“If you should ask me where I've been all this time
I have to say "Things happen."
I have to dwell on stones darkening the earth,
on the river ruined in its own duration:
I know nothing save things the birds have lost,
the sea I left behind, or my sister crying.
Why this abundance of places? Why does day lock
with day? Why the dark night swilling round
in our mouths? And why the dead?”
― Pablo Neruda, quote from Residence on Earth
“Neither the heart cut by a sliver of glass in a wasteland of thorns, nor the atrocious waters seen in the corners of certain houses, waters like eyelids and eyes, could hold your waist in my hands when my heart lifts its oak trees toward your unbreakable thread of snow. Night sugar, spirit of crowns, redeemed human blood, your kisses banish me, and a surge of water with remnants of the sea strikes the silences that wait for you surrounding the worn-out chairs, wearing doors away.”
― Pablo Neruda, quote from Residence on Earth
“Do you not hear the constant victory,
in the human footrace
of time, slow as fire,
sure, and thick and Herculean
accumulating its volume and adding its sad fiber?”
― Pablo Neruda, quote from Residence on Earth
“Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast. It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter. Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes. That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time. Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.”
― Pablo Neruda, quote from Residence on Earth
“Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast. It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter. Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes. That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time. Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down. VALS Yo toco el odio como pecho diurno, yo sin cesar, de ropa en ropa, vengo durmiendo lejos.”
― Pablo Neruda, quote from Residence on Earth
Pablo Neruda
Born place: in Parral, Chile
Born date July 12, 1904
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“I close my eyes and he smells like him. His arms are his. Everything is normal, except I’m wearing clothes and he’s in a hospital robe, and we’re not in a hotel room. He is still him, wearing my heart on his sleeve. Everything I want, right here, in my arms.”
― Katy Evans, quote from Mine
“Lord’. I help the pastor unload the car and carry stuff to a cake stand right next to the train tracks. He installs me there, as caretaker of the cake stand, and – get this – I have to wear a fucken choir gown. Vernon Gucci Little, in his unfashionable Jordan New Jacks, with fucken choir gown.”
― D.B.C. Pierre, quote from Vernon God Little
“Anyway, I’m getting really intolerant of liars, fools, blowhards, and power freaks.”
― Nelson DeMille, quote from Plum Island
“Bristol-Meyers Squibb has reported success with monatomic ruthenium to correct cancer cells. Same with platinum and iridium, according to Platinum Metals Review. These atoms actually make the DNA strand correct itself, rebuilding without drugs or radiation. Iridium has been shown to stimulate the pineal gland and appears to fire up ‘junk DNA,’ leading to the possibility of increased longevity and reopening aging pathways in the brain.”
― James Rollins, quote from Map of Bones
“I'll tell you what: How about no more suicide attempts; no more walking off with strangers; no more trying to fight vampires with silly, human weapons--silver bullets only work on werewolves, Jocelyn--and no more holding Nachari's hand. And we'll be just fine.”
― Tessa Dawn, quote from Blood Destiny
Smog City
I Crawl Through It
The First and Last F...
Always
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