Quotes from The Minotaur Takes a Cigarette Break

“There, in the horseshoe drive, Kelly, gullible and mortal Kelly, awaits an explanation from a bedraggled immortal. The Minotaur accepts this temporary blessing for all it is worth. There are few things that he knows, these among them: that is is inevitable, even necessary, for a creature half man and half bull to walk the face of the earth; that in the numbing span of eternity even the most monstrous among us needs love; that the minutiae of life sometimes defer to folly; that even in the most tedious unending life there comes, occasionally, hope. One simply has to wait and be ready.”
― Steven Sherrill, quote from The Minotaur Takes a Cigarette Break

“Standing at the window, reading the menu of Obediah's services, the Minotaur wishes he could believe in what she has to offer: a promise woven into deep lines of his palm, some turn of fate told by a card. But faith is a nebulous thing and charlatans a dime a dozen; it's always been that way. The Minotaur both envies and pities the devout.”
― Steven Sherrill, quote from The Minotaur Takes a Cigarette Break

“The architecture of the Minotaur’s heart is ancient. Rough hewn and many chambered, his heart is a plodding laborious thing, built for churning through the millennia. But the blood it pumps—the blood it has pumped for five thousand years, the blood it will pump for the rest of his life—is nearly human blood. It carries with it, through his monster’s veins, the weighty, necessary, terrible stuff of human existence: fear, wonder, hope, wickedness, love. But in the Minotaur’s world it is far easier to kill and devour seven virgins year after year, their rattling bones rising at his feet like a sea of cracked ice, than to accept tenderness and return it.”
― Steven Sherrill, quote from The Minotaur Takes a Cigarette Break

“Cecie keeps telling him she’d like to take him home some night, husband or no. The Minotaur waits hopefully. Husband or no.”
― Steven Sherrill, quote from The Minotaur Takes a Cigarette Break

“Pity the child for his loss. He truly wanted his laser gun to kill the Minotaur, believed that it would, even. Each time an act of hope fails, the capacity for experiencing hope itself diminishes. The child will be lucky if he reaches adulthood with even a shred of faith intact.”
― Steven Sherrill, quote from The Minotaur Takes a Cigarette Break

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“Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men--that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.”
― Susan Fletcher, quote from Shadow Spinner

“As ingenious as this explanation is, it seems to me to miss entirely the emotional significance of the text- its beautiful and beautifully economical evocation of certain difficult feelings that most ordinary people, at least, are all too familiar with: searing regret for the past we must abandon, tragic longing for what must be left behind. (...) Still, perhaps that's the pagan, the Hellenist in me talking. (Rabbi Friedman, by contrast, cannot bring himself even to contemplate that what the people of Sodom intend to do to the two male angels, as they crowd around Lot's house at the beginning of the narrative, is to rape them, and interpretation blandly accepted by Rashi, who blithely points out thta if the Sodomites hadn't wanted sexual pleasure from the angels, Lot wouldn't have suggested, as he rather startingly does, that the Sodomites take his two daughter as subsitutes. But then, Rashi was French.)

It is this temperamental failure to understand Sodom in its own context, as an ancient metropolis of the Near East, as a site of sophisticated, even decadent delights and hyper-civilized beauties, that results in the commentator's inability to see the true meaning of the two crucial elements of this story: the angel's command to Lot's family not to turn and look back at the city they are fleeing, and the transformation of Lot's wife into a pillar of salt. For if you see Sodom as beautiful -which it will seem to be all the more so, no doubt, for having to be abandoned and lost forever, precisely the way in which, say, relatives who are dead are always somehow more beautiful and good than those who still live- then it seems clear that Lot and his family are commanded not to look back at it not as a punishment, but for a practical reason: because regret for what we have lost, for the pasts we have to abandon, often poisons any attempts to make a new life, which is what Lot and his family now must do, as Noah and his family once had to do, as indeed all those who survive awful annihilations must somehow do. This explanation, in turn, helps explain the form that the punishment of Lot's wife took- if indeed it was a punishment to begin with, which I personally do not believe it was, since to me it seems far more like a natural process, the inevitable outcome of her character. For those who are compelled by their natures always to be looking back at what has been, rather than forward into the future, the great danger is tears, the unstoppable weeping that the Greeks, if not the author of Genesis, knew was not only a pain but a narcotic pleasure, too: a mournful contemplation so flawless, so crystalline, that it can, in the end, immobilize you.”
― Daniel Mendelsohn, quote from The Lost: A Search for Six of Six Million

“He stopped chopping again and, looking at her, asked, “What made you decide?” “Bear’s new leg. That old blue plaid flannel...” “Old?” Preacher asked, smiling slightly. “That was a perfectly good shirt.” *”
― Robyn Carr, quote from Shelter Mountain

“That's what I thought" he said. "It doesn't change anything, Zinzi". He moved to kiss me, but as I tilted my head up, he pressed the mango against my lips instead. "Idiot" I said, wiping my mouth, mainly to hide my smile. "Adulterer", he grinned. "Unwitting accomplice!" "You weren't so unwitting last night. And besides polygamie is legal in Congo." "Did I call you an idiot already?" "Only as much as I deserve." This time he did kiss me. I handed over twelve bucks for the mango and tucked myself under his arm, forcing Sloth to shuffle over begrudgingly. "Are we a terrible cliché?" "Isn't everybody?" he said.”
― Lauren Beukes, quote from Zoo City

“Love and war, it seemed, worked by the same rules. One had to hurry, before the fires flared out.”
― Robin Oliveira, quote from My Name is Mary Sutter

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