John Keegan · 352 pages
Rating: (5.6K votes)
“Visually Agincourt is a pre-Raphaelite, perhaps better a Medici Gallery print battle - a composition of strong verticals and horizontals and a conflict of rich dark reds and Lincoln greens against fishscale greys and arctic blues.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“One of Picton's officers fell asleep the instant the halt was sounded and did not think of food until later in the night, when he woke to eat some chops cooked in the breastplate of a dead cuirassier (meat fried in a breastplate was very much à la mode in the Waterloo campaign, rather as rats spitted on a bayonet were to be in 1871 or champagne exhumed from chateau gardens in 1914).”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“common soldier must fear his officer more than the enemy’: Frederick the Great)”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“Rundstedt, revered throughout the German regular officer corps as its last archetypal Prussian, refused to deal with detail or to look at small-scale maps, as if the fighting itself were distasteful to him, but spent his days reading detective stories and thrice resigned his command.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“There cannot be any hard and fast rules. But there can be suggestions and useful analogies. The most useful, to my mind, is that of the difference between the English and French judicial systems. In England (and America), the task of the court in criminal cases, which it devolves upon a jury, is to arrive at a verdict of ‘guilty’ or ‘not guilty’ on the evidence presented by prosecuting and defending counsel in turns. Trials are conflicts and verdicts are decisions; the two sides ‘win’ or ‘lose’. In France, and other countries which observe Roman Law, the task of the court in a criminal case is to arrive at the truth, as far as it can be perceived by human eyes, and the business of establishing the outlines of the truth falls not on a jury, which is strictly asked to enter a judgement, but upon a juge d’instruction. This officer of the court, unknown to English law, is accorded very wide powers of interrogation–of the suspect, his family, his associates–and of investigation–of the circumstances and scene of the crime–at which the suspect is often required to participate in a reconstruction. Only when the juge is satisfied that a crime has indeed occurred and that the suspect is responsible will he allow the case to go forward for prosecution. The character of these two different legal approaches is usually defined as ‘accusatorial’ (English) and ‘inquisitorial’ (French) respectively.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
John Keegan
Born place: in Clapham, London, The United Kingdom
Born date May 15, 1934
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“Isn't it mysterious to begin a new journal like this? I can run my fingers through the fresh clean pages but I cannot guess what the writing on them will be.”
― Maud Hart Lovelace, quote from Betsy in Spite of Herself
“Ir iš tiesų netrukus tekančio vandens šniokštimas pamažu nustelbė visur aplinkui šlamančius medžius, tyliai kalbančius vieni su kitais alsia, gailia šneka, kokia ramiomis dienomis prabyla eukaliptai.”
― Colleen McCullough, quote from The Ladies of Missalonghi
“Don't let a busy life or electronic communication gadgets be your excuse for excess solitude - it's a talent, but a rare one, to make yourself laugh.”
― Mireille Guiliano, quote from French Women Don't Get Fat: The Secret of Eating for Pleasure
“Why do men always resort to calling women bitches when we kick their asses?”
― Christine Feehan, quote from Murder Game
“Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of trouble. But this will not be until midway through your second brochure.”
― Diana Wynne Jones, quote from The Tough Guide to Fantasyland
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