“The human heart, no matter what age, will only open to the heart that opens in return.”
― Julie Klassen, quote from The Apothecary's Daughter
“I have no longing for great wealth. For great adventure, yes, to travel widely and love deeply these things I value more than profits. Though certainly one needs enough of those to finance the former things.”
― Julie Klassen, quote from The Apothecary's Daughter
“Yes, sometimes we must lose something...someone...before we realize its worth.”
― Julie Klassen, quote from The Apothecary's Daughter
“The human heart, at whatever age, opens only to the heart that opens in return.
MARIA EDGEWORTH, 19T" CENTURY NOVELIST”
― Julie Klassen, quote from The Apothecary's Daughter
“The apothecary of this country is qualified by education to attend at the bedside of the sick, and, being in general better acquainted with pharmacy than the physicians of English universities ... is often the most successful practitioner.
JEREMIAH JENKINS, OBSERVATIONS ON THE PRESENT STATE OF THE PROFESSION AND TRADE OF MEDICINE, 1810
For”
― Julie Klassen, quote from The Apothecary's Daughter
“You may be small in the attic, but you have a big heart.”
― Julie Klassen, quote from The Apothecary's Daughter
“My father was a North Somerset fisherman. He always said if the apostles needed the Lord to tell them where to cast their nets, then he could do no better than to ask the Almighty for direction as well.”
― Julie Klassen, quote from The Apothecary's Daughter
Julie Klassen
Born place: The United States
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“And I look at him.
Really, truly, look at him.
And I fall in love all over again.”
― Jay McLean, quote from More Than This
“Time goes by so fast. Nothin' can outrun it. Death commences too early--almost before you're half-acquainted with life--you meet the other.”
― Tennessee Williams, quote from Cat on a Hot Tin Roof
“Inhumanity, n. One of the signal and characteristic qualities of humanity.”
― Ambrose Bierce, quote from The Unabridged Devil's Dictionary
“I never saw a sky so blue. Rhett, it's worth living a man's whole life, if, just once, just one time, he gets to see a sky that blue.”
― Donald McCaig, quote from Rhett Butler's People
“John Brooks.’ Immediately, I thought of the odds. First of just surviving in such a place, next of surviving and then becoming a cop. ‘Vertical ghettos, each one of them. Me and John used to say it was the only time when you had to take the elevator up when you were going to hell.’ I just nodded. This was out of my realm completely. ‘And that’s only if the elevators were working,’ he added. I realized that I never considered that Brooks might be a black man. There was no photo in the computer printouts and no reason to mention race in the stories. I had just assumed he was white and it was an assumption I would have to analyze later. At the moment, I was trying to figure out what Washington was trying to tell me by taking me here. Washington pulled into a lot next to one of the buildings. There were a couple of dumpsters coated with decades of graffiti slogans. There was a rusted basketball backboard but the rim was long gone. He put the car in park but left it running. I didn’t know if that was to keep the heat flowing or to allow us a quick getaway if needed. I saw a small group of teenagers in long coats, their faces as dark as the sky, scurry from the building closest to us, then cross a frozen courtyard and hustle into one of the other buildings. ‘At this point you’re wondering what the hell you’re doing here,’ Washington said then. ‘That’s okay, I understand. A white boy like you.’ Again I said nothing. I was letting him run out his line. ‘See that one, third on the right. That was our building. I was on fourteen with my grand-auntie and John lived with his mother on twelve, one below us. They didn’t have no thirteen, already enough bad luck ’round here. Neither of us had fathers. At least ones that showed up.’ I thought he wanted me to say something but I didn’t know what. I had no earthly idea what kind of struggle the two friends must have had to make it out of the tombstone of a building he had pointed at. I remained mute. ‘We were friends for life. Hell, he ended up marrying my first girlfriend, Edna. Then on the department, after we both made homicide and trained with senior detectives for a few years, we asked to be partnered. And damn, it got approved. Story about us in the”
― Michael Connelly, quote from The Poet
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