“Insight: if a guy I had sex with ever carved a notch into his bedpost, I’d tell him to carve one into mine too—and then to go make me a fucking sammich.”
― Kresley Cole, quote from The Professional: Part 1
“You think I'd stop with a kiss?"
"You assume I'd want you to?”
― Kresley Cole, quote from The Professional: Part 1
“I can't help it that this is the Bermuda Triangle-she pointed at her crotch-when guys venture there, they tend to stay. I tapped my chin. Oh, I thought you called it that because it's sucked in lots of seamen.”
― Kresley Cole, quote from The Professional: Part 1
“When a woman singles me out"- he leaned down to murmer at my ear- "it's because she wants to get fucked. She looks at the scars and tattoos and knows she'll get fucked hard"
I gasped, melting for him.
"is that what you wanted from me, Natalya"?”
― Kresley Cole, quote from The Professional: Part 1
“Joke 'em if they can't take a fuck. -NATALIE”
― Kresley Cole, quote from The Professional: Part 1
“The one who fingered me like he was digging to China”
― Kresley Cole, quote from The Professional: Part 1
“I can’t help it that this is the Bermunda Triangle”- She pointed at her crotch-”when guys venture there, they tend to stay”
― Kresley Cole, quote from The Professional: Part 1
“Any highlights you discovered that you’d like to share?”
“Don’t worry— not every detail will make it back to Kovalev.” Smirk. “Such as the arsenal you keep under your mattress.”
― Kresley Cole, quote from The Professional: Part 1
Kresley Cole
Born place: The United States
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“Her hearing had faded out as soon as he’d touched her—maybe it was the angels playing harps or the exploding fireworks. Maybe her drink was too strong or her heart was too lonely.”
― Karin Slaughter, quote from Fractured
“Camille’s rain fell with such ferocity it was said to have filled the overhead nostrils of birds and drowned them from the trees.”
― Erik Larson, quote from Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History
“The sniper puts the cellist in his sights. Arrow is about to send a bullet into him, but stops. His finger isn't on the trigger...His hand isn't even in the vicinity of the trigger...His head leans back slightly, and she sees that his eyes are closed, that he is no longer looking through his scope. She knows what he's doing. It's very clear to her, unmistakable. He's listening to the music. And then Arrow knows why he didn't fire yesterday...She is at once, sure of two things. The first is that she does not want to kill this man, and the second is that she must. Time is running out. There's no reason not to kill him. A sniper of his ability has wihtout doubt killed dozens, if not hundreds. Not just soldiers. Women crossing streets. Children in playgrounds. Old men in water lines. She knows this to a certainity. Yet she doesn't want to pull her trigger. All because she can see that he doesn't want to pull his...The final notes of the cellist's melody reach him, and he smiles. ”
― Steven Galloway, quote from The Cellist of Sarajevo
“When someone affects you so much that you can't sleep at night without them, you can't think straight whenever they're in the room and you'd risk it all for them, you go for it. You take no risks.”
― Skyla Madi, quote from Consumed
“I will compensate all your one-inch, two-inch losses because I know how important every inch is to you aged, decrepit men.”
― Kim Harrison, quote from Ever After
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