“If you should ask me where I've been all this time
I have to say "Things happen."
I have to dwell on stones darkening the earth,
on the river ruined in its own duration:
I know nothing save things the birds have lost,
the sea I left behind, or my sister crying.
Why this abundance of places? Why does day lock
with day? Why the dark night swilling round
in our mouths? And why the dead?”
― Pablo Neruda, quote from Residence on Earth
“Neither the heart cut by a sliver of glass in a wasteland of thorns, nor the atrocious waters seen in the corners of certain houses, waters like eyelids and eyes, could hold your waist in my hands when my heart lifts its oak trees toward your unbreakable thread of snow. Night sugar, spirit of crowns, redeemed human blood, your kisses banish me, and a surge of water with remnants of the sea strikes the silences that wait for you surrounding the worn-out chairs, wearing doors away.”
― Pablo Neruda, quote from Residence on Earth
“Do you not hear the constant victory,
in the human footrace
of time, slow as fire,
sure, and thick and Herculean
accumulating its volume and adding its sad fiber?”
― Pablo Neruda, quote from Residence on Earth
“Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast. It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter. Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes. That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time. Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.”
― Pablo Neruda, quote from Residence on Earth
“Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast. It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter. Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes. That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time. Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down. VALS Yo toco el odio como pecho diurno, yo sin cesar, de ropa en ropa, vengo durmiendo lejos.”
― Pablo Neruda, quote from Residence on Earth
Pablo Neruda
Born place: in Parral, Chile
Born date July 12, 1904
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“The key to such power is ambiguity. In a society where the roles everyone plays are obvious, the refusal to conform to any standard will excite interest. Be both masculine and feminine, impudent and charming, subtle and outrageous. Let other people worry about being socially acceptable; those types are a dime a dozen, and you are after a power greater than they can imagine.”
― Robert Greene, quote from The Art of Seduction
“I always walked the ragged edge.”
― Lisa Mantchev, quote from Eyes Like Stars
“Basically, the world is a giant shithole. But some of us are capable of imagining something better.”
― Claire LaZebnik, quote from Epic Fail
“Travis, I love you with all of my being, but I love Cassie, too. And right now she needs me more than you do. Forgive me. Meri She loved him. The wonder of the statement seeped into him, but the joy that should have accompanied the knowledge faded beneath his growing frustration and fear. How could she possibly think that anyone needed her more than he did? She was his heart, his very life. If anything happened to her . . . Travis tore the top page from the tablet and hardened his jaw. He’d just have to make sure nothing did happen. After all, if a wife was going to tell her husband she loved him, she ought to do it in person. And he aimed to see that she did precisely that. Right after he kissed the living fire out of her and showed her exactly how much he truly needed her.”
― Karen Witemeyer, quote from Short-Straw Bride
“He thinks I'm beautiful and told me so. He thinks I'm funny because I make him laugh all the time. He's fantastic in bed and when I say that not once, not even once have we been together where he's not taken care of me and it's not unheard of he takes care of me twice in one go.”
― Kristen Ashley, quote from Wild Man
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Year of WondersBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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