“Зная, что я фетишист женских ножек, зная, что её ноги дивно красивы (не поверишь, что они принадлежат сорокапятилетней женщине), нет, именно поэтому она старается, чтобы я видел их как можно реже. Даже в середине лета, в самую жару, она не снимает носков. Когда я умоляю позволить мне поцеловать ступни её ног, она не желает и слушать, говоря: "Какая пакость!", или: "Не смей ко мне прикасаться!”
― Jun'ichirō Tanizaki, quote from The Key
“Quiero que ella me vuelva loco de celos. Deseo que me haga sospechar que ha ido demasiado lejos. Quiero que haga eso.”
― Jun'ichirō Tanizaki, quote from The Key
“Me gusta ver cómo se esfuerza por mantenerse sobria y pálida y por parecer fría. En esas ocasiones hay en ella algo tan seductor que desafía la descripción.”
― Jun'ichirō Tanizaki, quote from The Key
“En aquel momento tenía la sensación de haber accedido bruscamente a otro mundo, había ascendido a una altura vertiginosa, al cenit del éxtasis. Aquello era la realidad, y el pasado una mera ilusión. Estábamos solos, abrazados… Tal vez lo que estaba haciendo acabaría conmigo, pero esos momentos durarían eternamente.”
― Jun'ichirō Tanizaki, quote from The Key
“Cuanto más le odiaba, tanto más intentaba amarle, y lo conseguía. Estimulada por el apetito sexual, no podía hacer otra cosa.”
― Jun'ichirō Tanizaki, quote from The Key
“Era mortificante pensar que otro hombre había descubierto ese exótico aspecto de su belleza que a mí se me había pasado por alto. Supongo que los maridos no son tan observadores, porque miran a sus esposas de una manera invariable.”
― Jun'ichirō Tanizaki, quote from The Key
“Не знаю, как другие женщины, а моя жена так сотворена, что даже если она занималась этим днем и продолжила ночью, и так день за днем, ей все будет мало. После встречи с любовником проделать то же самое с ненавистным мужем должно быть невыносимой пыткой, но она - исключение. Даже, если я ей противен, её плоть не может мне отказать. Как бы ни пыталась она меня отвергнуть, вожделение возьмет верх, и она подчинится ему с еще большим самозабвением. Я забыл, что именно это делает шлюху шлюхой...”
― Jun'ichirō Tanizaki, quote from The Key
Jun'ichirō Tanizaki
Born place: in Nihonbashi,Tokyo, Japan
Born date July 24, 1886
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“The people can be forced to fear, but not to love.”
― Steve Berry, quote from The Romanov Prophecy
“Charlie Brown: A penny! Rats! Why couldn't I have found a nickel? What good is a penny these days? Why do things like that always happen to me?! *walks off frustrated*
Lucy: Gee, he found a penny! Why don't things like that ever happen to me?”
― Charles M. Schulz, quote from The Complete Peanuts, Vol. 1: 1950-1952
“In 2007, Jeffrey Flier, dean of Harvard Medical School and his wife and colleague in obesity research, Terry Maratos-Flier, published an article in Scientific American called “What Fuels Fat.” In it, they described the intimate link between appetite and energy expenditure, making clear that they are not simply variables that an individual can consciously decide to change with the only effect being that his or her fat tissue will get smaller or larger to compensate. An animal whose food is suddenly restricted tends to reduce its energy expenditure both by being less active and by slowing energy use in cells, thereby limiting weight loss. It also experiences increased hunger so that once the restriction ends, it will eat more than its prior norm until the earlier weight is attained. What the Fliers accomplished in just two sentences is to explain why a hundred years of intuitively obvious dietary advice—eat less—doesn’t work in animals. If we restrict the amount of food an animal can eat (we can’t just tell it to eat less, we have to give it no choice), not only does it get hungry, but it actually expends less energy. Its metabolic rate slows down. Its cells burn less energy (because they have less energy to burn). And when it gets a chance to eat as much as it wants, it gains the weight right back. The”
― quote from Why We Get Fat: And What to Do About It
“Thence, we drove a few miles across a swamp, along a raised shell road, with a canal on one hand and a dense wood on the other; and here and there, in the distance, a ragged and angular-limbed and moss-bearded cypress, top standing out, clear cut against the sky, and as quaint of form as the apple-trees in Japanese pictures—such was our course and the surroundings of it.”
― Mark Twain, quote from Life on the Mississippi
“I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.”
As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.”
Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.”
“I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.”
“Again, thanks,” he gritted.
He wants us!
Stupid demon.
William grinned. “Maybe we can make out later. I know you want me.”
Tell him yes!
Not another word out of you, or—
“Paris? Warrior?” Zacharel said. “Are you
listening to me?”
“No.”
Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.”
“Oh, yeah. I definitely have attention deficient demon.”
― Gena Showalter, quote from The Darkest Seduction
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