Quotes from The Sandcastle Girls

“But history does matter. There is a line connecting the Armenians and the Jews and the Cambodians and the Bosnians and the Rwandans. There are obviously more, but, really, how much genocide can one sentence handle?”
― Chris Bohjalian, quote from The Sandcastle Girls

“When it seems you have nothing at all to live for, death is not especially frightening.”
― Chris Bohjalian, quote from The Sandcastle Girls

“He recalls what that first German soldier said to his major: No God-not yours or mine-approves of what you're doing.”
― Chris Bohjalian, quote from The Sandcastle Girls

“But history does matter. There are lines connecting the Armenians and the Jews and the Cambodians and the Serbs and the Rwandans. They are obviously morbid. Really, how much genocide can one sentence handle? You get the point. Besides, my grandparents’ story deserves to be told, regardless of their nationalities.”
― Chris Bohjalian, quote from The Sandcastle Girls

“Those who participate in a genocide as well as those who merely look away rarely volunteer much in the way of anecdote or observation. Same with the heroic and the righteous. Usually it's only the survivors who speak-and often they don't want to talk much about it either. p. 75”
― Chris Bohjalian, quote from The Sandcastle Girls

“How the Germans can remain allies with the Turks is beyond me. No European nation would ever commit the sorts of crimes that this regime is blithely committing right now.”
― Chris Bohjalian, quote from The Sandcastle Girls

“we have on earth exactly the amount of time that has been allotted to us, no more and no less. We really have precious little control.”
― Chris Bohjalian, quote from The Sandcastle Girls

“It was Aldous Huxley who observed, “Every man’s memory is his private literature.”
― Chris Bohjalian, quote from The Sandcastle Girls

“be wary of what I might learn. “No. Do you think I should?” “I don’t know. Maybe,” she replied, and in my mind I saw her in her high-backed bar stool at the island in the kitchen where the kids scarfed down their Lucky Charms before walking down the hill to school. Then, before I could answer, she went on, “It will be weird if we’re related to the woman in the photo.” “In what way?” “She’s so …” “Go ahead,” I said. “She’s not like us. Even if she is related to us, she’s not like us. I don’t mean that in a bad way. It’s just that she’s from a different world.”
― Chris Bohjalian, quote from The Sandcastle Girls

“She talks and talks because whenever she is silent she finds herself looking at him and her breath grows a little short.”
― Chris Bohjalian, quote from The Sandcastle Girls

“are an Armenian,” says the Turk with the handgun. “I am.” “Where are you going?” “Damascus.” “Why?” “My sister lives there.” “What do you do?” “I’m an engineer. I’m working on the Baghdad Railway—the spur from Aleppo to Nusaybin.” “The British have captured Nasiriyah.” “I hadn’t heard that.” He nods. “Had you heard that an Armenian murdered a Turkish”
― Chris Bohjalian, quote from The Sandcastle Girls

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“my happy is a high fever that will break, my happy is as hollow as a pin-pricked egg”
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― quote from The Jackrabbit Factor: Why You Can

“Bigotry is one of the oldest and ugliest of trends, so persistent it only counts as a fad because the target keeps changing: Huguenots, Koreans, homosexuals, Muslims, Tutsis, Jews, Quakers, wolves, Serbs, Salem housewives. Nearly every group, so long as it’s small and different, has had a turn, and the pattern never changes—disapproval, isolation, demonization, persecution. Which was one of the reasons it’d be nice to find the switch that turned fads on. I’d like to turn that one off for good.”
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“Ah, but, dear North Wind, you don't know how nice it is to feel your arms about me. It is a thousand times better to have them and the wind together, than to have only your hair and the back of your neck and no wind at all."

"But it is surely more comfortable there?"

"Well, perhaps; but I begin to think there are better things than being comfortable."

"Yes, indeed there are. Well, I will keep you in front of me. You will feel the wind, but not too much. I shall only want one arm to take care of you; the other will be quite enough to sink the ship."

"Oh, dear North Wind! how can you talk so?"

"My dear boy, I never talk; I always mean what I say."

"Then you do mean to sink the ship with the other hand?"

"Yes."

"It's not like you."

"How do you know that?"

"Quite easily. Here you are taking care of a poor little boy with one arm, and there you are sinking a ship with the other. It can't be like you."

"Ah! but which is me? I can't be two mes, you know."

"No. Nobody can be two mes."

"Well, which me is me?"

"Now I must think. There looks to be two."

"Yes. That's the very point.—You can't be knowing the thing you don't know, can you?"

"No."

"Which me do you know?"

"The kindest, goodest, best me in the world," answered Diamond, clinging to North Wind.

"Why am I good to you?"

"I don't know."

"Have you ever done anything for me?"

"No."

"Then I must be good to you because I choose to be good to you."

"Yes."

"Why should I choose?"

"Because—because—because you like."

"Why should I like to be good to you?"

"I don't know, except it be because it's good to be good to me."

"That's just it; I am good to you because I like to be good."

"Then why shouldn't you be good to other people as well as to me?"

"That's just what I don't know. Why shouldn't I?"

"I don't know either. Then why shouldn't you?"

"Because I am."

"There it is again," said Diamond. "I don't see that you are. It looks quite the other thing."

"Well, but listen to me, Diamond. You know the one me, you say, and that is good."

"Yes."

"Do you know the other me as well?"

"No. I can't. I shouldn't like to."

"There it is. You don't know the other me. You are sure of one of them?"

"Yes."

"And you are sure there can't be two mes?"

"Yes."

"Then the me you don't know must be the same as the me you do know,—else there would be two mes?"

"Yes."

"Then the other me you don't know must be as kind as the me you do know?"

"Yes."

"Besides, I tell you that it is so, only it doesn't look like it. That I confess freely. Have you anything more to object?"

"No, no, dear North Wind; I am quite satisfied.”
― George MacDonald, quote from At the Back of the North Wind

“No hagas juicios en tres dimensiones de lo que sólo puedes ver en la pantalla de un televisor.”
― Richard K. Morgan, quote from Market Forces

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