The Minotaur Takes a Cigarette Break

There, in the horseshoe drive, Kelly, gullible and mortal Kelly, awaits an explanation from a bedraggled immortal. The Minotaur accepts this temporary blessing for all it is worth. There are few things that he knows, these among them: that is is inevitable, even necessary, for a creature half man and half bull to walk the face of the earth; that in the numbing span of eternity even the most monstrous among us needs love; that the minutiae of life sometimes defer to folly; that even in the most tedious unending life there comes, occasionally, hope. One simply has to wait and be ready.

Standing at the window, reading the menu of Obediah's services, the Minotaur wishes he could believe in what she has to offer: a promise woven into deep lines of his palm, some turn of fate told by a card. But faith is a nebulous thing and charlatans a dime a dozen; it's always been that way. The Minotaur both envies and pities the devout.

The architecture of the Minotaur’s heart is ancient. Rough hewn and many chambered, his heart is a plodding laborious thing, built for churning through the millennia. But the blood it pumps—the blood it has pumped for five thousand years, the blood it will pump for the rest of his life—is nearly human blood. It carries with it, through his monster’s veins, the weighty, necessary, terrible stuff of human existence: fear, wonder, hope, wickedness, love. But in the Minotaur’s world it is far easier to kill and devour seven virgins year after year, their rattling bones rising at his feet like a sea of cracked ice, than to accept tenderness and return it.

Cecie keeps telling him she’d like to take him home some night, husband or no. The Minotaur waits hopefully. Husband or no.

Pity the child for his loss. He truly wanted his laser gun to kill the Minotaur, believed that it would, even. Each time an act of hope fails, the capacity for experiencing hope itself diminishes. The child will be lucky if he reaches adulthood with even a shred of faith intact.