“Family. Couldn't live with them, couldn't run a stake through them.”
― Chloe Neill, quote from Blood Games
“Oh, François,” I breathily said. “You’ll have to hurry. My boyfriend will be back soon.” Ethan grunted and slipped his arms around mine, pulling him tight against my body. “My desire is impatient,” he said in a French accent that was surprisingly believable. “It will not wait, and damn your boyfriend.” I turned to face him, wrapped my arms around his neck, and caught his bottom lip gently between my teeth. “Then by all means, François, let’s get to it.”
― Chloe Neill, quote from Blood Games
“Go ahead,” I told him. “Go see your admirers. Sign some autographs. It’s good PR for the House.” He slid me a glance, smiled. “Not concerned one of the fans will try to sweep me away with words of love?” “Oh, they’ll try to sweep,” I said. “But I have no worries you’ll come back to me.” His smile was meltingly handsome. “Because I love you without measure?” “Of course,” I said. Also, I had the car keys.”
― Chloe Neill, quote from Blood Games
“You’re my world,” he said, putting down the glass. “You’re mine to protect.”
― Chloe Neill, quote from Blood Games
“Because I love you. Because love, to some, is a weakness. A pressure point. Because I would give up anything for you, including the GP. And because I don’t mean to give up either.”
― Chloe Neill, quote from Blood Games
“I accept that he has a past. I wasn’t a saint before we met.” She slid me a glance. “I wasn’t.” “You were a nerdy English lit student; you were as close as it gets without beatification.”
― Chloe Neill, quote from Blood Games
“Oh, I get it. You’re doing the girlfriend—what’s her name? Megan?” “Merit,” answered the girl at the table. “And it’s a pretty good costume.” I opened my mouth to object, to proclaim that I wasn’t doing Ethan’s girlfriend, I was Ethan’s girlfriend, and I was doing Ethan.”
― Chloe Neill, quote from Blood Games
“Catcher pulled out his phone,rose,and walked away from the table to make the call.
"I'm going to advise Chuck of our little breakthrough. Good job, Mallocake."
We all looked at Mallory.
"Did he just call you Mallocake ?"
She blushed to the roots of her blue hair, shrugged one shoulder.
"It's a nickname"
It was also my all-time favorite snack food- a log-shaped chocolate cake with a marshmallow center. They were absolutely delectable. And that was kind of adorable, especially for someone like Catcher, who made Eeyore seem like an optimist.”
― Chloe Neill, quote from Blood Games
“The sword’s a really nice touch—did you get it at Faire Makers?—but I’m not buying the attitude. It’s not really Merit. You should be channeling your inner vampire sex warrior. Like this,” she said, then put her hands on her hips, canted out one leg, and smiled sensually. “What?” was all I could think to say. “Maybe a little more cleavage, too.” “Cleavage.” She nodded, winked. “A vampire sex warrior can never show too much cleavage.”
― Chloe Neill, quote from Blood Games
“He wore a gray hoodie with the green Jakob’s Quest logo across the front. Dear God, I thought. The RG had a Jeff.”
― Chloe Neill, quote from Blood Games
“Make no little plans; they have no magic to stir men’s blood. —Daniel Burnham”
― Chloe Neill, quote from Blood Games
“Ethan chuckled. “It hasn’t escaped my attention, Sentinel, that you cringe every time I mention our future.” “I don’t cringe. I only cringe when you pretend-propose.” He had a penchant for going down on bended knee—and straightening a hem or helping me with a shoe. “Nobody finds that amusing.” “I find it excessively amusing. You do realize, don’t you, that the proposal won’t always be fake?”
― Chloe Neill, quote from Blood Games
“I believe there’s something you’ll need, Sentinel.” Ethan slid from his chair, dropped to one knee on the carpet. My mind had to race to keep up, but my heart pounded madly. Ethan looked up at me, grinned. “That thing, of course, is this.” He held up a small dessert fork. “You dropped your fork, Sentinel.” My blood pounded in my ears. I stood up, swatted his arms with slaps. “You are a jerk.” He roared with laughter. “Ah, Sentinel. The look on your face.” He doubled over with laughter. “Such terror.” I kept swatting. “At the thought of marrying you, you pretentious ass.” He roared again, then picked me up and carried me to the bed. “My pretentions are well earned, Sentinel.” “You have got to stop doing that.” “I can’t. It’s hilarious.” Only a man would think fake proposals were so funny.”
― Chloe Neill, quote from Blood Games
“If you’re going to yell at me, do it in English, please. I’d like to understand the insult so I can frame an appropriately pithy response.”
― Chloe Neill, quote from Blood Games
“Phones on, and stay alert,” Luc said. “And tell Jonah we said hello.” “Lucas,” Ethan politely said, “kiss my ass.”
― Chloe Neill, quote from Blood Games
“Dear God,” I said, dodging a pair of zombie cheerleaders to cross the busy pathway to the “Hunkiest” table, staring down at the assortment of pink, white, and pale blue panties, Ethan’s green eyes staring out from the front triangle.”
― Chloe Neill, quote from Blood Games
“I knew there were Web sites devoted to Ethan. I might, in a moment of curious weakness, have visited Ethan SullivanIsMyMaster.net and smiled at the bloggers’ obvious adoration. But underwear? Underwear! “Pretty hot, isn’t he?” asked the clerk. I was bewildered. Of course he was hot. But he was my hot.”
― Chloe Neill, quote from Blood Games
“I am a vampire sex warrior, I thought, with much satisfaction.”
― Chloe Neill, quote from Blood Games
“past is immutable. Only the future can be written.”
― Chloe Neill, quote from Blood Games
Chloe Neill
Born place: The United States
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“We cannot know the future. All we can do is face it bravely. We should take heed of those we love and respect. But in the end, we make every decision alone.”
― Juliet Marillier, quote from Seer of Sevenwaters
“The clearest sensation that a human being has when he experiences the holy is an overpowering and overwhelming sense of creatureliness. That is, when we are in the presence of God, we are humbled and become most aware of ourselves as creatures. This is the opposite of Satan's original temptation, "You shall be as gods.”
― R.C. Sproul, quote from The Holiness of God
“He’d given her his word—when he was soused and under duress from needing to tup her—but still his”
― Kresley Cole, quote from If You Dare
“And the great thing about money is that it doesn’t matter when you harvest it. It’s an all-year crop.”
― Robert Harris, quote from Pompeii
“В быстролётные годы расцвета женской красоты она отлично служит притворству, к которому вынуждает женщину её природная слабость и законы нашего общества. Чудесный, свежий цвет лица, блеск глаз, изящный рисунок тонких черт, богатство линий, резких или округлых, но чистых и совершенно законченных, — завеса для всех её сокровенных волнений; если она покраснеет, это не выдаст движения её души, а только оживит и без того яркие краски; огонь её глаз, горящих жизнью, в ту пору скрадывает все внутренние вспышки, и пламя страданий, вырываясь на миг, делает её ещё пленительнее. Итак, нет ничего более непроницаемого, чем молодое лицо, ибо нет ничего неподвижнее. Лицо молодой женщины безмятежно, гладко, ясно, как поверхность дремлющего озера. Своеобразие начинает появляться в женском лице лишь к тридцати годам. До этого возраста художнику не найти в нём ничего, кроме бело-розовых красок, улыбок и выражения, которое повторяет одну и ту же мысль, — мысль о радостях молодости и любви, мысль однообразную и неглубокую; но в старости, когда женщина всё уже испытала, следы страстей словно врезаются в лицо её; она была любовницей, супругой, матерью; самые сильные проявления счастья и горя в конце концов меняют облик человека, искажают черты, бороздя лицо неисчислимыми морщинами, наделяя каждую из них своим языком; и женщина становится тогда величественной в своём страдании, прекрасной в печали своей, великолепной в своей невозмутимости, и если нам позволено будет развить наше необычайное сравнение, то в высохшем озере станут тогда видны следы всех родников, питавших его; тогда лицо женщины уже не привлечёт внимания света, ибо в легкомыслии своём свет будет напуган тем, что разрушены его привычные понятия о красоте; не привлечёт оно и посредственного, ничего не смыслящего художника, зато вдохновит истинного поэта, того, кто наделён чувством прекрасного, кто свободен от всех условностей, на которых зиждется столько ложных понятий об искусстве и красоте.
Люди несчастные, привыкшие взывать к небу с мольбой об утешении в горестях жизни, сразу бы распознали по взгляду этой женщины, что и для неё молитва является единственным прибежищем в повседневных страданиях и что у неё ещё кровоточат те тайные раны, от которых гибнут все цветы души, вплоть до материнских чувств. У живописца есть краски для таких портретов, но никакими словами не передать их; сущность лица, его выражение — само по себе явление необъяснимое, и лишь зрение помогает нам уловить его; у писателя есть только один способ дать представление о страшных переменах, происшедших во внешности его героев: он должен рассказать о тех событиях, из-за которых они появились. Всё в этой женщине говорило о бесшумной ледяной грозе, о тайной борьбе между героизмом страдающей матери и убожеством наших чувств, недолговечных, как и мы сами, в которых нет ничего вечного.
Люди хорошо воспитанные, и особенно женщины, скрытны в проявлении своих чувств, и о волнении их сердца догадается лишь тот, кому довелось испытать в жизни всё, что испытывала исстрадавшаяся мать.”
― Honoré de Balzac, quote from A Woman Of Thirty
Deliver Us from Evil
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Ice Queen
Rose Daughter
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