“Do you know a cure for me?"
"Why yes," he said, "I know a cure for everything. Salt water."
"Salt water?" I asked him.
"Yes," he said, "in one way or the other. Sweat, or tears, or the salt sea.”
― Isak Dinesen, quote from Seven Gothic Tales
“The real difference between God and human beings, he thought, was that God cannot stand continuance. No sooner has he created a season of a year, or a time of the day, than he wishes for something quite different, and sweeps it all away. No sooner was one a young man, and happy at that, than the nature of things would rush one into marriage, martyrdom or old age. And human beings cleave to the existing state of things. All their lives they are striving to hold the moment fast....Their art itself is nothing but the attempt to catch by all means the one particular moment, one light, the momentary beauty of one woman or one flower, and make it everlasting.”
― Isak Dinesen, quote from Seven Gothic Tales
“For really, dreaming is the well-mannered people's way of committing suicide.”
― Isak Dinesen, quote from Seven Gothic Tales
“The cure for anything is salt water: sweat, tears or the sea”
― Isak Dinesen, quote from Seven Gothic Tales
“Where, My Lord, is music bred—upon the instrument or within the ear that listens? The loveliness of woman is created in the eye of man.”
― Isak Dinesen, quote from Seven Gothic Tales
“She had what the Councillor knew, in the technical language of the ballet, as "ballon", a lightness that is not only the negation of weight, but which actually seems to carry upwards and make for flight, and which is rarely found in thin dancers - as if the matter itself had here become lighter than air, so that the more there is of it the better it works.”
― Isak Dinesen, quote from Seven Gothic Tales
“Perhaps to them the first condition for anything having real charm was this: that it must not really exist.”
― Isak Dinesen, quote from Seven Gothic Tales
“Truth, like time, is an idea arising from, and dependent upon, human intercourse.”
― Isak Dinesen, quote from Seven Gothic Tales
“Je suis toutes ces choses. Toutes ces choses, mais j'ai déjà eu une mère, et elle m'aimait.”
― Uzodinma Iweala, quote from Beasts of No Nation
“Another unary photograph is the pornographic photograph (I am not saying the erotic photograph: the erotic is a pornographic that has been disturbed, fissured). Nothing more homogeneous than a pornographic photograph. It is always a naive photograph, without intention and without calculation. Like a shop window which shows only one illuminated piece of jewelry, it is completely constituted by the presentation of only one thing: sex: no secondary, untimely object ever manages to half conceal, delay, or distract... A proof a contrario: Mapplethorpe shifts his close-ups of genitalia from the pornographic to the erotic by photographing the fabric of underwear at very close range: the photograph is no longer unary, since I am interested in the texture of the material.
The presence (the dynamics) of this blind field is, I believe, what distinguishes the erotic photograph from the pornographic photograph. Pornography ordinarily represents the sexual organs, making them into a motionless object (a fetish), flattered like an idol that does not leave its niche; for me, there is no punctum in the pornographic image; at most it amuses me (and even then, boredom follows quickly). The erotic photograph, on the contrary (and this is its very condition), does not make the sexual organs into a central object; it may very well not show them at all; it takes the spectator outside its frame, and it is there that I animate this photograph and that it animates me.”
― Roland Barthes, quote from Camera Lucida: Reflections on Photography
“Fine words and an insinuating appearance are seldom associated with true virtue.”
― Confucius, quote from The Analects
“He’s sort of a homeless horse,” I said.
“I’m leaving for the airport in two seconds, and I won’t be back for a couple days. You can put the horse in the garage, but I don’t want that horse in my apartment.”
“Who would put a horse in an apartment? That’s dumb.”
“Where’s the horse staying now?”
“My apartment.”
“I can always count on you to brighten my day,” Ranger said. And he disconnected.”
― Janet Evanovich, quote from Plum Lucky
“The huge round lunar clock was a gristmill. Shake down all the grains of Time—the big grains of centuries, and the small grains of years, and the tiny grains of hours and minutes—and the clock pulverized them, slid Time silently out in all directions in a fine pollen, carried by cold winds to blanket the town like dust, everywhere. Spores from that clock lodged in your flesh to wrinkle it, to grow bones to monstrous size, to burst feet from shoes like turnips. Oh, how that great machine…dispensed Time in blowing weathers.”
― Ray Bradbury, quote from Farewell Summer
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