Daniel Keyes · 374 pages
Rating: (10.2K votes)
“By shutting out the real world we can live peacefully in ours. We know that a world without pain is a world without feeling… But a world without feeling is a world without pain.”
― Daniel Keyes, quote from The Minds of Billy Milligan
“To control one's own destiny takes a mastermind. To execute the plans takes a fool.”
― Daniel Keyes, quote from The Minds of Billy Milligan
“Что важнее, расширять кругозор или демонстрировать чувства? Может, даже сам вопрос неверный, потому что у тебя чувств нет. Вероятно, если подавить их и жить исключительно логикой, можно стать выдающимся полезным человеком, но ты останешься одинок и будешь никому не нужен.”
― Daniel Keyes, quote from The Minds of Billy Milligan
“Is life worth living in the jaws of society's trash can for misfit minds? What can I possibly achieve or contribute to mankind in this steel and concrete box with a damn loud laughing wall that moves? Just give up?”
― Daniel Keyes, quote from The Minds of Billy Milligan
“Rasa benci tidak mungkin sepenuhnya dibersihkan. Itulah hal yang harus kita terima, agar tetap punya sifat kuat dan agresif.”
― Daniel Keyes, quote from The Minds of Billy Milligan
“Бог придуман теми, кто боится неизвестного, - сказал Артур.”
― Daniel Keyes, quote from The Minds of Billy Milligan
“Glaring coldly at us, the small crowd got out of their hard back chairs and zombied down the hall until the closing clanks of the big iron doors began. The expressionless men that wore drooling towels like bibs walked even slower but the burly attendants hurried them with a stinging crack of the wide leather belts, allowing them no dignity whatsoever. Thorazine, Prolixion, Haldol and any other psychotropic drug on the market maintained and assured obedience of the strictest kind, so it was fed like candy. No humanity, but I almost forgot. We are not human. Clank!”
― Daniel Keyes, quote from The Minds of Billy Milligan
“Me, a nothingness zombie in a nothingness box in a nothingness hell.”
― Daniel Keyes, quote from The Minds of Billy Milligan
“Ukraine, in contrast, had deep ethnic, cultural, and economic ties to Russia—and to Putin. It was the historical root of Russia itself: Kievan Rus, the medieval fief whose leader, Vladimir the Great, adopted Christianity in 988, and the frontier of the tsarist empires that followed—its name translated literally as the Ukraine, or “the border.” Its borders had shifted over time: Parts of its western territory had belonged to Poland or the Austro-Hungarian Empire; Stalin seized some of it with his secret pact with Hitler in 1939 and the rest after the end of the Great Patriotic War. Ukraine’s modern shape took form, but it seemed ephemeral, subject to the larger forces of geopolitics, as most borderlands have been throughout history. In 1954, Nikita Khrushchev decreed that Crimea, conquered by Catherine the Great in the eighteenth century and heroically defended against the Nazis, would be governed by the Ukrainian Soviet Socialist Republic from Kiev, not from Moscow. No”
― quote from The New Tsar: The Rise and Reign of Vladimir Putin
“Dandelion, staring into the dying embers, sat much longer, alone, quietly strumming his lute. It began with a few bars, from which an elegant, soothing melody emerged. The lyric suited the melody, and came into being simultaneously with it, the words bending into the music, becoming set in it like insects in translucent, golden lumps of amber.
The ballad told of a certain witcher and a certain poet. About how the witcher and the poet met on the seashore, among the crying of seagulls, and how they fell in love at first sight. About how beautiful and powerful was their love. About how nothing - not even death - was able to destroy that love and part them.
Dandelion knew that few would believe the story told by the ballad, but he was not concerned. He knew ballads were not written to be believed, but to move their audience.
Several years later, Dandelion could have changed the contents of the ballad and written about what had really occurred. He did not. For the true story would not have move anyone. Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted.
No, Dandelion stuck with his first version. And he never sang it. Never. To no one.
Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.”
― Andrzej Sapkowski, quote from Sword of Destiny
“Where should I go?" -Alice. "That depends on where you want to end up." - The Cheshire Cat.”
― Lewis Carroll, quote from The Annotated Alice
“War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner.”
― Cormac McCarthy, quote from Blood Meridian: Or the Evening Redness in the West
“But just understand the difference between a man like Reardon and a man like me. He is the old type of unpractical artist; I am the literary man of 1882. He won't make concessions, or rather, he can't make them; he can't supply the market. I--well, you may say that at present, I do nothing; but that's a great mistake, I am learning my business. Literature nowadays is a trade. Putting aside men of genius, who may succeed by mere cosmic force, your successful man of letters is your skilful tradesman. He thinks first and foremost of the markets; when one kind of goods begins to go off slackly, he is ready with something new and appetising. He knows perfectly all the possible sources of income. Whatever he has to sell, he'll get payment for it from all sorts of various quarters; none of your unpractical selling for a lump sum to a middleman who will make six distinct profits.”
― George Gissing, quote from New Grub Street
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