Quotes from The Ten-Year Nap

“You stayed around your children as long as you could, inhaling the ambient gold shavings of their childhood, and at the last minute you tried to see them off into life and hoped that the little piece of time you’d given them was enough to prevent them from one day feeling lonely and afraid and hopeless. You wouldn’t know the outcome for a long time.”
― Meg Wolitzer, quote from The Ten-Year Nap

“Even if you yourself were unhappy and anxious, whenever you glimpsed happiness in your child, you suddenly became happy too.”
― Meg Wolitzer, quote from The Ten-Year Nap

“It seemed that everywhere you went, people quickly adapted to the way they had to live, and called it Life.”
― Meg Wolitzer, quote from The Ten-Year Nap

“To be anorexic...she thought, amounted to wanting to shed yourself of some of the imperfect mosaic of pieces that made you who you were. She could understand that now for, maybe underneath that desquamated self you would locate a new version.”
― Meg Wolitzer, quote from The Ten-Year Nap

“But now the world, he thought, had taken them. He knew that this could suddenly happen. One day you just woke up, and there was somewhere that you needed to be.”
― Meg Wolitzer, quote from The Ten-Year Nap

“Your personal history of pain, by the time you reached the age of forty, was supposedto have been folded thoroughly into the batter of the self, so that you barely needed to acknowledge it anymore.”
― Meg Wolitzer, quote from The Ten-Year Nap

“Jill told him that he just didn't understand what it meant to have been so promising your whole life and now to be so disappointing in the end.”
― Meg Wolitzer, quote from The Ten-Year Nap

“When you lived a certain kind of life, pushed along by good colleges and internships and jobs and a shared, tranquil neighborhood and a world of privilege in which your child overlapped, you were inevitably part of a long chain of connections. All of them could help one another; the possibilities were there if they wanted them, though many of them didn't seem to want them anymore, or maybe they had somehow forgotten they had once wanted them.”
― Meg Wolitzer, quote from The Ten-Year Nap

“Maybe the idea of the supposed tension between working and nonworking mothers had been put out in the world just to cause divisiveness.”
― Meg Wolitzer, quote from The Ten-Year Nap

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“The usual stuff. School, homework, I don’t remember everything.” Theo had watched enough trials to know that answers should often be kept vague, and that “I don’t recall” and “I don’t remember” were perfectly acceptable in many instances. “Did you chat online?” the detective asked. “No, sir, not last night. Just phone.” They often used Facebook and text messages, but Theo knew not to volunteer information. Just answer the question in front of you. He’d heard his mother say this to her clients many times. “Any sign of a break-in?” Mr. Boone asked. “None,” said Bolick. “Mrs. Finnemore was sound asleep in the downstairs bedroom, she heard nothing, and at some point she got up to check on April. That’s when she realized she was gone.” Theo looked at Mrs. Finnemore, who again shot him a fierce look. He knew the truth, and she knew he knew the truth. Trouble was, Theo couldn’t tell the truth because he’d made a promise to April.”
― John Grisham, quote from The Abduction

“Madness is a distrust of reason.”
― John Myers Myers, quote from Silverlock

“And now to that Victim whose Sign rose above the world two thousand years ago, to be menaced now by that other sign now rising, I say a prayer of contrition. I, whom you have seen as irreverent and irreligious, now pray in the name of Chuckler and Hoosier and Runner, in the name of Smoothface, Gentlemen, Amish, and Oakstump, Ivy-League and Big-Picture, in the name of all those who suffered in the jungles and on the beaches, from Anzio to Normandy--and in the name of the immolated: of Texan, Rutherford, Chicken, Loudmouth, of the Artist and White-Man, Souvenirs and Racehorse, Dreadnought and Commando--of all these and the others, dear Father, forgive us for that awful cloud.”
― Robert Leckie, quote from Helmet for My Pillow

“And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.”
― Katie Klein, quote from Cross My Heart

“Lucifer, the most beautiful angel of all time,became so enamored with his own beauty and power that he came to believe his light was greater than the Almighty...”
― Melissa de la Cruz, quote from Keys to the Repository

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