“You could’ve warned me.” Jason’s frown was likewise focused on the old man once again. “You both need to pay better attention,” Sensei said. “I didn’t think I needed to explain that glowing metal is hot.”
― Kyle Timmermeyer, quote from Reintroduction
“Only enter a fight if you are ready to finish the fight, by disabling or killing your opponent. Only run if you are ready to be chased. Only allow yourself to be chased if you are able to finish the chase with another fight. Do not waste time or energy.” A question popped into my mind. “What if I can just avoid the opponent completely?” “Avoidance is another word for running,”
― Kyle Timmermeyer, quote from Reintroduction
“When hands of hate turn dark and tragic, Virtue makes for more than magic. Ever since the world was new, They rise, always, a worthy few. When tyrants fill the land with death, And innocents draw in final breath, Warriors noble step from shadow, With powers hidden, end the battle, Committed to win, to do what they must, Defending good hope against the unjust: In spite of danger, doom, and doubt, Before these few, darkness burns out. This timeless history is beget To show how light with darkness met: Their legacy may not be seen, But we recall wits and weapons keen That warriors sharpen and apply, By courage and talent live and die. And so hope we have, in darkest night: The good find a way, and a means, and light.”
― Kyle Timmermeyer, quote from Reintroduction
“If any one teacher ever attempted to tell any one student everything he thought he knew, both would die of boredom and exhaustion, under the weight of so much useless information.”
― Kyle Timmermeyer, quote from Reintroduction
“How should we fight against the emperor... of illusion?” Sensei smiled, spreading his arms with a slight whoosh of wind. “I would have you use your powers as Elementals to ultimately save the world, to stop Devidis.” After a short pause, I said, “And by ‘save the world,’ you mean ‘save Devidis’ mind’?” He nodded solemnly,”
― Kyle Timmermeyer, quote from Reintroduction
“The old man’s voice was soft and sinister, like a snake across swamp water.”
― Kyle Timmermeyer, quote from Reintroduction
“Wait, you’re speaking English… but you’ve only ‘heard’ of the United States?”
― Kyle Timmermeyer, quote from Reintroduction
Kyle Timmermeyer
Born place: in Wichita, KS, The United States
Born date October 30, 1983
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“Black magic never stops. What goes from you comes to you. Once you start this shit, you gotta keep it up. Just like the utility bill. Just like the grocery store. Or they kill you. You got to keep it up. Two, five, ten, twenty years.”
― John Berendt, quote from Midnight in the Garden of Good and Evil
“Then it dawned on me that men throughout the country had to know about nu shu (women's written word). How could they not? They wore it on their embroidered shoes. They saw us weaving our messages into cloth. They heard us singing our songs and showing off our third-day wedding books. Men just considered our writing beneath them.
It is said men have the hearts of iron, while women are made of water. This comes through men's writing and women's writing. Men's writing has more than 50,000 characters, each uniquely different, each with deep meanings and nuances. Our women's writing has 600 characters, which we use phonetically, like babies to create about 10,000 words. Men's writing takes a lifetime to learn and understand. Women's writing is something we pick up as girls, and we rely on the context to coax meaning. Men write about the outer realm of literature, accounts, and crop yields; women write about the inner realm of children, daily chores, and emotions. The men in the Lu household were proud of their wives' fluency in nu shu and dexterity in embroidery, though these things had as much importance to survival as a pig's fart.”
― Lisa See, quote from Snow Flower and the Secret Fan
“I have to return some videotapes”
― Bret Easton Ellis, quote from American Psycho
“It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naïveté on this continent...
...Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.”
― David Foster Wallace, quote from Infinite Jest
“Seriously, I don't know any American girl who can resist an English accent.”
― Stephanie Perkins, quote from Anna and the French Kiss
Love, Rosie
Garden Spells
Anne of the Island
The Dead Girls' Danc...
On the Jellicoe Road
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