Quotes from Thirst No. 3: The Eternal Dawn

“No one awakens in the morning thinking they will die that day. Not a saint or a sinner. Not even a condemned killer. We all know were mortal, and yet we all believe we'll live forever.”
― Christopher Pike, quote from Thirst No. 3: The Eternal Dawn

“I think of Krishna and his deep blue eyes. It is said, in the hidden scriptures in India, that to focus on the eyes of the Lord is the highest spiritual practice a human being can proform. It's suppose to be equal to the greatest act of charity, which Jesus describes in the Bible as sacrificing one's life to save the life of another.

The Vedas, the Bible, it's true, they overlap a lot.

Maybe gazing into Krishna's eyes...

Pain...Pain...Pain...

Is equal to Christ's sacrifice.

I'm only suffering this pain to protect John. It doesn't matter that he won't see me. I still love him, I will always love him. And in this exquisitely agonizing moment, I realize he refused to see me because he wanted to force me to see him inside. Ah, that's the key! This practice of visualizing that I'm staring into Krishna's blue eyes, I've done it before.

But this is the first time I see him staring back at me!

The Agony comes, and it does not get transformed into bliss.

If anything it is worse than before. Except for one thing.

The pain does not obliterate my sense of "I."

I'm still Sita, the last vampire.”
― Christopher Pike, quote from Thirst No. 3: The Eternal Dawn

“For me, Satan and a literal hell are fables born of Christianity’s desire to control humanity by increasing its fear of death.”
― Christopher Pike, quote from Thirst No. 3: The Eternal Dawn

“The devil does not exist. I do not believe he exists. Nor do I believe the old saying that the devil's greatest accomplishment was to convince the majority of mankind that he does not exist. For me Satan and a literal hell are fables born of Christianity's desire to control humanity by increasing its fear of death. After all, I'm five thousands years old and I've never met Satan.”
― Christopher Pike, quote from Thirst No. 3: The Eternal Dawn

“Having lived so long, I can’t tell the difference between the two political parties. They both sound like broken records that started skipping after the founding fathers died. Now there were some real men!”
― Christopher Pike, quote from Thirst No. 3: The Eternal Dawn

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“Now her hair is like the nights of disunion and separation and her face like the days of union and delectation; She hath a nose like the edge of the burnished blade and cheeks like purple wine or anemones blood-red: her lips as coral and carnelian shine and the water of her mouth is sweeter than old wine; its taste would quench Hell's fiery pain. Her tongue is moved by wit of high degree and ready repartee: her breast is a seduction to all that see it (glory be to Him who fashioned it and finished it!); and joined thereto are two upper arms smooth and rounded; She hath breasts like two globes of ivory, from whose brightness the moons borrow light, and a stomach with little waves as it were a figured cloth of the finest Egyptian linen made by the Copts, with creases like folded scrolls, ending in a waist slender past all power of imagination; based upon back parts like a hillock of blown sand, that force her to sit when she would fief stand, and awaken her, when she fain would sleep, And those back parts are upborne by thighs smooth and round and by a calf like a column of pearl, and all this reposeth upon two feet, narrow, slender and pointed like spear-blades, the handiwork of the Protector and Requiter, I wonder how, of their littleness, they can sustain what is above them.”
― quote from The Arabian Nights

“It's the little mistakes that lead to big mistakes.”
― Pittacus Lore, quote from I Am Number Four

“How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself.

Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port.

Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together.

It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.”
― Michael Cunningham, quote from The Hours

“This fellow is wise enough to play the fool;
And to do that well craves a kind of wit:
He must observe their mood on whom he jests,
The quality of persons, and the time,
And, like the haggard, check at every feather
That comes before his eye. This is a practise
As full of labour as a wise man's art
For folly that he wisely shows is fit;
But wise men, folly-fall'n, quite taint their wit.”
― William Shakespeare, quote from Twelfth Night

“I am a restlessness inside a stillness inside a restlessness.”
― Dodie Smith, quote from I Capture the Castle

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