Vikram Chandra · 542 pages
Rating: (2.3K votes)
“Ask him why there are hypocrites in the world.'
'Because it is hard to bear the happiness of others.'
'When are we happy?'
'When we desire nothing and realize that possession is only momentary, and so are forever playing.'
'What is regret?'
'To realize that one has spent one's life worrying about the future.'
'What is sorrow?'
'To long for the past.'
'What is the highest pleasure?'
'To hear a good story.”
― Vikram Chandra, quote from Red Earth and Pouring Rain
“And so I began to read,' Sorkar said. 'And at first the complete works were like a jungle, the language was quicksand. Metaphors turned beneath my feet and became biting snakes, similes fled from my grasp like frightened deer, taking all meaning with them. All was alien, and amidst the hanging, entangling creepers of this foreign grammar, all sound became a cacophany. I feared for myself, for my health and sanity, but then I thought of my purpose, of where I was and who I was, of pain and I pressed on.”
― Vikram Chandra, quote from Red Earth and Pouring Rain
“Then what in your opinion is a good story?'
'What it's always been, monkey,' Ganesha said. 'One dhansu conflict. Some chaka-chak song and dance. Grief. Love. Love for the lover, love for the mother. Love for the land. Comedy. Terror. One tremendous villain whom we must love also. All the elements properly balanced and mixed together, item after item, like a perfect meal with a dance of tastes. There you have it.”
― Vikram Chandra, quote from Red Earth and Pouring Rain
“What could my mother be
to yours? What kin is my father
to yours anyway? And how
did you and I meet ever?
But in love
our hearts have mingled
like red earth and pouring rain.”
― Vikram Chandra, quote from Red Earth and Pouring Rain
“The future is simple. The future is simple, I can hold it i the palm of my hand; and the present is just a matter of endurance, detachment, and a sense of humor.”
― Vikram Chandra, quote from Red Earth and Pouring Rain
“--'There is no completeness; nothing endures, nothing lives; there is only change, unreasoning unreasonable; only birth and death repeating the same story each time, yet different; why?' The voice laughed--'Why you know already; look in your hands.”
― Vikram Chandra, quote from Red Earth and Pouring Rain
“Cautiously his foot explored, wiggled as it could, and finally felt warm flesh under the pants leg.”
― David Leavitt, quote from The Lost Language of Cranes
“People always say the greatest love story in the world is Romeo and Juliet. I don't know. At fourteen, at seventeen, I remember, it takes over your whole life." Alice was worked up now, her face flushed and alive, her hands cutting through the night-blooming air. "You think about nobody, nothing else, you don't eat or sleep, you just think about this . . . it's overwhelming. I know, I remember. But is it love? Like how you have cheap brandy when you're young and you think it's marvelous, just so elegant, and you don't know, you don't know anything . . . because, you've never tasted anything better. You're fourteen."
It was no time for lying. "I think it's love"
You do?"
I think maybe it's the only true love."
She was about to say something, and stopped herself. I'd surprised her, I suppose. "How sad if you're right," she said, closing her eyes for a moment. "Because we never end up with them. How sad and stupid if that's how it works.”
― Andrew Sean Greer, quote from The Confessions of Max Tivoli
“For what is genius, I ask you, but the capacity to be obsessed? ...We have all been geniuses, you and I; but sooner or later it is beaten out of us, the glory faded, and by the age of seven most of us are nothing but wretched little adults.”
― Steven Millhauser, quote from Edwin Mullhouse: The Life and Death of an American Writer 1943-1954 by Jeffrey Cartwright
“The thing had been quite unpremeditated on my part. I had not even thought of her as a woman until she came into my arms and revised my thinking on the subject.”
― Roger Zelazny, quote from The Guns of Avalon
“In the wake of World War I, however, the British and French took out their imperial pens and carved up what remained of the Ottoman dynastic empire, and created an assortment of nation-states in the Middle East modeled along their own. The borders of these new states consisted of neat polygons—with right angles that were always in sharp contrast to the chaotic reality on the ground. In the Middle East, modern Syria, Lebanon, Iraq, Palestine, Jordan and the various Persian Gulf oil states all traced their shapes and origins back to this process; even most of their names were imposed by outsiders. In other words, many of the states in the Middle East today—Egypt being the most notable exception—were not willed into existence by their own people or developed organically out of a common historical memory or”
― quote from From Beirut to Jerusalem
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