the stench to the confusion of cramped quarters, and who could be self-respecting?”
― Lloyd C. Douglas, quote from The Robe
Lloyd C. Douglas
Born place: in Columbia City, Indiana, The United States
Born date August 27, 1877
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“Be careful, okay, when you go there. Talia was really scared of this Malvolia chick. She could be dangerous.”
“What’s she going to have—an assault weapon?”
“Worse,” I say. “She’s got magical powers.”
― Alex Flinn, quote from A Kiss in Time
“So, my dear…”
She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it.
“… You say I have let another man into my bed.”
Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare.
From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back.
“I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.”
Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece.
As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion.
She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her.
“Christopher! What…?”
She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort.
“Christopher Stuart Saxton, lord of Saxton Hall.”
His voice no longer bore a hint of a rasp. “Your servant, my lady.”
“But… but where is…?”
The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin.
“… Stuart?”
“One and the same, madam.”
He stepped near, and those translucent eyes commanded her attention.
“Look at me, Erienne. Look very closely.”
He towered over her, and his lean, hard face bore no hint of humor.
“And tell me again if you think I would ever allow another man in your bed while I yet breathe.”
-Christopher & Erienne”
― Kathleen E. Woodiwiss, quote from A Rose in Winter
“No, see the slide’s too high. He could fall and get a concussion. (Wulf)
Forget that. He could rack himself on the teeter-totter. (Chris)
Teeter-totter nothing. The swings are a choking hazard. Whose idea was it for him to have this? (Urian)”
― Sherrilyn Kenyon, quote from Kiss of the Night
“Men can do nothing without the make-believe of a
beginning. Even science, the strict measurer, is obliged to start
with a make-believe unit, and must fix on a point in the stars'
unceasing journey when his sidereal clock shall pretend that time
is at Nought. His less accurate grandmother Poetry has always been
understood to start in the middle; but on reflection it appears
that her proceeding is not very different from his; since Science,
too, reckons backward as well as forward, divides his unit into
billions, and with his clock-finger at Nought really sets off
in medias res. No retrospect will take us to the true
beginning; and whether our prologue be in heaven or on earth, it is
but a fraction of that all-presupposing fact with which our story
sets out.”
― George Eliot, quote from Daniel Deronda
“Author's Warning
If you're buying this book as a gift for your grandma or a kid, you should be aware that it contains cusswords as well as tasteful depictions of cannibalism and people in their forties having sex. Don't blame me. I told you.”
― Christopher Moore, quote from The Stupidest Angel: A Heartwarming Tale of Christmas Terror
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