John Keegan · 352 pages
Rating: (5.6K votes)
“Visually Agincourt is a pre-Raphaelite, perhaps better a Medici Gallery print battle - a composition of strong verticals and horizontals and a conflict of rich dark reds and Lincoln greens against fishscale greys and arctic blues.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“One of Picton's officers fell asleep the instant the halt was sounded and did not think of food until later in the night, when he woke to eat some chops cooked in the breastplate of a dead cuirassier (meat fried in a breastplate was very much à la mode in the Waterloo campaign, rather as rats spitted on a bayonet were to be in 1871 or champagne exhumed from chateau gardens in 1914).”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“common soldier must fear his officer more than the enemy’: Frederick the Great)”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“Rundstedt, revered throughout the German regular officer corps as its last archetypal Prussian, refused to deal with detail or to look at small-scale maps, as if the fighting itself were distasteful to him, but spent his days reading detective stories and thrice resigned his command.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“There cannot be any hard and fast rules. But there can be suggestions and useful analogies. The most useful, to my mind, is that of the difference between the English and French judicial systems. In England (and America), the task of the court in criminal cases, which it devolves upon a jury, is to arrive at a verdict of ‘guilty’ or ‘not guilty’ on the evidence presented by prosecuting and defending counsel in turns. Trials are conflicts and verdicts are decisions; the two sides ‘win’ or ‘lose’. In France, and other countries which observe Roman Law, the task of the court in a criminal case is to arrive at the truth, as far as it can be perceived by human eyes, and the business of establishing the outlines of the truth falls not on a jury, which is strictly asked to enter a judgement, but upon a juge d’instruction. This officer of the court, unknown to English law, is accorded very wide powers of interrogation–of the suspect, his family, his associates–and of investigation–of the circumstances and scene of the crime–at which the suspect is often required to participate in a reconstruction. Only when the juge is satisfied that a crime has indeed occurred and that the suspect is responsible will he allow the case to go forward for prosecution. The character of these two different legal approaches is usually defined as ‘accusatorial’ (English) and ‘inquisitorial’ (French) respectively.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
John Keegan
Born place: in Clapham, London, The United Kingdom
Born date May 15, 1934
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“Why figure out what will motivate this kid to learn if, statistically, he’s just another young Black male destined to drop out anyway? He was never referred to a counselor, never tested for a learning disorder, never given some sort of individual attention that might better equip him to navigate junior high school and high school.”
― Jesmyn Ward, quote from Men We Reaped
“Sana süper kahramanlığı hedef almamız gerektiğini söylediğimi biliyorum ama belki de haklısındır. Belki de önce normalliği hedeflemeliyiz.Normalliğin imkansız bir şey olması çok yazık .”
― Leah Thomas, quote from Because You'll Never Meet Me
“The farmers, who rent out their house so they can stay afloat, and sleep all together in a studio, but spend their days off outside on a picnic blanket, living the lives they want to live. Drew and Melanie, with their two homes and their horses and their love story. And Rene, traveling across the world, painting temporary masterpieces. Even my uncle Pete has something good worked out with Melinda and his day trips and his best friend, my dad, who has a small nice house in San Francisco and a dozen neighborhood vendors who know him by name.
All of these different ways of living. Even Sophie, with her baby in that apartment, with her record store job and her record collection. I imagine her twirling with her baby across her red carpet with Diana Ross crooning, the baby laughing, the two of them getting older in that apartment, eating meals on red vinyl chairs. Walt, too, as pathetic as his situation is, seems happy in his basement, providing entertainment to Fort Bragg's inner circle. All of them, in their own ways, manage to make their lives work.”
― Nina LaCour, quote from The Disenchantments
“You don't mind giving up your freedom?"
Vivian tilted her head. "You always have to give up some freedom to live in any society.”
― Demitria Lunetta, quote from In the After
“Einen Rumo zu spielen, bedeutete einerseits, das Schicksal herauszufordern und alles - wirklich alles - zu riskieren. Andererseits versprach es die Möglichkeit eines haushohen Sieges. So kam Rumo zu seinem Namen. (Rumo & Die Wunder im Dunkeln, S. 39)”
― Walter Moers, quote from Rumo: And His Miraculous Adventures
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