Quotes from Winter Eve

Lia Davis ·  0 pages

Rating: (568 votes)


“He raised his hand to brush a stray hair from her face. Instead of dropping his hand, he slid it behind her neck and drew her closer. His earthy pine scent enveloped her. When his lips touched hers, she lost any hope of control.”
― Lia Davis, quote from Winter Eve


“Yeah…hey, you have a male here.” Shay walked toward the hall, sniffing the air. “And he’s human. Way to go, Dani!”
― Lia Davis, quote from Winter Eve


“He hissed and rocked his hips into her. “You like to bite?”
“I’m a cat, aren’t I?”
― Lia Davis, quote from Winter Eve


“He stepped into her line of sight and brushed the robe aside to press a tender kiss on her scarred breast. “They are part of you. I think you are beautiful with them.”
“I’m not perfect like other shifters.”
“I don’t want perfect because it doesn’t exist in any species.”
― Lia Davis, quote from Winter Eve


“You’re not weak.” He stalked toward her. The gleam in those grey eyes sent heat to her sex. “What did you mean by finding me and not letting me go?” She swallowed. “I…you’re the one who’s my potential true mate.” He stopped a couple of inches from her and cupped her face. She covered his hand with hers and watched shock, confusion, and hint of joy pass over his handsome features in a swirl of emotion.”
― Lia Davis, quote from Winter Eve



“Then there were the scars and the fear he would reject her after he saw how much of her body was ruined. A tear dropped, forming a dent in the snow. She had spent the last couple of years living alone and coming to terms with the idea of never finding a mate. And she’d just run away from a potential mate. God, she was an idiot.”
― Lia Davis, quote from Winter Eve


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About the author

Lia Davis
Born place: in The United States
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Popular quotes

“Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast.   It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter.   Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes.   That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time.   Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.   VALS Yo toco el odio como pecho diurno, yo sin cesar, de ropa en ropa, vengo durmiendo lejos.”
― Pablo Neruda, quote from Residence on Earth


“The song is languid and speaks of love and loneliness and loss. Why does love seem to go with the sad things?”
― Lisa Ann Sandell, quote from A Map of the Known World


“Non permettete a nessuno di dirvi che la vendetta non è dolce: lo è. Lo so.”
― Joanne Harris, quote from Sleep, Pale Sister


“What have I done, Obie?"

Obie flung his hand in the air, the gesture encompassing all the rotten things that had occur under Archie's command, at Archie's direction. The ruined kids, the capsized hopes. Renault last fall and poor Tubs Casper and all the others including even the faculty. Like Brother Eugene.

"You know what you've done, Archie. I don't need to draw up a list-"

"You blame me for everything, right, Obie? You and Carter and all the others. Archie Costello, the bad guy. The villain. Archie, the bastard. Trinity would be such a beautiful place without Archie Costello. Right, Obie? But it's not me, Obie, it's not me...."

"Not you?" Obie cried, fury gathering in his throat, his chest, his guts. "What the hell do you mean, not you? This could have been a beautiful place to be, Archie. A beautiful time for all of us. Christ, who else, if not you?"

"Do you really want to know who?"

"Okay, who then?" Impatient with his crap, the old Archie crap.

"It's you, Obie. You and Carter and Bunting and Leon and everybody. But especially you, Obie. Nobody forced you to do anything, buddy. Nobody made you join the Vigils. Nobody twisted your arm to make you secretary of the Vigils. Nobody pain you to keep a notebook with all that crap about the students, all their weaknesses, soft points. The notebook made your job easier, didn't it, Obie? And what was your job? Finding the victims. You found them, Obie. You found Renault and Tubs Casper and Gendreau-the first one, remember, when we were sophomores?-how you loved it all, didn't you Obie?" Archie flicked a finger against the metal of the car, and the ping was like a verbal exclamation mark. "Know what, Obie? You could have said no anytime, anytime at all. But you didn't...." Archie's voice was filled with contempt, and he pronounced Obie's name as if it were something to be flushed down a toilet.

"Oh, I'm an easy scapegoat, Obie. For you and everybody else at Trinity. Always have been. But you had free choice, buddy. Just like Brother Andrew always says in Religion. Free choice, Obie, and you did the choosing....”
― Robert Cormier, quote from Beyond the Chocolate War


“I wondered how many times I would be told 'Be joyous' before I died. Can a man arrange the sorrows and joys of his life to the Christian calendar?”
― Maria McCann, quote from As Meat Loves Salt


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