“-وماذا في الكلمات من سوء؟
-ليس هناك مخدرًا أسوأ من الكلام”
“لابد من تذوق الكلمات، على المرء أن يتركها تذوب في فمه.”
“ستكتشفين أنني أحبك حين لا أحبك. طالما أن للحياة وجهين. تستطيع الكلمة أن تكون جناحاً للصمت. وللنار نصيبها من البرد.”
“It says yes, in blue, in foam, in a gallop. It says no, then no. It cannot be still. My name is sea, it repeats, striking a stone but not convincing it. Then with the seven green tongues, of seven green tigers, of seven green seas, it caresses it, kisses it, wets it, and pounds on its chest, repeating its own name.”
“اسمعي يا عزيزتي، إذا خلطتِ بين الشعر والسياسة فستحبلين قبل أن يرف جفنكِ.”
“عندنما يتعلّق الأمر بجرّ فتاة إلى الفراش لا فرق بين ليبرالي أو كاهن أو شاعر شيوعي. الشعراء هم الأسوأ.”
“¡La poesía no es de quien la escribe, sino de quien la usa!”
“... la muchacha más hermosa que recordara haber visto, incluidas actrices, acomodadoras de cine, peluqueras, colegialas, turistas y vendedoras de discos.”
“Hubo una vez un poeta que se enamoró de una tal Beatriz. Las Beatrices producen amores inconmesurables.”
“-Beatriz. Me la quedé mirando, y me enamoré de ella.
Neruda se rascó su plácida calvicie con el dorso del lápiz.
-Tan rápido.
-No, tan rápido no. Me la quedé mirando como diez minutos.”
“...una muchacha de unos diecisiete años con un pelo castaño enrulado y deshecho por la brisa, unos ojos marrones tristes y seguros, rotundos como ciruelas, un cuello que se deslizaba hacia unos senos maliciosamente oprimidos por esa camiseta blanca con dos números menos de los precisos, dos pezones, aunque cubiertos, alborotadores, y una cintura de esas que se cogen para bailar tango hasta que la madrugada y el vino se agotan.”
“Mario mantuvo su mirada en los ojos de ella y durante medio minuto intentó que su cerebro lo dotara de las informaciones mínimas para sobrevivir el trauma que lo oprimía: quién soy, dónde estoy, cómo se respira, cómo se habla.”
“junio de 1969 dos motivos tan afortunados”
“Nada más que en la mayonesa se gastaron catorce huevos, e incluso se encomendó a Pablo Neftalí la delicada misión de espiar a la gallina castellana y tararear «Venceremos», cuando ésta depusiera su huevo diario para quebrarlo ante ese manjar amarillo que estaba resultando espeso gracias a que”
“Nada más que en la mayonesa se gastaron catorce huevos, e incluso se encomendó a Pablo Neftalí la delicada misión de espiar a la gallina castellana y tararear «Venceremos», cuando ésta depusiera su huevo diario para quebrarlo ante ese manjar amarillo que estaba resultando espeso gracias a que ninguna de las mujeres menstruaba esa tarde. No”
“Maybe unhappiness is the continuum through which a human life moves, and joy just a series of blips, of islands in the stream.”
“As they slithered up the muddy bank, scores of tiny silver fish that had been feasting on the open wounds were slow to relinquish their hold and were drawn out with the carcasses. Stranded upon the mud-banks, they flopped and quivered like stars that had fallen to earth.”
“We are one of those couples i used to watch, thinking to myself that I'd never be on the inside of something so special. I remember reassuring myself that it probably looked nicer than it actually was, I am happy to be wrong about that.”
“If anyone asks you if you’re taken,” I said, “the answer is yes.”
“I think I can live with that,” he promised.
“Good,” I said. “Because you don’t want to see me be cross.”
“Too late.”
“Shut up and dance, Walt.”
“Shut up and dance, Walt.”
We did—with the music of a psychotic griffin screaming behind us, and the sirens and horns of Brooklyn wailing below. It was quite romantic.”
“It seems that what I really want is a drug that will increase my consciousness of others, not myself.”
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