“This is our condition . We do not solve problems. We replace them with other problems.”
― Jonathan Miles, quote from Want Not
“…wondering, not for the first time, if there was a kind of dark bliss built into dementia: an immunity from death and abandonment, a way of fixing a point in time so that nothing can change, nothing can be rewritten, no one can leave.”
― Jonathan Miles, quote from Want Not
“But now . . . he was not yet at the age, like his father, when life shifts to past tense, when what is becomes what was and all the other verbs defining your existence go slumping into the preterite, crusted with apophonic alternations (I sing calcifying into I sang), and you can do nothing but marvel or wince at the irredeemable, irreversible arc of it—not yet. On this November night he was fifty-four years old. By no means, he told himself, was he beyond the future tense. But he could feel the past tense gaining on him, like the cold seeping into his back and dusting his face. He licked it off his lips and stood up. He had work to do.”
― Jonathan Miles, quote from Want Not
“But then he decided it wasn’t an irony, it was merely the broken gears of time, or the way life can feed you when you’re full (youth) and starve you when you’re hungry (midlife).”
― Jonathan Miles, quote from Want Not
“Alexis was at that age, seventeen, when mothers come into view as tyrants or imbeciles or both.”
― Jonathan Miles, quote from Want Not
“This is our condition. We do not solve problems. We replace them with other problems.”
― Jonathan Miles, quote from Want Not
Jonathan Miles
Born place: The United States
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“What I am in search of is not so much the gratification of a curiosity or a passion for worldly life, but something far less conditional. I do not wish to go out into the world with an insurance policy in my pocket guaranteeing my return in the event of a disappointment, like some cautious traveller who would be content with a brief glimpse of the world. On the contrary, I desire that there should be hazards, difficulties and dangers to face; I am hungry for reality, for tasks and deeds, and also for privation and suffering.”
― Hermann Hesse, quote from The Glass Bead Game
“There is no law that gods must be fair, Achilles,” Chiron said. “And perhaps it is the greater grief, after all, to be left on earth when another is gone. Do you think?”
― Madeline Miller, quote from The Song of Achilles
“Sometimes love means letting go when you want to hold on tighter.”
― Melissa Marr, quote from Ink Exchange
“Because by now Elinor had understood this, too: A longing for books was nothing compared with what you could feel for human beings. The books told you about that feeling. The books spoke of love, and it was wonderful to listen to them, but they were no substitute for love itself. They couldn't kiss her like Meggie, they couldn't hug her like Resa, they couldn't laugh like Mortimer. Poor books, poor Elinor.”
― Cornelia Funke, quote from Inkdeath
“In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?”
― Thomas Pynchon, quote from The Crying of Lot 49
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Every Soul a StarBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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