“You've got to get obsessed and stay obsessed.”
― John Irving, quote from The Hotel New Hampshire
“It is hard work and great art to make life not so serious.”
― John Irving, quote from The Hotel New Hampshire
“So we dream on. Thus we invent our lives. We give ourselves a sainted mother, we make our father a hero; and someone’s older brother and someone’s older sister – they become our heroes too. We invent what we love and what we fear. There is always a brave lost brother – and a little lost sister, too. We dream on and on: the best hotel, the perfect family, the resort life. And our dreams escape us almost as vividly as we can imagine them… That’s what happens, like it or not. And because that’s what happens, this is what we need: we need a good, smart bear… Coach Bob knew it all along: you’ve got to get obsessed and stay obsessed. You have to keep passing the open windows.”
― John Irving, quote from The Hotel New Hampshire
“You take every opportunity given you in this world, even if you have too many opportunities. One day, the opportunities stop, you know.”
― John Irving, quote from The Hotel New Hampshire
“Human beings are remarkable - at what we can learn to live with. If we couldn't get strong from what we lose, and what we miss, and what we want and can't have, then we couldn't ever get strong enough, could we? What else makes us strong?”
― John Irving, quote from The Hotel New Hampshire
“Just when you begin thinking of yourself as memorable, you run into someone who can't even remember having met you”
― John Irving, quote from The Hotel New Hampshire
“Safer than we are.” I told Franny. “Safer than love.” “let me tell ya kid,” Franny said to me, squeezing my hand. “Everything’s safer than love.”
― John Irving, quote from The Hotel New Hampshire
“If we couldn't get strong from what we lose, and what we miss, and what we want and can't have, then we couldn't ever get strong enough.”
― John Irving, quote from The Hotel New Hampshire
“And Father said, “There are no happy endings.” “Right!” cried Iowa Bob – an odd mixture of exuberance and stoicism in his cracked voice. “Death is horrible, final, and frequently premature,” Coach Bob declared. “So what?” my father said. “Right!” cried Iowa Bob. “That’s the point: So what?” Thus the family maxim was that an unhappy ending did not undermine a rich and energetic life. This was based on the belief that there were no happy endings.”
― John Irving, quote from The Hotel New Hampshire
“But I felt certain that if the world would stop indulging wars and famines and other perils, it would be possible for human beings to embarrass each other to death. Our self-destruction might take a little longer that way, but I believe it would be no less complete.”
― John Irving, quote from The Hotel New Hampshire
“Lilly was not crazy. She left a serious suicide note.
'Sorry,' said the note.
'Just not big enough.”
― John Irving, quote from The Hotel New Hampshire
“Don’t you understand?” he would say, “You imagine the story better than I remember it.”
― John Irving, quote from The Hotel New Hampshire
“Sell my old clothes - I'm off to heaven”
― John Irving, quote from The Hotel New Hampshire
“So we dream on. Thus we invent our lives. We give ourselves a sainted mother, we make our father a hero; and someone’s older brother and someone’s older sister – they become our heroes too. We invent what we love and what we fear. There is always a brave lost brother – and a little lost sister, too. We dream on and on: the best hotel, the perfect family, the resort life. And our dreams escape us almost as vividly as we can imagine them.”
― John Irving, quote from The Hotel New Hampshire
“Nothing moves at the Hotel New Hampshire! We're screwed down here-for life!”
― John Irving, quote from The Hotel New Hampshire
“What she might have told him was that taxidermy, like sex, is a very personal subject; the manner in which we impose it on others should be discreet.”
― John Irving, quote from The Hotel New Hampshire
“Some producer actually told Franny that profanity revealed a poor vocabulary and a lack of imagination. And Frank and Lilly and Father and I all loved to shout at Franny, then, and ask her what she had said to that. 'What an anal crock of shit, you dumb asshole!' she'd told the producer. 'Up yours - and in your ear, too!”
― John Irving, quote from The Hotel New Hampshire
“But I often think that so-called glamorous people are just very busy people.”
― John Irving, quote from The Hotel New Hampshire
“I felt certain that if the world would stop indulging wars and famines and other perils, it would still be possible for human beings to embarrass each other to death. Our self-destruction might take a little longer that way, but I believe it would be no less complete.”
― John Irving, quote from The Hotel New Hampshire
“A terrorist, I think, is simply another kind of pornographer. The pornographer pretends he is disgusted by his work; the terrorist pretends he is uninterested in the means. The ends, they say, are what they care about. But they are both lying. Ernst loved his pornography; Ernst worshiped the means. It is never the ends that matter -- it is only the means that matter. The terrorist and the pornographer are in it for the means. The means is everything to them. The blast of the bomb, the elephant position, the Schlagobers and blood -- they love it all. Their intellectual detachment is a fraud; their indifference is feigned. They both tell lies about having ‘higher purposes.’ A terrorist is a pornographer.”
― John Irving, quote from The Hotel New Hampshire
“Hang in there, Frank!' Freud called - to the entire lobby. 'Don't let anyone tell you you're queer! You're a prince, Frank!' Freud cried. 'You're better than Rudolf!' Freud yelled to Frank. 'You're more majestic than all the Hapsburgs, Frank!' Freud encouraged him. Frank couldn't speak, he was crying so hard.”
― John Irving, quote from The Hotel New Hampshire
“Of course: because it was in one of the camps that he went blind. They had performed some failed experiment on his eyes in the camp.
‘No, not summer camp,’ Franny had to tell Lilly, who had always been afraid of being sent to summer camp, and was unsurprised to hear that they tortured the campers.”
― John Irving, quote from The Hotel New Hampshire
“Franny’s Hollywood name, her acting name, is one you know. This is our family’s story, and it’s inappropriate for me to use Franny’s stage name – but I know that you know her. Franny is the one you always desire. She is the best one, even when she’s the villain; she always the real hero, even when she dies, even when she dies for love – or worse, for war. She’s the most beautiful, the most unapproachable, but the most vulnerable too, somehow – and the toughest. (She’s why you go to the movie, or why you stay.)”
― John Irving, quote from The Hotel New Hampshire
“...the single ingredient in American literature that distinguishes it from other literatures of the world is a kind of giddy, illogical hopefulness. It is quite technically sophisticated while remaining ideologically naïve.”
― John Irving, quote from The Hotel New Hampshire
“Doris Wales was a woman with straw-blond hair whose body appeared to have been dipped in corn oil; then she must have put her dress on, wet. The dress grabbed at all her parts, and plunged and sagged over the gaps in her body; a lover’s line of hickeys, or love bites – ‘love-sucks,’ Franny called them – dotted Doris’s chest and throat like a violent rash; the welts were like wounds from a whip. She wore plum-covered lipstick, some of which was on her teeth, and she said, to Sabrina Jones and me, ‘You want hot-dancin’ music, or slow-neckin’ music? Or both?’
‘Both,’ said Sabrina Jones, without missing a beat, but I felt certain that if the world would stop indulging wars and famines and other perils, it would still be possible for human beings to embarrass each other to death. Our self-destruction might take a little longer that way, but I believe it would be no less complete.”
― John Irving, quote from The Hotel New Hampshire
“I made some fresh pasta with a neat machine Frank brought from New York; it flattens the dough in sheets and cuts the pasta into any shape you want. It’s important to have toys like that, if you live in Maine.”
― John Irving, quote from The Hotel New Hampshire
“People are like that .... They need to make their own worst experiences universal. It gives them a kind of support.’ And who can blame them? It is just infuriating to argue with someone like that; because of an experience that has denied them their humanity, they go around denying another kind of humanity in others, which is the truth of human variety -- it stands alongside our sameness.”
― John Irving, quote from The Hotel New Hampshire
“I walked all the way through the Heldenplatz – the Plaza of Heroes – and stood where thousands of cheering fascists had greeted Hitler, once. I thought that fanatics would always have an audience; all one might hope to influence was the size of the audience.”
― John Irving, quote from The Hotel New Hampshire
“Of course this chattering diary is a facade, the literary equivalent of the everyday smiling face which hides the inward ravages of jealousy, remorse, fear and the consciousness of irretrievable moral failure. Yet such pretenses are not only consolations but may even be productive of a little ersatz courage.”
― Iris Murdoch, quote from The Sea, the Sea
“First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth.
Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.
It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.”
― Carson McCullers, quote from The Ballad of the Sad Café and Other Stories
“Diving is a leap of faith plus gravity.”
― Gabrielle Zevin, quote from Memoirs of a Teenage Amnesiac
“Faith is a device of self-delusion, a sleight of hand done with words and emotions founded on any irrational notion that can be dreamed up. Faith is the attempt to coerce truth to surrender to whim. In simple terms, it is trying to breath life into a lie by trying to outshine reality with the beauty of wishes. Faith is the refuge of fools, the ignorant, and the deluded,not of thinking rational people.”
― Terry Goodkind, quote from Chainfire
“You look a little lost, my dear,' a nun says behind me, and I jump. 'Were you interested in seeing the Bevington Triptych?'
'Oh,' I say. 'Erm... yes. Absolutely.'
'Up there,' she points, and I walk tentatively towards the front of the chapel, hoping it will become obvious what the Bevington Triptych is. A statue, maybe? Or a.. a piece of tapestry?
But as I reach the elderly lady, I see that she's staring up at a whole wall of stained glass windows. I have to admit, they're pretty amazing. I mean look at that huge blue one in the middle. It's fantastic!
'The Bevington Triptych,' says the elderly woman. 'It simply has no parallel, does it?'
'Wow,' I breathe reverentially, staring up with her. 'It's beautiful.'
It really is stunning. God, it just shows, there's no mistaking a real work of art, is there? When you come across real genius, it just leaps out at you. And I'm not even an expert.
'Wonderful colours,' I murmur.
'The detail,' says the woman, clasping her hands, 'is absolutely incomparable.'
'Incomparable,' I echo.
I'm just about to point out the rainbow, which I think is a really nice touch - when I suddenly notice that the elderly woman and I aren't looking at the same thing.
She's looking at some painted wooden thing which I hadn't even noticed.
As inconspicuously as possible, I shift my gaze - and feel a pang of disappointment. Is this the Bevington triptych? But it isn't even pretty!
'Whereas this Victorian rubbish,' the woman
suddenly adds savagely, 'is absolutely criminal! That rainbow! Doesn't it make you feel sick?' She gestures to my big blue window, and I gulp.
'I know,' I say. 'It's shocking, isn't it? Absolutely...
You know - I think I'll just go for a little wander...”
― Sophie Kinsella, quote from Shopaholic Takes Manhattan
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