“Of course it would cost something, but he was an expert in cutting corners; and when there were no more corners left he would make circles rounder.”
― Bernard Malamud, quote from The Magic Barrel
“Her face deeply moved him. Why, he could at first not say. It gave him the impression of youth--spring flowers, yet age--a sense of having been used to the bone, wasted; this came from the eyes, which were hauntingly familiar, yet absolutely strange. He had a vivid impression that he had met her before, but try as he might he could not place her although he could almost recall her name, as he had read it in her own handwriting. No, this couldn't be; he would have remembered her. It was not, he affirmed, that she had an extraordinary beauty--no, though her face was attractive enough; it was that something about her moved him. Feature for feature, even some of the ladies of the photographs could do better; but she lapsed forth to this heart--had lived, or wanted to--more than just wanted, perhaps regretted how she had lived--had somehow deeply suffered: it could be seen in the depths of those reluctant eyes, and from the way the light enclosed and shone from her, and within her, opening realms of possibility: this was her own. Her he desired. His head ached and eyes narrowed with the intensity of his gazing, then as if an obscure fog had blown up in the mind, he experienced fear of her and was aware that he had received an impression, somehow, of evil. He shuddered, saying softly, it is thus with us all. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. But before he had finished drinking, again with excitement he examined the face and found it good: good for Leo Finkle. Only such a one could understand him and help him seek whatever he was seeking. She might, perhaps, love him. How she had happened to be among the discards in Salzman's barrel he could never guess, but he knew he must urgently go find her.”
― Bernard Malamud, quote from The Magic Barrel
“She is not for you. She is a wild one--wild, without shame. This is not a bride for a rabbi".”
― Bernard Malamud, quote from The Magic Barrel
“Leo hurried up to bed and hid under the covers. Under the covers he thought his life through. Although he soon fell asleep he could not sleep her out of his mind. He woke, beating his breast. Though he prayed to be rid of her, his prayers went unanswered. Through days of torment he endlessly struggled not to love her; fearing success, he escaped it. He then concluded to convert her to goodness, himself to God. The idea alternately nauseated and exalted him.”
― Bernard Malamud, quote from The Magic Barrel
“But that’s what happened, Freeman, who had often been in love, told himself. Until you were lovers you were strangers.”
― Bernard Malamud, quote from The Magic Barrel
Bernard Malamud
Born place: in Brooklyn, New York, The United States
Born date April 28, 1914
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“Nobody can change who you are, except for you.”
― Jean Kwok, quote from Girl in Translation
“Every human being who has ever lived has the same potential in them for good and evil. Mortal or sorcerer, it doesn't matter. Power has a way of bringing out the worst in people. Mevolent. Serpine. Hitler. Lord Vile. Darquesse. We're all the same."
"You just put me on a list with Hitler."
"You're going to start sulking again, aren't you?”
― Derek Landy, quote from Death Bringer
“First of all, I'm not narcissistic." When she opened her lips to argue, he said, "I know Narkissos of Thespiae -- while we might share traits, I came first, so he's Lothairistic, not the other way around.”
― Kresley Cole, quote from Lothaire
“And from today onward, I want to never be separated from you. Wherever you go, I go. Even if that means going to hell itself, wherever you are, that's where I want to be. Forever.”
― Sarah J. Maas, quote from The Assassin and the Underworld
“Conflict resolution,' said Nightingale. 'Is this what they teach at Hendon these days?'
'Yes, sir,' I said. 'But don't worry, they also teach us how to beat people with phone books and the ten best ways to plant evidence.”
― Ben Aaronovitch, quote from Rivers of London
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